Udaharanam Sujatha

An immensely rich farmer lives peacefully with his family in Pala and has no idea about the hectic metro life. He gets introduced to it when he hides a love-stricken couple in his house.

An emotionally constrained view of the displacement of human feelings in our video saturated society. Van regularly visits his grandmother in a run-down nursing home. His father depends on phone sex for guidance meanwhile erasing family homevideos of happier times with homemade pornography. Will Van rescue his grandmother and memories of his mother in time?

Ema finds out she is pregnant with an unplanned child she's not sure she wants to keep, the same week her beloved grandmother becomes gravely ill. Spending her last days at her grandmother's side, Ema is forced to spend time with her estranged, larger than life mother, getting to know her and seeing her with new eyes. As she spends time with the people gathered around her grandmother in her last days; Ema re-evaluates her beliefs, her fears and her set ideas about family, love and parenthood.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

A playboy is reformed by his daughter and fiancee.

'White' revolves around a banker who is in his 40's and is a widower. He leads a luxurious lifestyle, and in the course, he falls in love with an IT professional in her 20s.

Love makes a bad relationship between father and son all the more rancorous in this drama from Hungarian director Viktor Oszkar Nagy. A convict (Janos Derzsi) returns home after a long stretch in prison to a less than enthusiastic welcome; his son (Tamas Ravasz), now in his late teens, was left to fend for himself and tend the family farm on his own after his dad went away, and the youngster blames his father for his mother's untimely death. The father wants to mend his relationship with his son, but the young man makes no secret of his contempt for his dad, and only grudgingly allows him back on the farm.

A forest smuggle, lives in the jungle and smuggles sandalwood. He is also involved with other anti-social behaviour and forest controlling activities like robberies, dacoity, murders and drug pedalling. He consequently kidnaps an electrician Rahul and takes him to the jungle, forcing him to teach him how to make explosives. Rahul refuses to help create bombs and is subsequently falsely accused of murder. The rest of the story is about how Rahul proves his innocence to police investigators

Sairam, an assistant manager in a supermarket treads on an unethical path for a promotion, leading to dire consequences. Gayatri a thrifty housewife manages her middle class household. Mahitha's friend, a street child goes missing and she goes out of her way to find him. Abhiram, the bright student falls in love with Aira and pursues her. Four stories seemingly unrelated are all bound by one string called family.

Penny Addams lives in a constant state of depression stemming from the trauma of her father's death when she was just a young girl. Her brother, Chase, and stepmother, Lee, work to help Penny process her grief through psychotherapy and revisiting their past, but only the revelation of long-buried family secrets -- including her mother's secret lover and the true nature of her father's death -- can bring Penny out of her intense despair.

A five-year-old named Grace creates an imaginary friend, because her parents only pay attention to the new baby, Tony. Now at 35, his sole friend reappears to help her.

Clara and Hans are left-wing terrorists who have been sought by police for almost fifteen years. Their increasingly rebellious daughter Jeanne begins to pose a threat to their security when she falls in love with a boy she meets on the beach.

When Martin, a former GDR citizen, is released from jail, he lately becomes confronted with the consequences of the German re-unification.

Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.

After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some stability, Stark forms a bond with a disturbed classmate, Plato, and falls for local girl Judy. However, Judy is the girlfriend of neighborhood tough, Buzz. When Buzz violently confronts Jim and challenges him to a drag race, the new kid's real troubles begin.

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Nemo, an adventurous young clownfish, is unexpectedly taken from his Great Barrier Reef home to a dentist's office aquarium. It's up to his worrisome father Marlin and a friendly but forgetful fish Dory to bring Nemo home -- meeting vegetarian sharks, surfer dude turtles, hypnotic jellyfish, hungry seagulls, and more along the way.

A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.