Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)
The incredible story of Bruno Lüdke (1908-44), the alleged worst mass murderer in German criminal history; or actually, a story of forged files and fake news that takes place during the darkest years of the Third Reich, when the principles of criminal justice, subjected to the yoke of a totalitarian system that is beginning to collapse, mean absolutely nothing.
For more than a decade, Reichsmarschall Hermann Goering, Adolf Hitler's right-hand man during the infamous Third Reich, assembled a collection of thousands of works of art that were meticulously catalogued.
A showcase of German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally.
The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.
September 1st, 1939. Nazi Germany invades Poland. The campaign is fast, cruel and ruthless. In these circumstances, how is it that ordinary German soldiers suddenly became vicious killers, terrorizing the local population? Did everyone turn into something worse than wild animals? The true story of the first World War II offensive that marks in the history of infamy the beginning of a carnage and a historical tragedy.
An account of the life and work of controversial German orchestra conductor Herbert von Karajan (1908-89), celebrated as one of the greatest musicians of the twentieth century.
Hitler's biography told like never before. Besides brief historical localizations by a narrator, only contemporaries and Hitler himself speak: no interviews, no reenactment, no illustrative graphics and no technical gadgets. The testimonies from diaries, letters, speeches and autobiographies are assembled with new, often unpublished archive material. Hitler's life and work are thus reflected in a unique way in interaction with the image of the society in the years 1889 to 1945.
The theatre 7:3 project was conducted at the Tidaholm prison 1998-1999. What started as an artistic experiment, ended up in police killings at Malexander. The process in the prison were filmed during 6 months.
A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.
Depicts the controversial double police murder, involving neo-nazism and a theatre project by one of Scandinavia's most celebrated playwrights. The film traces a complex and fascinating chain of events leading up to the fatal climax in the picturesque small town of Malexander, Sweden.
The life and career of the hailed Hollywood movie star and underappreciated genius inventor, Hedy Lamarr.
This film tells the story of World War II as experienced by the inhabitants of Baku, the capital of Azerbaijan, at the time a satellite of Moscow. The very rich oil deposits of the region aroused the covetousness of Hitler who needed the oil from Baku to carry out his program of world domination. His entire campaign of 1942-1943 was aimed at seizing them. But the Soviets and the Allies were determined to prevent him from doing so, by all means, including the most radical, even if it meant wiping the city off the map.
In Third Reich, the abuse of drugs made commanders and soldiers feel invincible. The Führer himself took them on daily basis. This is the unbelievable story of the D-IX project and of methamphetamines, which, abundantly furnished to soldiers, changed the course of history.
Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.
Secluded deep in the Bavarian Alps, Hitler, his family, and closest allies hid away- issuing orders for armies across Europe while they relaxed, dined, and enjoyed an otherworldly peace.
Winston Churchill, one of the most revered men of the twentieth century. Adolf Hitler, one of the most hated leaders in contemporary history. Between 1940 and 1945, these two enormously contradictory personalities faced each other in both politics and war. A clash of giants whose story begins in the trenches of the World War I and ends with the debacle of the World War II.
In 1937 the Nazi regime held two exhibitions in Munich: one to stigmatize “Degenerate Art” (which they systematically looted and destroyed) and one, personally curated by Hitler, to glorify “Classic Art”. This immersive new documentary reveals the Nazi’s complicated relationship with classical and modern art, displaying an incredible number of masterpieces by Botticelli, Klee, Matisse, Monet, Chagall, Renoir and Gauguin amongst others, intertwined with human stories from the most infamous period of the twentieth century. A state-of-the-art detective story exploring the Nazis’ obsession with creative expression, Hitler versus Picasso combines history, art and human drama for an unforgettable cinema experience.
The Obersalzberg was an ordinary Bavarian mountain until Adolf Hitler discovered it in 1923. There at the Berghof, the Nazi leader spent his time surrounded by his most faithful lieutenants and his mistress, Eva Braun. Though mostly destroyed, remnants of the vast building complex still exist.
The Obersalzberg retreat was the summer residence and retreat of Adolf Hitler, Eva Braun and his closest confidants in the Nazi regime. The public are mainly familiar with fi lm footage and photographs from the alleged Nazi idyll. For the first time, eye witnesses are willing to talk about their experiences in Obersalzberg.