The remarkable spirit of tap dancers and their history provides a joyous backdrop for intimate portraits of hoofers Sandman Sims, Chuck Green, and Bunny Briggs.
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
A barefoot contessa, a screwed-up princess, an exquisite drunk, a bawdy aristocrat, a nightmare for puritanical America and the moguls of Metro-Goldwyn-Mayer, Ava Gardner never stopped loving those she loved. She turned women green and made men sweat. And rejected with all her force the bulwark of normality.
David Lynch, Mädchen Amick, Kyle MacLachlan and John Wentworth reminisce about "Twin Peaks" while seated at a diner counter.
The eagerly anticipated wait is over, after 5 years since the release of her last album, Adele is back! Fans have applauded her return, by breaking the record for most viewed video in a single day, reaching an astounding 28.7M views in the first 24 hours. The British singer has knocked Taylor Swift off the record, previously holding most viewed video in a single day for her Bad Blood video which reached 20 million views. “Hello” has now been viewed nearly 89 million times on Vevo alone since the day of its release, and has already topped the iTunes charts in 85 countries. The success of this debut single has blown everyone away and the rest of her album will most likely follow suit. Through her own words, video and live performance this documentary takes an incredible look at the life and times of this truly amazing young artist.
This documentary offers a behind-the-scenes look at Björk and her touring entourage for the 2001 Vespertine tour. It includes interviews with harpist Zeena Parkins, the Inuit choir from Greenland, electronic duo Matmos, and an ongoing conversation with Björk herself about her recordings and her tours. The documentary is interspersed with live footage of songs from the tour shot by Ragnheidur Gestsdóttir, which themselves correspond to the performances chosen for the Vespertine Live album.
A dynamic configuration of images and videos overlaid with musings on human existence.
Quarante fontaines
Parisienne... Parisiennes
Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.
A documentary film on the making of 'Close Encounters of the Third Kind'
A short film about the changing face of London Soho and the implications of gentrification on Mimi, an aging transvestite.
Skateboard film from Element Skateboards. Sequel to Elementality: Volume One. Featuring Nyjah Huston, Bucky Lasek, Bam Margera, Mike Vallely and Jeremy Wray.
Joanna is famous because of her blog on confronting a terminal disease. The movie shows her everyday life.
An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.
Ana and Claudia get trapped in a bathroom during the military occupation of the university. Claudia is caught by a soldier, leaving Ana alone for days in the bathroom, trying to survive and find hope. Based on the experiences of Alcira Soust during the military occupation of Ciudad Universitaria during the movements of 1968.
Ronald Reagan and Richard Nixon on Camera
70-year-old Timo makes the most of his short ride to work. Speeding up on a bicycle ends up in a ditch, but the adrenaline rush leaves a feeling of pleasure.
Reel Rock Tour 12 - 2017 - brings you four new nail-biting, hair-raising, and awe-inspiring stories of real rock climbers from around the world. Chris Sharma climbs cliffs solo over deep, churning ocean waters. Margo Hayes, at the age of 19, becomes the first female rock climber to complete a 5.15 route - the top of the difficulty scale. Brad Gobright, an up-and-coming climber, attempts reckless solo routes with a care-free attitude. Maureen Beck challenges herself while defying expectations others set for her and all adaptive climbers.
Bruce Baillie's Mr. Hayashi might be thought of as a putative East Coast story transformed by a West Coast sensibility. The narrative, slight as it is, mounts a social critique of sorts, involving the difficulty the title character, a Japanese gardener, has finding work that pays adequately. But the beauty of Baillie's black-and-white photography, the misty lusciousness of the landscapes he chooses to photograph, and the powerful silence of Mr. Hayashi's figure within them make the viewer forget all about economics and ethnicity. The shots remind us of Sung scrolls of fields and mountain peaks, where the human figure is dwarfed in the middle distance. Rather than a study of unemployment, the film becomes a study of nested layers of stillness and serenity.