Occupied Cinema

From both local and global perspectives, this documentary examines the harsh realities behind the mounting water crisis. Learn how politics, pollution and human rights are intertwined in this important issue that affects every being on Earth. With water drying up around the world and the future of human lives at stake, the film urges a call to arms before more of our most precious natural resource evaporates.

"The Boss" is a documentary about transition, privatization and corporations in Croatia, and touches upon the history of the largest Croatian corporation - Agrokor.

The Confederation of Haitian Workers (CTH) invited an Industrial Workers of the World (IWW) delegation to Haiti to learn about their fight against "le plan neoliberal" and recruit help in the form of material aid and solidarity. The delegation was in Haiti from April 24 to May 25, 2008, two weeks after the country erupted in mass protest at burgeoning food prices. This video shares the stories and experiences.

Can you imagine a water market? A market where owners of water stock would buy and sell, while others would profit on its price without needing it? What would life be like if all of the planet’s water resources, superficial or subterranean, the waters of rivers, lakes and glaciers, belonged to the private sector? ‘Life For Sale’ examines the biggest water market in the world, set up in Chile.

“El Apagón: Aquí Vive Gente” is a documentary directed by Bad Bunny and Blanca Graulau. This 23-minute film explores the socio-economic challenges in Puerto Rico, focusing on the effects of power outages and gentrification driven by the real estate and energy sectors. Through visuals and personal stories, the documentary highlights the experiences of Puerto Rican communities facing these issues.

Moscow, January 1996. Boris Yeltsin gets ready to run for a second mandate of the presidency of the young Russian Federation. Polls are in the single digits. A painful economic transition, war in Chechnya, and the rise of criminal groups have left the majority of Russians dissatisfied with Yeltsin… and willing to vote for the communist leader Gennady Zyuganov. Yet six months later, Yeltsin won the election with nearly 54% of the vote. How did that happen?

A journey through abandoned cinemas of Sardinia interspersed with memories of three senior projectionists, a profession now suppressed by technology.

No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”

Divoké pivo

In the not-so-distant future, a terrible water shortage and 20-year drought has led to a government ban on private toilets and a proliferation of paid public toilets, owned and operated by a single megalomaniac company: the Urine Good Company. If the poor don’t obey the strict laws prohibiting free urination, they’ll be sent to the dreaded and mysterious “Urinetown.” After too long under the heel of the malevolent Caldwell B. Cladwell, the poor stage a revolt, led by a brave young hero, fighting tooth and nail for the freedom to pee “wherever you like, whenever you like, for as long as you like, and with whomever you like.”

Enchanting holiday tale of a young runaway who has broken into an old movie palace, looking for shelter on a snow-filled Christmas Eve. Closed for decades, the building is filled with countless discarded artifacts from the past. The girl is discovered by the old caretaker, who uses the ghosts and spirits that inhabit this long-abandoned world to turn her life around.

A group of thieves and outcasts are living in a big abandoned movie theater where they have created a very friendly and very particular universe. The police will use all its resources to violate their space, but again and again fail in their attempts.

Cinema clerks Silva and Felix work the final night before their beloved cinema is demolished by private investors. An empty final screening allows them to reflect on the meaning of cinema in an age wherein art no longer occupies physical space.

Die Schlachtfabrik

From this "inexorable disease", Hervé Guibert did not recover. The miracle he had so much hoped for did not happen. But, before his death in 1991, three years after learning of his HIV-positive status, he engraved in his literary and photographic work "the places of [his] suffering", "the stations of [his] way of the cross". With his thin body and sunken cheeks, the handsome man with curly hair that he was, the one whose clear gaze radiated from the seaside photos, fought a fierce battle against AIDS. A fight of every moment against the decay of the body, observed and commented with a methodical care in his autobiographical novels, in particular "To the Friend Who Did Not Save My Life" (1990) and "The Compassionate Protocol" (1991), and of which he testified on television on the set of "Apostrophes"...

An introduction to the Ketogenic Diet, a special high-fat diet used to treat seizures, as a treatment for childhood epilepsy narrated by Meryl Streep. The video provides a step-by-step preparation of the meals, available options for the diet and discussions with parents and children about their dealings with the diet.

Marcel Proust's "In Search of Lost Time" is one of the great novels of world literature. The documentary immerses itself in the very own cosmos, spanning 3,000 pages and hundreds of characters, for which Proust's own world was the source of inspiration, and brings Proust's moral portrait of the Belle Epoque to new life.

When ex-Yugoslavia began to fall apart, the Serbian regime banned Kosovar Albanians from participating in public life. Albanian employees across public institutions were fired. Albanian media outlets were closed down. Many elementary and high schools were closed to Albanian students and the entire university system was shut down. During the 1990's in Kosovo, teaching resumed in private apartments, houses and basements stores. This documentary shows how a parallel society and reality was organized. It shows how segregation and apartheid became the norm. Besa Luci and Mathieu Jouffre wrote the script for this challenging film together. In it people are in a relaxed atmosphere: eating, drinking, chatting and revisiting vividly one of the most exciting as well as tragic periods in the history of Kosovo.

Spaccio Capitale

Released on DVD as part of The Criterion Collection's "Martha Graham: Dance on Film" collection.