Baraguá

After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.

In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.

Walfrido Larduet, a lonely electrical inspector, dreams of the Red Woman, whose image persists and becomes an obsession. Something tells him she is near. Over the course of a day, Walfrido will follow her trail as he travels through the suburbs of an infested city.

A Haitian son returns from fifteen years in Cuba to find his home village afflicted with the double plague of drought and strife. A Cuban production from the director of Memories of Underdevelopment. In Spanish.

Santiago is an aging, down-on-his-luck, Cuban fisherman who, after catching nothing for nearly 3 months, hooks a huge Marlin and struggles to land it far out in the Gulf Stream.

Set in 1979, following a young Communist man's relationship with a gay Catholic writer, exploring tolerance, inclusion, homophobia and challenging its Cuban audience with great humour. Based on the short story by Cuban writer Senel Paz.

In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.

Meet Chala, an eleven year-old boy with a hard life and strong respect for Carmela, his sixth grade teacher. The pair develops a solid bond, but after Carmela suffers an accident, things get complicated…

The Argentine, begins as Che and a band of Cuban exiles (led by Fidel Castro) reach the Cuban shore from Mexico in 1956. Within two years, they mobilized popular support and an army and toppled the U.S.-friendly regime of dictator Fulgencio Batista.

In Havana, Cuba in the late 1950's, a wealthy family, one of whose sons is a prominent nightclub owner, is caught in the violent transition from the oppressive regime of Batista to the Marxist government of Fidel Castro. Castro's regime ultimately leads the nightclub owner to flee to New York.

In pre-revolution Cuba, Katey Miller is about to defy everyone's expectations. Instead of a parent-approved suitor, Katey is drawn to the sexy waiter, Javier, who spends his nights dancing in Havana's nightclubs. As she secretly learns to dance with Javier, she learns the meanings of love, sensuality and independence.

Pedro is a young peasant who leaves home to join the Rebel Army, based in Sierra Maestra.

A group of peasants of Realengo 18 must face the greed of an American company trying to evict them from their place. One of the peasants will have to deal with the conflict of seeing her son join the rural guard who represses them.

The Castro revolution was just consolidating its power when, in 1961, over 100,000 students were sent from their schools into the countryside to teach the peasants there how to read. Coinciding with the Bay of Pigs invasion, in this docudrama, 15-year-old Mario (Salvador Wood) has come to a tiny village in the Zapata swamps and gradually wins the villagers over to his task. At the same time, he receives an education in the realities of rural life from the hard-working peasants.

During the revolution, a high-stakes gambler arrives in Cuba seeking to win big in poker games. Along the way, he meets and falls in love with the wife of a Communist revolutionary.

Based on the novel Francisco by Anselmo Suárez y Romero, "The Other Francisco" is a socio-economic analysis of slavery and class struggle through the retelling of the original novel. The film contrasts the romantic conceptions of plantation life found in Suárez Romero's novel with a realistic expose of the actual historical conditions of slavery throughout the Americas. It offers a critical analysis of the novel, showing how the author's social background led to his use of particular dramatic structures to convey his liberal, humanitarian viewpoint.

Félix finds a young man lying unconscious on the beach, he has scales on his back. Félix takes him home and takes care of him.

Four vignettes on the lives of the Cuban people in the pre-revolutionary era. In Havana, Maria is ashamed when a man she loves discovers how she makes a living. Pedro, an old farmer, discovers that the land he cultivates is being sold to an American company. A student sees his friends attacked by the police while they distribute leaflets supporting Fidel Castro. Finally, a peasant family is threatened by Batista's army.

A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp.

Daniela – a single mother, whose boyfriend left for the US – believes wholeheartedly in Cuba's revolutionary new order. Meanwhile, in Florida, a plot is afoot. Under the command of an American officer, four Cubans ex-patriots and a Guatemalan land on the Cuban coast to prepare a US invasion of the island. Daniela's superior, the corrupt Cuban officer Palomino, is secretly helping the invaders and the young woman becomes entangled in the intrigue.