Which Is Scary

April 20, 2017 - Avenue des Champs-Elysées. During an attack, police officer Xavier, among his injured fellow-officers, was shot dead. There are broken dreams and unanswered expectations of peace. But there is no place for hate, dialogue and tolerance being the only possible solutions.

A portrait of a traveling circus.

Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.

A short film made for "Venezia 70 - Future Reloaded". A homage to Paulo Rocha and Kenji Mizoguchi, filming the director's two tombs, one in Tokyo and the other in Quioto.

The Puppeteer is a powerful, moving glimpse into the art of puppetry and the passion of a brilliant artist. The film treats viewers to Igor's street corner magic and following a dramatic turn of events, leaves us to reflect on life, art and the pursuit of dreams.

Taking the form of a conversation between a young teacher at a French school in Moncton and her students, the film shows how hard it is for francophones to preserve their language in a society where English is everywhere and has been for centuries.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

A twelve year old boy, living in a "yurt" but in love with hip hop and computer games is caught between modernity and tradition, aspirations and poverty and decides to become a Buddhist monk.

Dialogue-free short detailing the daily tasks of a man and his wife.

Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

A nature documentary about the predators in the Swedish winter mountains: the owl, the bear and man.

An interview with 'Tex Avery'.

Personal diary-style documentary of German Gay rights activist Von Praunheim's sojourn in the US.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

While shooting “Flying over blue field” we lived in Birtonas sanatorium hotel. I was watching treatment procedures. People were plunging into bubble, mud and mineral water baths. They were going circles singing, were standing under cold water spouts. All this seemed like a sacred ritual, that frees from scurf of life. They were naked, like just born, without any signs of standing in society. Movie – silent impression about tired people "harbour".

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

This is a poetic film about The Penis becoming a diary with a unique story to tell. Penis Poetry is made in collaboration with Andre Medeiros Martins who wrote on his lovers' penises his personal thoughts. Andre's words reflect how much our modern society glorifies the exhibition of The Penis, how much we worship it and how much social media and apps allowed us to share our most private parts with the world.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The cartoon based on the works of Alexander Pushkin was created on the basis of drawings from the exhibition "Pushkin through the eyes of children".

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.