Anpadh

Shankar is married to Gauri, but she has the brain of a child and does not accept him as her husband. She changes her behaviour and lives the life of a wife after attending the wedding of her friend.

Indian horror movie from 1989.

Widowed soon after marriage, a young woman grapples with an inability to grieve, quirky relatives and a startling discovery about her late husband.

Yashpal tries to rape Jeeva and her husband, Shiva, stops him while she manages to escape. However, Yashpal kills him and she vows to avenge his death.

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

A newly constructed mall is suspected to be haunted when a few workers are mysteriously killed during its construction. Vishnu, a security guard, unveils the mystery behind the mall's dark secret.

The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity. Ya Rab is a genuine effort to show the right face of Islam and to guide the misguided on the right path.

A man gets stuck in an empty high rise without food, water or electricity.

The lesser known Bollywood remake of The Hand that Rocks the Cradle.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.

This film suggests a network of hierarchical relations between people through sometimes subtle and at other times blunt illustrations.

Rupaye Dus Karod (ten crores of rupees) is the story of a detective novelist (writing in Hindi) - Ravi Varma (Rajesh Khanna), whose father had to flee from India in his childhood because of a conspiracy masterminded by his wicked business partners and later Ravi finds himself in mystery murder and another plot that tried to earn 10 crores by fraudulent means.

A naive bullock-cart driver falls for a traveling dancer.

Janki lives a poor lifestyle in a small village consisting of her dad, Bhervi Prasad and her mom. She meets and falls in love with her school-teacher, Ramcharan, and both want to get married. Ramcharan's brother is opposed to this marriage as Bhervi is unable to pay any dowry, nevertheless the marriage does take place, but the couple are turned out of Kalicharan's house, and instead go to live with Ramcharan's friend, Ashok Mishra.

fight from honest police officer against rural thugs..

When Thakur Baldev Singh gets blinded by notorious bandit Gabbar Singh, he seeks the assistance of two former convicts, Jay and Veeru, to bring Gabbar before him so that he can mete out justice in his own way. This was the plot of the original 1975 classic, in this one too Baldev does seek the assistance of Veeru and Jay, but they come together with three other friends, namely Balli, Tara Singh, and Mithun (look-alikes of Sanjay Dutt, Sunny Deol, and Mithun Chakraborty respectively). Also seeking vengeance for her rape is Lajwanti, alias Daku Chutiya, who was raped by Gabbar. Lajwanti is none other than Basanti's sister, who dances in Chandni Bar. Gabbar is assisted by various bandits, including the Singh brothers: Jangal, Mangal, and Dangal, all escaped convicts. The Duplicates are also assisted by Shahenshah, and an Anil Kapoor look-alike. Watch the fun and frolic unfold as the Duplicates team up to fight the invincible Gabbar Singh.

Yudhra, who is struggling with anger issues, is assigned an undercover mission to bring down a powerful drug syndicate headed by Firoz and his son Shafiq. Yudhra accepts the responsibility as he wants to exact revenge against Firoz for his parents's death.

The play depicts the lives of seven people living in Mumbai, all with their own uniquely moving story. It tries to capture the essence of people living in the city through seven characters who have been strung together in a series of monologues. Stories about the ambitions of a child artist, the escape of a ridiculed wife into art, a single mother’s sacrifice of her life for the sake of her children, child abuse, a TV reporter’s regret of the media’s inability to celebrate positivism rather than sensationalism and negative news, a hilarious take on corruption by a broker and the west beckoning today’s youth are all interwoven. Each character, marked by failure and doubt are clearly self –censored. While they may communicate through candid expression, they subtly allude to greater truths.