Witnessing the disparities and conflicts among a group of young adults, a clear-sighted 10-year-old boy triggers a series of musical, choreographic and culinary conversations. Drawing on the languages of music, narrative, dance and cinema, Beat explores the challenges of bringing together a diverse group of individuals without quashing their differences.
Eight Early Era dancers inspect the systems by which we abide, and the sameness required of average people to operate within those systems. To the rhythms of Austin-based hip-hop duo Magna Carda, the artists must decide whether to stay within the boxes that confine them or break free. A unique visual experience featuring ingenious and playful imagery of dancers in their different spaces.
How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.
When best friends Benji (Peter Carroll) and Ruben (Nick Trivisonno) decide to make a film about the man on the moon, they don’t realize they’re signing up for the end of the world as they know it. But when a love triangle develops on set and the lines between reality and fantasy start to blur, the boys must reckon with their developing feelings for each other or face an uncertain future. Produced by and starring high school students from Interlochen Arts Academy in Interlochen, Michigan, HOW THE MOON FELL FROM THE SKY AND NO ONE EVEN NOTICED is a testament to the power of young artists who work together to achieve what no one thought possible.
In 1960, American dancer and actor Gene Kelly created for the Paris Opera Ballet an original choreography that was highly acclaimed at the time, yet rarely performed thereafter; a genius work that the Scottish Ballet, accompanied by the stirring and evocative score by composer and pianist George Gershwin, epitome of orchestral jazz, brings back to life sixty years later.
Two cross-town rival dance teams go head to head for the National Nationals Championship.
The dead and the skeletons, coming out of the ground, indulge in playful dance to the music of Camille Saint-Saëns, and rejoice in the terror that they inspire.
Embarking on a journey to fulfill her dreams as a dancer, a young girl discovers a new style of dance that will prove to be the source of both conflict and self-discovery.
A guy who danced with what could be the girl of his dreams at a costume ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her curfew. And with a once-in-a-lifetime opportunity in front of him, he sets out to find his masked beauty.
A teenager is resurrected as a plant-headed zombie, searching to find his past happiness and humanity. How long will it all last though, knowing that life may change again when the sun goes away?
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
An ambitious singing and dancing cat in 1939 Hollywood overcomes several obstacles to fulfill his dream of becoming a movie star.
A group of ballet boys are being bullied by a group of boxing boys in their local sports gym. The ballet boys start to plot a way to stand up for themselves and end the bullying once and for all.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
Danny O'Neill and Hank Taylor are rival trumpeters with the Perennials, a college band, and both men are still attending college by failing their exams seven years in a row. In the midst of a performance, Danny spies Ellen Miller who ends up being made band manager. Both men compete for her affections while trying to get the other one fired.
Telecau Beach Movie
Short Polish dance film
La Esmeralda is a ballet in three acts and five scenes, inspired by the novel Notre-Dame de Paris by Victor Hugo, originally choreographed by Jules Perrot to music by Cesare Pugni, with sets by William Grieve and costumes by Mme. Copère.
The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.
The Royal Ballet performs Tchaikovsky's classic ballet, choreographed by Liam Scarlett and starring Marianela Nunez as Odette/Odile and Vadim Muntagirov as Prince Siegfried.