The film is set in a fictitious poverty-ridden village of Gowlipady, which is virtually ruled by the ruthless zamindari Bhandaravathi . Kashi is a lottery salesman. He is the only literate person of his village. Once, a lottery sold by him happens to win the first prize of 5 Crore Indian Rupee. Greedy Kashi tries to get back the lottery ticket but doesn't know to whom he has sold the ticket to.
‘Films to Break Projectors’ glues, scrapes and splices 35mm, 16mm and 8mm film to create unprojectable celluloid collages. Reanimating the material reveals the colour music within and traces of ambiguous narratives that emerge from the complex loops.
A remake of the American film Ruthless People. Sean Lau plays a rich, fast-food chain owner named Lam Chak-chi. Mr. Lam hates his wife but married her so that he could inherit the fast-food chain from her father. He decides he will kill his wife, but before he gets his chance she is kidnapped. Shortly after, the kidnappers demand ransom money or else they will kill his wife. By telling the police one thing and the kidnappers another, he hopes to get rid of his wife, keep the cash and come out of it all without being suspected of any wrongdoings. However, things don't go the way Mr. Lam expects. Lau Ching Wan also plays his twin brother, who is one of the kidnappers.
In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).
"Untitled begins with a flat, out-of-focus, reddish-pink screen on which blurry white patterns quickly appear and disappear. After awhile a space seems to emerge behind the screen. The swiftly changing patterns generate an experience of soft floating motion, through a field of snowflakes that whirl about in the wind. There is simultaneous serenity and agitation in the portrayed motions. The background appears soft, almost quivering at first, as if alive, and the reddish color suggests warmth and contrast with the snow. As the film progresses the snowflakes get smaller and better focused, yielding a kind of distance perspective and the background acquires more and more substantiality. At some point and often quite suddenly, the trans-like floating experience is broken by the discovery of what lies ahead: a red brick wall! The entire meaning of the earlier experience undergoes a sudden shift as this prototype of the impenetrable obstacle becomes apparent."– Robert Becklen
After a covert mission goes wrong, Mobile Suit pilot Amuro Ray and his comrades are stranded on a remote island. The battalion was sent to a land called the Island of No Return to clear off any enemy forces, only to find a group of children and an enemy mecha attack. Now Amuro must find a way for them all to escape this mysterious land, but not before meeting a strange man—Cucuruz Doan.
Four childhood friends and their wives at an upscale dinner party. After a much-heated discussion about how smartphones influence their personal lives, the group proposes a late-night game: everyone is to place their mobiles on the table; whoever gets a text, notification or call must share it with the group. It is a recipe for disaster.
A cinephile tries to protect his family by hiding a heat-of-the-moment murder committed by his daughter by taking cues from the films he has watched. With the victim the son of a cop, can he get away with it?
Reimagining the lost 1922 Lon Chaney silent film of the same name, a desperate young man in the 1970s strikes a dark deal with an unhinged doctor, offering his mother as a subject for the physician's twisted experiments.
A short film shot in 8mm. Directed and shot by Kevin Schaefer.
3-minute experimental animation based on the techniques of John Whitney.
Preferring to shower with clothes on, they wait patiently for an evening with Winder, a living movie camera. Made as an exercise activity for Capilano University.
Toy is trapped in a time loop, reliving New Year's Eve. He meets Vee, also stuck in the loop. They decide to search for 'Perfect Moments,' learning to find joy in small wonders and cherish each day.
After Alicia Velorus' father is convicted as a communist spy, CIA asks her to prove her loyalty by getting close to her father's friend, who's a suspected arms dealer. In the meantime she and her CIA contact Devlin fall in love.
Impressed by his carefree attitude, quadriplegic multi-billionaire Vikram hires a convict out on parole as his caretaker. What follows is a string of life lessons they learn from each other.
An experimental short in which a couple engaged in lovemaking is superimposed over ocean and beach scenes.
Kabir, a highly intelligent but short-tempered medical surgeon spirals into addiction after his intense relationship with his girlfriend turbulently ends.
Vasu, a doctor, rescues KK, a criminal, from getting murdered in the hospital. However, when Vasu's wife gets kidnapped, he is asked to get KK out in exchange for his wife's safe return.
After a traumatic event, a drug trafficker turns sides and conspires with a dangerously ambitious undercover police officer to bring down the mysterious kingpin of a major drug cartel.
In the skullduggery world of politics and crime, an innocent Chanchal has to pull all on the line to prove her innocence and bring justice to Shakti and the people that he loved so much. As she gets embroiled deep in a web of deceit, Chanchal must face powers both natural and supernatural to fulfill her destiny.