Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.
Piero Cappuccilli and Shirley Verrett lead Verdi’s sombre masterpiece, drawn from one of Shakespeare’s most celebrated tragedies. Filmed for television at Teatro alla Scala in 1979, Claudio Abbado conductes a night to remember.
A romantic drama about two couples shifting sexual dynamics over one night in a music bar.
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.
A New york producer sends a spy to a nightclub to report back on the musical acts.
This animated short by Theodore Ushev is like a whirlwind tour of Russian constructivist art and is filled with visual references to artists of the era, including Vertov, Stenberg, Rodchenko, Lissitsky and Popova.
Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
In this Broadway Brevities short, a stunt double is hit on the head and imagines himself in a series of movie scenes with doubles for various stars.
The Happines Boys Billy Jones and Earnie Hare are invited to a party, but separate themselves from the rest of the guests, so they can not be urged to perform. However, they are watching the other guests from radio doing their stuff: song team Reece & Dunn, as well as the Funnyboners are singing, Smith Ballew and Frances Langford are exchanging love songs, Arthur Tracy tries his luck with a girl, just to find out that she prefers Bing Crosby and 4 orchestra leaders are trying to find out, who the best conductor is, by conducting a piece of recorded music....
Set in a high school in Nishi-Izu slated to close next spring, the story follows members of the school’s broadcasting club as they face their “final summer.” It quietly captures their everyday moments as they try to leave something behind—an imprint of youth, memory, and time. Originally composed as the main theme for Kikujiro (1999), Joe Hisaishi’s timeless piece “Summer” has long been cherished in Japan as the soundtrack of nostalgic summer memories. Now, this beloved masterpiece is reimagined as a short film.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music and nature. Out of the abyss, Kathleen Ferrier sings “The Farewell” from Gustav Mahler’s “The Song of the Earth”, (which the composer wrote in 1909 after the death of his daughter) and Heinrich Schütz’s Lament on the Death of His Wife. The landscape also provides solace: the mountain grove where Endymion pines for his beloved Artemis, “a wild thing, untouchable, mortal,” appears to embody the Japanese concept of ‘mono no aware’ — a wistful acceptance of the fleeting beauty of things.
This short movie takes us through beautiful landscapes and oppressive spaces. A dream sequence that leads to liberation, on the border between imagination and reality. We travel with a boy who matures. He dreams, he dances, he is the conductor. The only.
This is Laurent Pelly’s Théâtre des Champs-Élysées staging of Rossini’s Il barbiere di Siviglia, with a cast featuring Florian Sempey as Figaro, Catherine Trottmann as Rosina, and Michele Angelini as Il Conte Almaviva. Jérémie Rhorer conducts Le Cercle de l-Harmonie.
Debauchery, over-indulgence and an unapologetic disregard for safety; welcome to the world of the British hard rock sensation ASKING ALEXANDRIA. With their critically acclaimed sophomore album "Reckless & Relentless" debuting at #9 on The Billboard Top 10, they have dominated the landscape of heavy music with their unforgettable live show and iconic personas. The new, shocking short film "Through Sin and Self-Destruction" is a controversial, uncensored look into the real lives of a new era of rockstars for today’s generation as they take over the Sunset Strip.
Tonoin Kei, a musical genius, becomes the new conductor of Fujimi, clashing with the group's leader, Morimura Yuuki, who is unaware of Kei's feelings for him.
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.