El Caudillo Pardo

Stories of 12 gay and lesbian survivors of Nazism and the Holocaust.

In 1935, German scientists dug for bones; in 1943, they murdered to get them. How the German scientific community supported Nazism, distorted history to legitimize a hideous system and was an accomplice to its unspeakable crimes. The story of the Ahnenerbe, a sinister organization created to rewrite the obscure origins of a nation.

Søren Kam: Nazisten, der aldrig fortrød

Syndrome K is the true story about a highly contagious, highly fictitious disease created by three Roman Catholic doctors during the holocaust to hide Jews in a Vatican-affiliated hospital.

Hitlers Sista Dagar

Shalom Italia tells the story of three brothers, who set off on a journey to find a cave in the woods of Tuscany. The place where they, as children, hid to escape the Nazis. But more than a search to find a geographical location, the brothers are on their way to locate the common ground of memory, the nexus where the conflicting versions of their stories can come to rest.

Propaganda short film depicting the rise of Nazism in Germany and how political propaganda is similarly used in the United States. The film was made to make the case for the desegregation of the United States armed forces.

The story of one of history’s most controversial entertainers, who beguiled audiences with his magic tricks and produced Nazi propaganda films.

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

As World War II looms, Pope Pius XI calls on a humble American priest to help him challenge the evils of Nazism and anti-Semitism. But death intervenes, and Pope Pius XII now carries out a very different response to Hitler and the Holocaust.

After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy. His success encourages Hitler to take power in Germany in 1933, opening the dark road to World War II. (Originally released as a two-part miniseries. Includes colorized archival footage.)

The theatre 7:3 project was conducted at the Tidaholm prison 1998-1999. What started as an artistic experiment, ended up in police killings at Malexander. The process in the prison were filmed during 6 months.

Depicts the controversial double police murder, involving neo-nazism and a theatre project by one of Scandinavia's most celebrated playwrights. The film traces a complex and fascinating chain of events leading up to the fatal climax in the picturesque small town of Malexander, Sweden.

For more than a decade, Reichsmarschall Hermann Goering, Adolf Hitler's right-hand man during the infamous Third Reich, assembled a collection of thousands of works of art that were meticulously catalogued.

Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.

The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.

In Third Reich, the abuse of drugs made commanders and soldiers feel invincible. The Führer himself took them on daily basis. This is the unbelievable story of the D-IX project and of methamphetamines, which, abundantly furnished to soldiers, changed the course of history.

A documentary about the portrayal of Adolf Hitler in popular culture.

Hitler's biography told like never before. Besides brief historical localizations by a narrator, only contemporaries and Hitler himself speak: no interviews, no reenactment, no illustrative graphics and no technical gadgets. The testimonies from diaries, letters, speeches and autobiographies are assembled with new, often unpublished archive material. Hitler's life and work are thus reflected in a unique way in interaction with the image of the society in the years 1889 to 1945.

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