São Sebastião do Rio de Janeiro

Rap de Saia is a documentary that reports, through the voices and rhymes of the protagonists themselves, part of the historical trajectory of Female Rap in the State of Rio de Janeiro. In addition to its historical trajectory, Rap de Saia brings a collection of themes that leads us to reflect on women in today's society.

On 12 June 2000, in Rio de Janeiro, Ônibus 174 was taken by an armed young man, threatening to kill all the passengers. Transmitted live on all national networks, this shocking and tragic event became one of violence's most shocking portraits, and one of the most terrifying examples of police incompetence and abuse in recent years.

The film documents the old Rio de Janeiro and its great focus of diseases. Stresses the decisive importance of Oswaldo Cruz who creates Experimental Medicine in Brazil, believing that without sanitation, no undertaking could succeed. Rodrigues Alves then started the urbanization of Rio, against great interests.

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

​An unprecedented collection of pictures, characters and historical facts about the city of Rio de Janeiro, rescued by tv networks, documentary filmmakers and foreign journalists over the course of the 20th Century. The film reveals how Rio, its inhabitants and its cultural and natural attributes have been seen by foreigners. This is an opportunity to relive, through the eyes of a foreigner, social, political, technological and mundane events which Brazilians either did not manage to document audiovisually or whose works were lost.​

The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.

Esse curta não é sobre cinema

An livid and comic presentation of Madureira in Rio de Janeiro.

An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

Brazil from the perspective of school pupils aged 14 to 19. Combining a documentary with a fictional approach, Hora do recreio addresses topics including violence, racism and drug dealing.

Baptismo de Terra

Italian mondo featuring scenes of night life in North and South America, including Las Vegas, New Orleans, San Francisco, Buenos Aires and Rio de Janeiro.

Adeus Paissandu

Baque Mulher: Dia de São Jorge

Fidel Castro no Rio de Janeiro, 1959

A sound and visual journey that portrays the life and work of singer and composer Luiz Melodia. The Poet of Estácio himself tells us, in the first person, his trajectory as a black boy born on the hill until his transformation into one of the greatest artists in the history of MPB. The film also features an unpublished collection made available by Jane Reis, his wife and businesswoman.

Moroccan paralympic gold medalist Azzedine Nouiri is no longer looking for the longest throw, but to overthrow the system that keeps athletes with different abilities marginalized as destitute second-class citizens.

Francisco lives alone in an apartment in Rio de Janeiro. A collector of antique wooden furniture – for which he has a great fondness – he brings with him great stories, from his childhood and youth to a brief journey into the past, gifting us with accounts and historical recollections of a life full of struggle and resilience.

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