No Money, No Future

PyeongChang 2018 Olympic Opening Ceremony: Peace in Motion

The worlds of a former neo-Nazi and the gay victim of his senseless hate crime attack collide by chance 25 years after the incident that dramatically shaped both of their lives. They proceed to embark on a journey of forgiveness that challenges both to grapple with their beliefs and fears, eventually leading to an improbable collaboration...and friendship.

When the MV Sewol ferry sank off the coast of South Korea in 2014, over three hundred people lost their lives, most of them schoolchildren. Years later, the victims’ families and survivors are still demanding justice from national authorities.

The film deals with the rights of Japanese-Koreans -born in Japan but without Japanese passport or nationality- and the social rejection that they face if they don’t integrate completely, abandoning their Korean identity. The film’s main thread is the story of a Korean man, who in the times of the Japanese occupation of the Korean peninsula, is sent to Japan to fight along with the Japanese in the Philippines, but after the war and fearing discrimination, creates a Japanese identity for himself and manages to get married and have children without his family ever knowing about his origins for 50 years until he is arrested in 1985 for forging official documents and in suspicion of being a spy from North Korea. (…) © timegoesbyin.wordpress.com/tag/i-wanted-to-be-japanese

FLAME STILL BURNS is a documentary about the parisian booming hardcore scene, from the ashes of Covid to sold-out venues. But can this overflowing enthusiasm be enough in the face of an economy in crisis, venues shutting down and inflation? Can the flame still burn through it all?

"Both Ends Burning" is a film that captures MxPx at a crossroads in their seasoned career. Directed by Bryan Buchelt, this documentary not only follows the band's struggles in the face of the new touring climate, it also looks at the legacy and impact that Mike, Tom, and Yuri have had on the music industry, fellow bands, and their fans. This is one of the first true looks into the life of the notoriously private working class band on the road and at home.

Capturing the sights, sounds, and magic of Carlton Haney’s 1971 Labor Day Festival in Camp Springs, North Carolina; a three-day outdoor festival—the first of its kind—featuring bluegrass veterans and future stars alike sharing the primitive wood and cinder block stage. More than just capturing one of the largest bluegrass festivals of that decade, this documentary is also an interesting mixture of live performances, interviews, impromptu jam sessions and crowd footage of live music set in a small town surrounded by the now long gone red clay and tobacco shacks of North Carolina.

"Getting The Knack" chronicles the controversial career of power pop stars, The Knack. Viewers will witness a compelling tale of instant stardom and spectacular failure, a story marked by heroin addiction, alcohol abuse, vicious inner-band feuding and massive critical backlash. "Getting The Knack" explores the group's career via candid interviews with the original band, producers Mike Chapman and Jack Douglas, Sharona Alperin, (the inspiration behind their biggest hit), Steve Jones of The Sex Pistols, Rick Springfield, Elliot Easton of The Cars, Devo's Bob Mothersbaugh, comedian Weird Al Yankovic and many more. Narrated by Cherie Currie of The Runaways, "Getting the Knack" is augmented by scores of rare photos and previously unseen archival footage providing a no-holds barred look at the rise and fall and ultimate resurrection of the group.

Joe Corré, son of punk visionaries Vivienne Westwood and Malcolm McLaren, burns an estimated £5M worth of punk memorabilia protesting the commodification of punk. The film takes this incendiary act of ‘cultural terrorism’ and the questions it raised to explore the lifespan and true worth of punk - the 20th century's most volatile movement.

Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.

Due to a pandemic, the Electric Castle music festival shifts into an intimate concert staged for cameras instead, with three bands and no live audience.

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

A documentary about portuguese punk/hardcore scene in Portugal.

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

‘Get Better – A Film About Frank Turner’ was directed by friend Ben Morse, and follows Frank Turner and his band The Sleeping Souls for a year on the road, but the band swiftly came off the road – and Frank came off the rails before recovery.

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

The film is about the band Stockholms Negrer, but also about what formed their music, about being Swedish but still being viewed as an outsider.

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

Größer als Hip Hop - Die Geschichte des splash!-Festivals