São Sebastião do Rio de Janeiro

Between 2011 and 2014, the documentary investigated the changes in Rio de Janeiro on behalf of mega-events: UPPs in slums, forced evictions, public spaces privatization and popular uprisings.

The Closing Ceremony of the XXXI st Olympiad.

Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all Brazilian TV networks, this shocking and tragic-ending event became one of violence's most shocking portraits, and one of the scariest examples of police incompetence and abuse in recent years.

With fireworks forming the word “Rio” in the sky and supermodel Gisele Bundchen shimmering to the tune of “The Girl from Ipanema,” Rio de Janiero welcomed the world to the first Olympic Games in South America with a serious message underlying the celebration: Let’s take care of our planet.

Documentary about the band Zumbi do Mato, known in the underground musical scene of Rio de Janeiro for the humorous and surreal songs, written in a style of flow of conscience and full of scathing allusions to popular culture.

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.

The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.

On the outskirts of Rio de Janeiro during its world famous Carnival, far from the beach and the touristic clichés, there is an explosive contest between neighbourhoods. This old form of carnival features teams of futuristic gladiators that are a surreal mixture of play and menace. A tradition that has its roots in ancient European carnival traditions and in African rituals, they look like visitors from another planet.

Madonna celebrates her four-decade career in a special concert for over 1.6 million people at the Copacabana Beach in Rio de Janeiro.

Legendary rock band Rush plays the Maracana Stadium in Rio de Janeiro, Brazil, on the final night of the band's 2002 Vapor Trails tour, in front of 40,000 fans.

​An unprecedented collection of pictures, characters and historical facts about the city of Rio de Janeiro, rescued by tv networks, documentary filmmakers and foreign journalists over the course of the 20th Century. The film reveals how Rio, its inhabitants and its cultural and natural attributes have been seen by foreigners. This is an opportunity to relive, through the eyes of a foreigner, social, political, technological and mundane events which Brazilians either did not manage to document audiovisually or whose works were lost.​

Fidel Castro no Rio de Janeiro, 1959

Joseph Wilson meets the dance teacher fighting transphobic violence through voguing in Rio’s favelas.

The film shows the lives of four foreign musicians from different backgrounds and musical genres that after visiting the City of Rio de Janeiro, ended up falling in love with the city, choosing it to live in and becoming typical cariocas.

Passatempo

People from different areas of Rio de Janeiro, Brazil, try to answer the following question: for you, what is it like to live in the Marvelous City?

For the first time ever, experience the work of a nation as it host the world and puts on a show like never before.

Rap de Saia is a documentary that reports, through the voices and rhymes of the protagonists themselves, part of the historical trajectory of Female Rap in the State of Rio de Janeiro. In addition to its historical trajectory, Rap de Saia brings a collection of themes that leads us to reflect on women in today's society.

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.