Underground

Four voices intertwine in a testimonial journey through the Santiago subway, confronting what society prefers to keep underground in its stations. A journey of reconstruction — from memory and experience — that explores the invisible trace these events have left on their lives.

Nous, ouvriers : « Nos rêves ont façonné la société » (1963-1983)

Nous, ouvriers : «Nos cœurs battent encore » (1983 à nos jours)

In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.

Walt Disney said “We have created characters and animated them in the dimension of depth, revealing through them to our perturbed world that the things we have in common far outnumber and outweigh those that divide us.” Outside of Walt himself there are few people who have brought together and united more animators in the history of the genre than Craig "Spike" Decker and Mike Gribble, known to all as Spike & Mike. They created an animation festival that helped launch the careers of John Lasseter, Peter Lord, Will Vinton, Bill Plympton and Mike Judge to name just a few. Their Spike & Mike festival had an enormous impact on animation that was felt the world over. The festival was known as much for the breakthrough animation it presented as the outrageous antics of the founders.

From 1988 to 1994, near Père Lachaise cemetery on the eastern side of Paris, the Etablissements phonographiques de l’Est (Eastern Phonographic Venue), aka EPE, was a multidisciplinary venue hosting the crême de la crême of the international experimental, radical, industrial, noise, avant-punk scene. A record shop during the day, an underground venue at night hosting in its basement gigs, performances, screenings of video art and experimental cinema, readings, bondage workshops, fanzine exhibitions. At the junction of late 80’s and early 90’s, EPE saw the end of industrial music and the birth of the still highly influential avant-punk scene.

A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.

Railroad of Hope consists of interviews and footage collected over three days by Ning Ying of migrant agricultural workers traveling from Sichuan in China's interior, to the Xinjiang Autonomous Region, China's northwest frontier.[1] Through informal interviews aboard the cramped rail cars, Ning Ying explores the hopes and dreams of the workers, many of whom have never left their homes before.

The Underground subcultures in Budapest are an integral part of the diverse and colorful Hungarian culture. The creators of the film - Esther Turan and Anna Koltay - wanted to explore what were the major youth music subcultures in the '90s and 2000s in Budapest. This film is a tribute to the underground subcultures of the city. In these series of films, these grass-roots groups deal with the social impact of their community building power and the role played by Budapest itself in the formation of these groups. The film explores the kind of atmosphere and unwritten rules, what were the dominant places, external signs, and symbols, or who were the central figures and what were the memorable stories. The film guides the viewer from the best bands to the message, from the typical attire to the cult bars. The new generation is a starting point, a complex retrospective of where it originated and why the colorful underground cultural life still characterizes Budapest today.

He was born different, and chose to become unique. Becoming Lucky Love follows how Luc Bruyère turned his “flaw” into strength and his life into an act of creation. Born without his left arm, he faced the violence of people’s gaze from childhood, sinking into shame and self-destruction. “I was born homosexual, without a left arm — I didn’t fit what a man was expected to be: a figure without nuance, categorical,” Luc confides. Instead of giving up, he chose to transform himself and become what he had always dreamed of: a singer and performer. With his angelic face and magnetic presence, nothing seems to resist him — yet his blazing loves and excesses marked him deeply. Now, on the verge of turning 30, he looks back without filters. Becoming Lucky Love paints the portrait of an avant-garde, captivating outsider who proves that destiny can be endlessly reinvented through strength, poetry, and self-invention.

Patriot Game 2 - To Call a Deer a Horse

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

Wolsong: Vanishing Town

Quien dice patria dice muerte

Gaëtan Chataigner has been filming his friend Philippe Katerine for nearly thirty years. The director revisits all these accumulated images in an attempt to understand how and why his artist friend became such a phenomenon. By following him step by step, sometimes questioning him, listening to his loved ones, he weaves a touching, funny, and moving portrait of this unique artist.

During the Japanese occupation period, Koreans were forced to deport or drafted to work in other countries. Now 150 years passed, it appears around 7million of those people and their families are spread in 170 countries. There, a world-famous Korean-Japanese musician Yang Bang Ean follows the pathways of Korean diasporas as an inspiration, and performs his cross over music concert called ‘ARIRANG ROAD’.

Meet The Plastic People of the Universe, the avant-garde, jazz-rock, Sun Ra meets Velvet Underground, Czech revolutionaries. A tribute to the band that against all odds used the power of their music to help topple their oppressive government.

A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the "underground" areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.

A documentary analyzing the social, political and cultural climate of Hollywood in the mid-1960s.

In the midst of a pandemic, government arbitrariness and the precariousness of Brazilian artists, the documentary shows how these four rappers resisted the difficulties of this period using only one weapon... music. Using plurality, creativity and cleverness, how did they produce music? What role did music play in this period? What did they have to do to stay alive as rappers?