Scenes From My Balcony

short subject comedy

Early-pandemic, Jay and Celine head to a rental house to reconnect. While Celine films a documentary on their disintegrating relationship, a recently ‘cancelled’ Jay becomes increasingly paranoid about his portrayal, setting up hidden cameras to spy on Celine.

Glen and his friends are attending a co-ed school and are managing to have a very enjoyable time of it - in fact so much so - that Glen becomes engaged to one of the fair co-eds. His sister precedes him to the home town and breaks the news of his engagement to the family. In the meantime Glen and his sweetie enlist the aid of a rickety old flivver lo make the visit to the relatives. They have a tough time keeping the old car together and to further add to their difficulties, decide to adopt an orphan baby on the way home.

A hard-core socialite turns over a new leaf after spending time with a less fortunate family.

A clerk in a failing antiques store gets a big idea on how to move the merchandise so that he can save the store and possibly win the girl.

Believe it or not, even Smalltown USA still has people who are unfulfilled and unrelieved in the midst of plenty. Levonna and Lamar could have the perfect relationship, were it not for Lamar's obsession with rear entry.

A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..

In the span of five years, pioneering director D.W. Griffith delivered some 450 films for the Biograph Company at a rate of two or three films per week. One and two reels in length, these works showed the filmmaker inventing, borrowing, and perfecting techniques he later used to memorable effect in "The Birth of a Nation," "Intolerance," "Way Down East" and "Orphans of the Storm." Including Lillian and Dorothy Gish, Mary Pickford, Mack Sennett, Lionel Barrymore, Henry Walthall, and Mae Marsh. Among the 22 titles included on this landmark release are such widely recognized masterworks as "The Musketeers of Pig Alley," "The Battle at Elderbush Gulch," "The New York Hat," and "A Corner in Wheat."

An organ-grinder is playing beneath the window of a cranky old woman. She objects strenuously. The organ-grinder, egged on by Hooligan, keeps on playing until a policeman appears.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

Dressed in a long raincoat, Eve follows the handyman around as he makes his appointed rounds. She witnesses humorous run-ins on his various errands. But why is she watching him so carefully?

Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.

Max is a stage struck youth, and because of a deep-seated desire to go on the stage, refuses to consent to a marriage his father has planned for him. The girl, whom Max has never met, is also stage struck, and entertains no wish of marrying him, though her mother is anxious to see her make the alliance. The parents finally manage to bring the young people together, and they, in turn, exert all their skill in an attempt to disgust each other. An accidental meeting between the two when they are off guard causes them to change their minds.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

Behind enemy lines, Captain Bob White disguises himself as a woman in order to fool members of the German High Command, including the Kaiser himself.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

In 1954 Florida, a group of high school boys head to a strip club in the Everglades in an attempt to lose their collective virginity. When the club's owner and his sheriff brother swindle them out of their money and embarrass them, the boys plan revenge.

Silent military propaganda film by Erkki Karu, later followed by the musical revue film Meidän poikamme merellä ("Our Boys at Sea", 1933) and Meidän poikamme ilmassa – me maassa ("Our Boys in the Air – and We on Land", 1934), both of them also directed by Karu. The film comes with a orchestral accompaniment arranged by Raine Ampuja in 2005, based on the original score by Lauri Näre and Emil Kauppi, which in turn was based on traditional Finnish military tunes.

And here is an early success as he puts the viewer in the mood of a little boy, playing with his toys, running them through the paces of his little circus.

A tramp heads home drunk on a Saturday night, finding it hard to make it to his room. When he finally does, he cannot make it to his bed.