Room 708, A Letter from a Private

Land of Sorrow

Nora Noh, the best fashion designer, who dominated the scene of Korean women’s fashion and culture of the time. She was the first person ever to hold a fashion show in Korea and to make designer readymade clothes. She boldly dressed the Korean singer Yoon Bok-hee in a miniskirt and styled the duo vocal group Pearl Sisters in pantallong (flare-style pants). One day, when Noh was preparing for her show, a young stylist named Suh Eun-young comes to see her out of the blue. What kind of show will the two of them create amidst their differences and conflicts?

Portrait of Mrs. B., a tough charismatic North Korean woman who smuggles between North Korea, China and South Korea. With the money she gets, she plans to reunite with her two North Korean sons after years of separation.

Dunchon Jugong Apts. at the edge of the metropolis, Seoul. It has been over 10 years since discussions of rebuilding these old apartment complexes began. The inhabitants tell us about their soon-to-be-demolished houses and apartments. Some of them have spent long spans of time here and some of them short. Some people are now raising daughters in the house they lived in since their childhood, some families came from other places and struggled to adjust. Each add their different forms of love to this space in their own way. As the long-postponed reconstruction nears reality, the day-to-day scenery of the apartment complexes and households is quietly coming to a close.

"You belong to the country for the next two years." The film describes Woo-cheol's struggles with becoming part of a group while trying to maintain his individuality throughout his military service period. A humorous yet cynical portrait of military groupism.

Tracing the footsteps of North Korean orphans who went to Poland during the Korean War, two women, one from the North and the other from the South, bond through the solidarity of wound and forge together a path toward healing.

Three incredible stories of women who risked everything to tell the truth. Their stories became worldwide scandals and took a personal toll on each of their lives

Morgan Spurlock (Super Size Me) tours the Middle East to discuss the war on terror with Arabic people.

9/11 marked a new era in global terrorism, and a "War on Terror" was launched by the US. Since then, trillions have been spent on conventional warfare, counter-terrorism, secret intelligence, homeland security, cyberdefence and more, in pursuit of a sometimes indefinable enemy. We look at the costs and impact of this effort. Is there less terrorism today than before the war started? Is our world any safer?

Saddam Hussein's arsenal of "weapons of mass destruction" was George W. Bush's main justification for waging war against Iraq in 2003. After the invasion of the country, American leaders recognised that they had been mistaken, and that the Baghdad tyrant did not possess such a capability. Bush claimed it was an error and defended his good faith, denouncing the negligence of his secret services. But the brutal truth lies elsewhere: The war in Iraq was based on lies.

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

Korea is a divided nation. Filmmaker Min Sook Lee sets out on a revelatory, emotion-charged journey into Korea’s broken heart, exploring the rhetoric and realism of reunification through the extraordinary stories of ordinary people.

Camilo

Ten families read letters from their loved ones killed during Operation Iraqi Freedom in this powerful and moving HBO documentary by Oscar and Emmy Award-winning filmmaker Bill Couturie (Dear America: Letters Home from Vietnam). Photos of the soldiers in military and civilian life are shown as family members read the final correspondence received from Iraq and share their thoughts and memories about the fallen troops and the realities of war.

Documentary film about Arndt Pekurinen and the peace movement in the early 20th century. Pekurinen spoke out for pacifism, conscientious objection and peace, and received support for his actions around the world. However, his worldview collided with the nationalist and militaristic atmosphere of the era in Finland. He was considered a troublemaker, a traitor, and a caricature of masculinity. The film is a universal and timeless account of a man persecuted for his opinions. At the same time, it is a description of the weak tolerance of young independent Finland towards dissidents. Pekurinen was executed during the Continuation War by his compatriots on November 5, 1941.

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

Obsessively referring to the traumas and wounds that the Spanish civil war (1936-39) and Franco's dictatorship (1939-75) caused in their day no longer serves to explain the impassable abyss of incomprehension and hatred that the abject policies and radical positions adopted by both the right and the left in recent decades have opened up before the citizens of a country that is barely known beyond hackneyed cultural clichés.

Korea's past was whale worship; its present is industry. Is the future whales AND industry?

Recording Nguyen Thi Thanh, the only survivor of Phong Nhi Phong Nhat massacre, where civilians were killed during the Vietnam War. Having lost all of her family at the age of eight and survived by herself, she is an open witness to the massacre of Vietnamese civilians and demands an official apology from the Korean government.

An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.