“El Apagón: Aquí Vive Gente” is a documentary directed by Bad Bunny and Blanca Graulau. This 23-minute film explores the socio-economic challenges in Puerto Rico, focusing on the effects of power outages and gentrification driven by the real estate and energy sectors. Through visuals and personal stories, the documentary highlights the experiences of Puerto Rican communities facing these issues.
From both local and global perspectives, this documentary examines the harsh realities behind the mounting water crisis. Learn how politics, pollution and human rights are intertwined in this important issue that affects every being on Earth. With water drying up around the world and the future of human lives at stake, the film urges a call to arms before more of our most precious natural resource evaporates.
Reporter Ben Zand secures never-before-seen access to the world of `looksmaxxing'. Young men go to extremes to improve their appearance, a trend firmly rooted in the dogma of incels.
A series of racist acts prompts three Mizzou students to pick up cameras and take us inside the student movement that brought down their college president. From the hunger strike, to victory, to the fear of violent reprisals, we live with the students who started a campus revolt.
Moscow, January 1996. Boris Yeltsin gets ready to run for a second mandate of the presidency of the young Russian Federation. Polls are in the single digits. A painful economic transition, war in Chechnya, and the rise of criminal groups have left the majority of Russians dissatisfied with Yeltsin… and willing to vote for the communist leader Gennady Zyuganov. Yet six months later, Yeltsin won the election with nearly 54% of the vote. How did that happen?
The Confederation of Haitian Workers (CTH) invited an Industrial Workers of the World (IWW) delegation to Haiti to learn about their fight against "le plan neoliberal" and recruit help in the form of material aid and solidarity. The delegation was in Haiti from April 24 to May 25, 2008, two weeks after the country erupted in mass protest at burgeoning food prices. This video shares the stories and experiences.
The "Occupied Cinema" follows young activists and events surrounding the takeover of "Zvezda", one of 14 extinguished cinemas from the privatized company "Beograd Film".
No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”
Can you imagine a water market? A market where owners of water stock would buy and sell, while others would profit on its price without needing it? What would life be like if all of the planet’s water resources, superficial or subterranean, the waters of rivers, lakes and glaciers, belonged to the private sector? ‘Life For Sale’ examines the biggest water market in the world, set up in Chile.
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In the not-so-distant future, a terrible water shortage and 20-year drought has led to a government ban on private toilets and a proliferation of paid public toilets, owned and operated by a single megalomaniac company: the Urine Good Company. If the poor don’t obey the strict laws prohibiting free urination, they’ll be sent to the dreaded and mysterious “Urinetown.” After too long under the heel of the malevolent Caldwell B. Cladwell, the poor stage a revolt, led by a brave young hero, fighting tooth and nail for the freedom to pee “wherever you like, whenever you like, for as long as you like, and with whomever you like.”
Maud's best friend Elizabeth has disappeared, but as she tries to solve the mystery, dementia threatens to erase all the clues, giving the search a poignant urgency.
Jerry rescues a bag of puppies from the river. Most of them run away as soon as Jerry releases them, but one stays behind. Jerry tries to get rid of it, but ultimately takes pity and invites the frisky pup inside, where he has to hide it from Tom, who keeps throwing it out.
Cinema clerks Silva and Felix work the final night before their beloved cinema is demolished by private investors. An empty final screening allows them to reflect on the meaning of cinema in an age wherein art no longer occupies physical space.
Lora Hart manages to land a job in a hospital as a trainee nurse. Upon completion of her training she goes to work as a night nurse for two small children who seem to be very sick, though something much more sinister is going on.
A vivid journey into the mysterious subterranean world of mycelium and its fruit— the mushroom. A story that begins 3.5 billion years ago, fungi makes the soil that supports life, connecting vast systems of roots from plants and trees all over the planet, like an underground Internet. Through the eyes of renowned mycologist Paul Stamets, professor of forest ecology Suzanne Simard, best selling author Michael Pollan, food naturalist Eugenia Bone and others, we experience the power, beauty and complexity of the fungi kingdom.
The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).
For three days in August 1969, nearly a half-million young people descended upon Max Yasgur's farm in upstate New York for the rock 'n' roll event that defined a generation. Mythologized for 50 years, the filmmakers set the record straight with "Creating Woodstock," the most comprehensive examination of how the festival came to be.
Marking the 20th anniversary of the death of Princess Diana in a car crash in Paris in August 1997, this documentary reveals how Diana learned to manipulate and control the photographers who pursued her ever since she started seeing the heir to the British throne, Prince Charles, in the early '80s. Contributions from tabloid editors, royal photographers, Diana's friends, and former Press Attaché and her royal bodyguard.
A discussion of infidelity told through confessional interviews of sex, marriage, and adultery. The film explores our hunger to find fulfillment through acts of committing to—and straying from—our partners and how the secrets we keep--and the lies we tell--in our search for love and desire reveal who we are. It is also the story of the director’s unexpected transformation, as she discovers her future partner through the process of making the film.