Several Puerto Rican Christmas tunes are performed on screen by Juan Rivera, Juan Ortiz Vargas, José Ramón Morales, and the Morgado Brothers.
What drives men and women to risk their own lives to save those of others? Fuoco Sacro tells the story of the Vigili del Fuoco, the Italian fire department, and does it through the voices of the people who, over half a century of history, have tackled with competence and a spirit of self-sacrifice the greatest calamities that Italy has tragically had to experience at firsthand.
A look at Puerto Rico and its cinema through films, documentaries, and commercials from the early twentieth century to the emerging cinema of today. Visual and narrative strategies portray fragments of Puerto Rico's general history and, in turn, answers the questions of who, when, and for whom have films been made in Puerto Rico and the resources that are available to do it.
Explores concerns about uterine cancer and the value of the Pap Test in detecting this serious type of cancer.
The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.
A musical look at the invaluable contribution made by women to Puerto Rican music.
The cultural and architectural phenomenon of the Corsican in Puerto Rico, and the influence of the Corsican immigration in this territory.
This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.
In “The Oratorio,” filmmaker Martin Scorsese helps tell the story of an 1826 performance that forever changed America’s cultural landscape with the introduction of Italian opera to New York City.
Sounds of Dortmund
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
Explores the trajectory of the young nationalist from the time of his incarceration, at 23 years of age, as a result of the attack on the United States Congress.
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.
The inspiring account on international bodyboarding star Luz 'Loly' Grande - a young woman on a personal mission to make bodyboarding a means to improve the lives of disadvantaged children in Puerto Rico, Argentina, Brazil, and Peru.
Combines animation and documentary footage to illustrate the origins and impact of the musical genres Bomba and Plena in Puerto Rican culture.
Imagine a window into the past. Imagine finally connecting singers' bodies to the voices you have always treasured on record, watching footage of performances from another era. All of singers featured here have something in common (with one exception, Sutherland): they sang and performed on stage before the advent of filmed opera. . And it shows, for the first time, a few tantalizing minutes of recently recovered footage from Callas' legendary Lisbon Traviata, featuring Addio dal Passato and Parigi oh cara with Alfredo Kraus. This DVD will leave you asking for more.
The arias of La traviata are instantly recognisable. Yet at its London premiere in 1856, it was denounced for bringing 'the poetry of the brothel' to the stage and unleashing uncomfortable truths on Victorian society.
The film follows the staging of the opera Olimpiade while at the same time exploring the dramatic life of its composer Josef Mysliveček, a friend and teacher of W. A. Mozart.
A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.
This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.