The camera slowly pans through a room as Smolders offers various observations and memories.
Materialista, idealista, cinematógrafo, magnetófono, buen chico y sádico
Denis Lavant reads long passages from Luis Buñuel's semi-autobiographical "My Last Sigh". From this text, without film excerpts, Laurence Garret travels in the footsteps of Buñuel, from Calanda to Zaragoza, Madrid to Toledo, Spain to Mexico.
Documentary film about the Czechoslovak natural science group's expedition to Iceland in June 1948.
In girum imus nocte et consumimur igni: filmbiografía de Antonio Maenza
La Danse et Degas
Na ptačích horách
Documentary that describes and analyzes the characteristics, themes and central concerns of Roman Polanski's cinema.
Vieiros, vida y obra de Carlos Velo
Fritz Lang, le cercle du destin - Les films allemands
Documentary about the history of experimental cinema in Spain. FRAGMENTS is a historical survey of “the other” Spanish Cinema — films that brazenly explored their artistic, poetic and conceptual potential. Spanish experimental cinema can be glimpsed in a series of important yet isolated events that FRAGMENTS compiles through various firsthand accounts, film excerpts and documents. For the first time in Spain, a documentary brings together the most relevant of a cinema that is slowly losing its invisibility.
Recuerdos en la tierra
El jardín de las delicias
For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.
A barefoot contessa, a screwed-up princess, an exquisite drunk, a bawdy aristocrat, a nightmare for puritanical America and the moguls of Metro-Goldwyn-Mayer, Ava Gardner never stopped loving those she loved. She turned women green and made men sweat. And rejected with all her force the bulwark of normality.
The life of Dominican teacher, patriot and activist Ercilia Pepín.
Gente de mesón
Represión: un arma de doble filo
The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.
In this adventure, Rama travelled for 3 days, on four different flights, to reach Nauru, a micro country in the middle of the Pacific, also considered the most remote country in the world. He spent 6 days there to get to know it in depth and to understand why it is also one of the least visited countries in the world.