Fuhrmann Henschel

Oscar Krug is looked upon with suspicion by his neighbors because of his German name. When the US is drawn into the war with Germany, he enlists and travels the seas with his wife, Alice Morse. During a submarine attack Alice is snatched from Krug's side by a German officer. Krug now lives to have his revenge, and when the opportunity presents itself, he will have it.

Charles Abbott is implicated in the death of his friend Escobar, brother to the woman he loves.

A group of girls in al all-girl college dormitory spend a wild night among thieves, cross-dressing boys and wild animals like a man-eating gorilla. Blue Ribbon comedy produced by Joe Rock, directed by Percy Pembroke, starring Alice Ardell and Gale Henry.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

An American adventure film serial comprised of fifteen episodes of two reels (24 min) each. All chapters are presumed lost.

A young woman who lives with her uncle begins to dream about a monster that lurks in the shadows of the night.

During WWI, soldier Calvin Price dreams of returning home to marry his sweetheart, Janie. Upon his return, he finds himself shunned because local rivals, the Sparklin brothers, have framed him as a coward and a drunk. Janie has even engaged herself to one of them. Calvin tracks down the brothers, forces a public retraction of the lies, and restores his reputation as a town hero. When a regretful Janie tries to win him back, Calvin rejects her and chooses Rosy, a loyal childhood friend who supported him all along.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Comic hijinks on a pirate ship with British comedian Lupino Lane.

Hey, Taxi!

A woman plans to dress her fiancé as a heroic tramp in order to impress her father, but a real tramp intervenes in his place.

Silent Hank Mann comedy set in a haunted house.

In Midnight Madness millionaire diamond miner Michael Bream (Clive Brook) discovers that the woman he’s marrying — funfair shooting-gallery hostess Norma Forbes — is a gold digger. So Bream decides to teach her a lesson, and forces her to live with him in the remote African outback where, eventually, she realizes her true affections.

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

An oil heir and the daughter of a social climbing family are set to marry.

One of the two earliest horror films ever made. This film is presumed lost.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.