Land of the Gods

Lovable goon Munna falls for a morning radio host by the name of Jahnvi, who also runs an elders' home which an unscrupulous builder seeks to attain. In order to gain Jahnvi’s attention, he cheats his way to winning a Mahatma Gandhi radio quiz. When Jahnvi consequently expresses interest in Munna, he and his best friend Circuit attempt to keep up the facade.

Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.

An aspiring actor succumbs to pressure from his father and takes up the role of lawyer.

Militant bodyguards carry out the assassination of the Indian Prime Minister in 1984.

An unborn soul waits in front of a mysterious door that will reveal his fate on earth.

Squadron Leader Veer Pratap Singh, a pilot in the Indian Air Force, rescues the stranded Zaara, a woman from Pakistan, following a bus accident, and their lives are forever bound.

A young Prince Asoka works to perfect his skills in battle and also deals with family conflict. During a struggle with one of his step-brothers, his mother urges Asoka to escape to stay alive. While away, Asoka meets Kaurwaki and falls in love, but must use his skills as a warrior to protect her. A dangerous and heartbreaking web of conspiracy follows, which leads Asoka to embrace a Buddhist path.

Mumbai, India, November 26, 2008. While several terrorists spread hatred and death through the city, others attack the Taj Mahal Palace Hotel. Both hotel staff and guests risk their lives, making unthinkable sacrifices to protect themselves and keep everyone safe while help arrives.

Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.

The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.

After his entire department is outsourced, an American novelty products salesman heads to India to train his replacement.

A heartfelt, emotional story about loss, grief, and the bond between a mother and son.

Bare Transit follows the journey of a 23-year-old yoga teacher, Mia, who has travelled back to India from the UK to seek resolution and forgiveness. The film is the debut feature from Irish poet and photographer, O.P. Durkin, and is the first release from creative collective Nodrum. The film was shot in 2019–20 commencing in north India in the mountain town of Minali and continues on a journey in an ancient bus, through the Indian continent to south Goa. The film uses a mixture of professional and amateur actors and crew and was in itself a journey of discovery for all involved. Filming finished just a few weeks before the world and the nature of human interaction changed with the global reaction to the COVID-19 virus. The musical soundtrack comes from the shamanic binaural beats of MEYA.

This biblical drama tells the journey of a religious mother and her young son and how it closely reenacts the chronicled accounts of Christ’s life. Beneath the hardships the two face are life lessons that would lead them to spiritual enlightenment.

A newly-wed man discovers that his wife is in love with another man and decides to unite them. Ignoring the ridicule he might have to face for this, he takes his wife to Italy in search of her love.

Three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other -- to become brothers again like they used to be. Their "spiritual quest", however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray).

Four ordinary women, inflicted by silly societal norms, have to steal, lie, cheat and hide in order to lead the lives that they rightfully deserve.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

Frank is a man who thinks he has lost everything, until his house is destroyed by a tornado. Then when he goes to the insurance company, he’s told they won't pay because the damage falls under the "Act of God" exclusion in his policy. With nothing left, and nothing left to lose, he decides to sue God himself for damages, naming representatives of the world's religions as defendants in the suit. What starts as a ridiculous stunt, becomes a beautiful, funny, soulful odyssey in which he rediscovers that love itself... requires a leap of faith.