County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
The wicked fairy Carabosse is furious she wasn’t invited to Princess Aurora’s christening. She gives the baby a spindle, saying that one day the Princess will prick her finger on it and die. The Lilac Fairy makes her own christening gift a softening of Carabosse’s curse: Aurora will not die, but will fall into a deep sleep, which only a prince’s kiss will break. The masterful 19th-century choreography of Marius Petipa is combined with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. Recorded live as part of the Royal Opera House Live Cinema Season 2019/20 with encore screenings broadcast online during the #OurHousetoYourHouse programme.
Live from the Bolshoi Theatre, this 1978 remake of the two-act classical Christmas ballet blends Tchaikovsky's beloved melodies with superb dancing. Famed Bolshoi duo Yekaterina Maximova and Vladimir Vasiliev star in this production of Tchaikovsky's beloved ballet, The Nutcracker. Maximova dances the role of Maria, the young girl whose mysterious uncle Drosselmeyer gives her a wooden nutcracker (Vasiliev) for Christmas. When he comes to life, she rescues him from marauding mice and is taken to the Kingdom of Sweets.
The Royal Ballet performs Tchaikovsky's classic ballet, choreographed by Liam Scarlett and starring Marianela Nunez as Odette/Odile and Vadim Muntagirov as Prince Siegfried.
When the beautiful dancer Nikiya and the warrior Solor meet in secret, they swear eternal mutual fidelity. However, the High Brahmin, who is also in love with Nikiya, overhears them. He rushes to reveal their secret to the Rajah, who has decided that Solor will marry his beloved daughter Gamzatti. Recorded live, January 2013.
To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.
After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
The Nutcracker is Mikhail Baryshnikov's breathtaking and critcally acclaimed Emmy nominated production. The thisspectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both chowcased at the peak of the their careers, with members of the American Ballet Theatre.
Matthew Bourne's Romeo and Juliet is a passionate and contemporary re-imagining of Shakespeare's classic love story. Bursting with youth, vitality and Matthew Bourne's trademark storytelling.
The Merry Widow, a beguiling, romantic ballet starring Patricia McBride and Peter Martins.
Pechorin, a young officer, embarks on a journey across the majestic mountains of the Caucasus, on a path set by his passionate encounters. Disillusioned and careless, he inflicts pain upon himself and the women around him… The story, based on the larger-than-life hero Pechorin, is adapted from Mikhail Lermontov’s literary masterpiece in three separate stories recounting his heartbreaking betrayals. Is Pechorin a real hero? Or is he a man like any other? This brand new production by choreographer Yuri Possokhov is a tragic poetic journey that can only be seen at the Bolshoi. Filmed live on April 9th 2017.
For one evening, the Bolshoi takes on a new challenge with audacity in The Cage by Jerome Robbins, Harald Lander’s Études and Alexei Ratmansky’s Russian Seasons.
When rebellious street dancer Andie lands at the elite Maryland School of the Arts, she finds herself fighting to fit in while also trying to hold onto her old life. When she joins forces with the schools hottest dancer, Chase, to form a crew of classmate outcasts to compete in Baltimore s underground dance battle The Streets.
The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf.
The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.
Now celebrating its 50th year, George Balanchine’s sparkling ballet still shines with all the brilliance of the gemstones that inspired it.
This all-time ballet favourite, in which young Clara is swept into a fantasy adventure when one of her Christmas presents comes to life, is at its most enchanting in Peter Wright's glorious production.
During a Christmas Eve party and a young girl, Clara, being given a nutcracker doll by her godfather, Drosselmeyer. Later in the evening when Clara sleeps, she finds herself in the midst of the Nutcracker’s battle against the Mouse King and his army of mice. Coming to Clara’s aid, the Nutcracker is transformed into a Prince and journeys with her to an enchanted island where spectacular celebrations are held in their honor. Pre-recorded at the Mariinsky Theatre in St. Petersburg in December 2011, Wassili Vainonen’s version of the beloved holiday ballet is for the first time in 3-D in select theaters.
This unusual and intriguing interpretation of the ballet Cinderella with choreography and staging by the renowned choreographer, Maguy Marin, is set in a doll’s house with costumes to suit. This avant-garde, breakthrough version of the tale of Cinderella, described as a brilliant theatrical triumph, has toured the world since its premiere in 1985 and is acclaimed for its amazing manipulation of mood, its intriguing narrative and innovative staging. The production is regarded by some critics as a stepping stone from classical ballet to something radically new.