Zia, distraught over breaking up with his girlfriend, decides to end it all. Unfortunately, he discovers that there is no real ending, only a run-down afterlife that is strikingly similar to his old one, just a bit worse. Discovering that his ex-girlfriend has also "offed" herself, he sets out on a road trip to find her.
Siwon, a film director whose films have repeatedly failed over the past 10 years, is about to produce a mountaineering film. But the movie stopped again, and even his cat Luca passed away. In despair and pain, Siwon goes deep into the mountains to bury Luca. There, Siwon wants to run away and give up, but he encounters the painful seed of creativity inside him that he cannot shake off.
Summer is the time to travel, enjoy life, and do or leave what you want. A motor home with two occupants makes its way south. But the two travelers do not travel voluntarily, and certainly not together.
An aging truck driver finds smuggled money and becomes involved with a hijacking crowd.
Young-shin is locked up in a fat camp against her own will. After kissing her roommate, the boring days at the camp turns into a small turmoil.
It all starts with a bang. The car breaks through the crash barrier and falls off the bridge. The lights go out. After that, he is not able to see anymore. His optic nerve is severed, from now on the young stage-director Jakob is blind. His life will change and nothing will ever be the same. Jakob cannot handle the idea of never being able to see again and screams at the only woman who is able and willing to help him, Lily. A rehabilitation teacher, she helps the blind deal with the darkness. Lily has been living with it since birth, she too is blind.
Two North Korean soldiers are killed in the border area between North and South Korea, prompting an investigation by a neutral body. The sergeant is the shooter, but the lead investigator, a Swiss-Korean woman, receives differing accounts from the two sides.
Running on Empty (German: Der Lebensversicherer) is a 2006 German drama film directed by Bülent Akinci. It was entered into the 28th Moscow International Film Festival where Jens Harzer won the award for Best Actor.
After completing his time in a juvenile detention center, Daiki Imanishi returns to his hometown in Ibaraki. Upon hearing that his former cellmate, Ken Kohinata, is in danger, Daiki, along with two companions he met in the detention center—Kaito Sakaguchi and Ryuichi Maki—causes trouble at every turn as they head to Tokyo in a stolen car to save Ken.
High school student Tomoyuki (Hoshi Ishida), his father (Kazuhiro Sano), and Yuki (Miwako Wagatsuma), a girl that Tomyuki likes, gather together as a family and performs road shows out of their truck. A sense of loss, farewells, and relations are all brought out.
In this pitch black comedy the rivalry between two neighbors escalates into an all out war. Through a maintenance error on a tractor they both end up, paralyzed, in a wheelchair. It seems they are doomed to stay together. They no longer focus their rage on each other but on the manufacturer of the tractor, in Helsinki. So get ready for a hilarious wheelchair road movie.
When two brothers are forced to fight in the Korean War, the elder decides to take the riskiest missions if it will help shield the younger from battle.
Passing through a jail and a construction site, a young laborer meets a middle-aged man returning to Sampo after ten years' absence. Together, they track down a young woman who ran away from the restaurant she was waitressing at, but instead of turning her in for a reward, the trio decide to go on an adventure together.
A disillusioned student meets a eccentric beggar and a mute prostitute he falls in love with. Together, without money, they cross South Korea to help the girl go home.
A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.
Patagonia narrates the journeys of two women - one looking for her past, the other for her future. The film inter-cuts between their stories, in which one of them travels south to north through the Welsh springtime and the other east to west through the Argentine autumn.
Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.
Michael is supposed to go to prison for 18 months, but escapes from the police officer. On the run, he meets Malika, who has also committed "stupid things." Together, they flee from the "third eye" of her mother, who, according to Malika, can see into the distance.
It took a hundred queer years for Lola Perla to be finally recognized by a government that never really took notice of the likes of her. But that’s okay, because along with the president’s anti-climactic, and in many ways, almost insincere recognition is a fat envelope containing Php100,000 (USD$2,000). For Perla, this is more than enough money to transcend her idea of a lifetime legacy. Today is the day Lola Perla confronts her long-standing personal covenant: to bail an ex-lover’s son out of jail. Meeting fifty-someting Nanding transforms into a reunion, then, a communion of her present self, with an old love.
When Haley Hollis returns to her family ranch to try and save it from closure, she wasn't banking on spending so much time with ranch hand Kate - or falling for her.