The Doll Maker of Kiang-Ning

The legend of Ali Baba and the forty thieves: Ali Baba discovers a hidden cave where a band of thieves have stored their enormous treasure. Cassim also learns about the cave, but he is caught by the thieves and put to death. Knowing that their secret has been found out, the thieves devise a trick in an attempt to kill Ali Baba and anyone else who might know about their hiding place.

The misadventures of an effete young man who must get married in order to inherit a fortune. He opts to purchase a remarkably lifelike doll and marry it instead, not realizing that the doll is actually the dollmaker’s flesh-and-blood daughter in disguise.

The film is a delightful tale of a spoiled wedding between child's toys which shows Starewicz's typical style of making amusing films appropriate for children without much sentimentality. As in many of his other films, his daughter Nina plays the role of the child.

This two-strip Technicolor record of the 1936 freshman pageant, acted out entirely by women, begins with Dorothy escorting the Wizard to the throne, assisted by Ojo, whereupon he looks in the Magic Picture on the University of Michigan, and the typed students complaining about school. The Wizard decides to bring them all to Oz, transforming them into Oz celebrities: Tippetarius, the Scarecrow, Nick Chopper, Tik-Tok, Old Mombi, Jinjur, Scraps, The Shaggy Man, Betsy Bobbin, and Jack Pumpkinhead. After a party and registration, it's on to class with Professor Wogglebug. When Tip and Jack carry him out of the classroom, he subjects them to a blue book exam, after which they wish to return to the U of M. The equivalent characters are not played by the same people, so there transformation, their "true self" appears behind them in the early scenes.

A man rents an apartment and furnishes it in remarkable fashion.

A wizard sleeps at a table in his well-appointed sitting room. From a drawer in the table, a snake appears.

A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.

A wall full of advertising posters comes to life.

In this film, Méliès concocts a combination fairy- and morality tale about the foolishness of trying to look too deeply into the workings of an unstable and inscrutable universe. At a medieval school, an old astronomer begins to teach a class of young men, all armed with telescopes, about the art of scrutinising an imminent eclipse. When a mechanical clock strikes twelve, all the young men rush to the windows and fix their telescopes on the heavens.

A chemist carries out a bizarre experiment with his own head.

A band-leader has arranged seven chairs for the members of his band. When he sits down in the first chair, a cymbal player appears in the same chair, then rises and sits in the next chair. As the cymbal player sits down, a drummer appears in the second chair, and then likewise moves on to the third chair. In this way, an entire band is soon formed, and is then ready to perform.

One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on the table opposite another head, and both detached heads sing in unison. The conjurer then removes it a third time. You then see all three of his heads, which are exact duplicates, upon the table at one time, while the conjurer again stands before the audience with his head perfectly intact, singing in unison with the three heads upon the table. He closes the picture by bowing himself from the stage.

Prague, Bohemia, 1820. Balduin, a penniless student, falls in love with Countess Margit, a wealthy noblewoman whom he has saved from drowning.

A demon, a reaper, and the ghost of a prostitute read gothic short stories and act them out.

A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.

As a young couple stops and rests in a small village inn, the man is abducted by Death and sequestered behind a huge doorless, windowless wall. The woman poisons herself in order to join him and is met by Death, who gives her three opportunities to prove that love is stronger than death, thereby freeing her beloved from his fate.

A young woman, Margaret Dauncey, is caught between the forces of a charlatan magician, Oliver Haddo, whom she is unable to resist, and the love of a handsome surgeon, Arthur Burdon, who has saved her from being a helpless cripple by performing a delicate operation on her spine.

A reel of the Noh drama Momiji-gari, in which Danjuro Ichikawa played opposite Onoe Kikugoro V as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives.

In "Terrible Nightmare", Amador, the dull 'Aztec Charlot' embodies Phill Otto Malo, frustrated aviator. Being anxiously awaited in the city of Puebla, he crashes before arriving at his destination. Consequently, he faces several adventures: bullfighter's dress goes to a bullring; in a cabaret flirts with a transvestite believing him a woman, the Keystone Cops come to the cabaret in the face of a bomb threat; Finally, Amador is awakened from his "terrible nightmare" on a park bench by a policeman.

The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.