Mom and Dad

Reported cases of sexually transmitted disease took a sharp rise during and after World War II, but as this film testifies, sexual license amongst soldiers on the frontline wasn't the sole cause. Back on the home front, for many women, like Joan from No. 19, loneliness or newfound independence acted as an incentive to extramarital promiscuity.

Bob, John, and Edward--three young boys growing up in the same neighborhood--have vastly-different experiences with sex. Bob's father patiently explains "the birds and the bees" to him, and even takes him to a hospital to see the effects of venereal disease.

The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.

Set in a poor Québec neighbourhood during the 1930s, a young woman begins the dire labour of birthing.

An extramarital affair leads to a young couple contracting venereal disease.

A young Navajo Indian boy is caught up in the conflict of cultures when he rejects the white man's school. Told in semi-documentary style. Preserved by the Academy Film Archive in 2012.

The short film was made from material shot for a Levi’s commercial on which Gus Van Sant was given complete freedom. Van Sant delivered the ad, and separately made his own short film; one that feels complete in and unto itself. Preserved by the Academy Film Archive in 2016.

The White Shadow is a British drama film directed by Graham Cutts based on the novel "Children of Chance" by Michael Morton. Alfred Hitchcock worked on it as assistant director and also handled the writing, editing, and art direction. The film was long thought to be lost. In August 2011, it was announced that the first three reels of the six-reel picture had been found in a garden shed and donated to the NFPF. The film cans were mislabled Two Sisters and Unidentified American Film and only later identified. The film was restored by Park Road Studios and is now in the New Zealand Film Archive. Preserved by the Academy Film Archive in partnership with National Film Preservation Foundation in 2012.

“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.

Amitabha Roy is a Calcutta-based scriptwriter, driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative. Preserved by the Academy Film Archive in 2005.

This melodrama about an actress in love with a playwright and the stage manager blackmailing her for her affections offers a unique glimpse into Chaney’s career before his classic performances in The Hunchback of Notre Dame and The Phantom of the Opera. Preserved and restored by the Academy Film Archive in 2004.

When a young boy forms an unusual connection with his late grandmother, his mother's refusal to believe spirals their lives into chaos.

Out of work and driving aimlessly, a man pulls into the "Wolf Lodge" and ends up with a job. When he wakes nightly to the sounds of icy voices and screams he decides he can no longer be an innocent bystander.

Describes the symptoms of gonorrhea and syphilis, with warnings of the consequences of avoiding treatment. Discusses some of the prevalent myths about contracting these diseases and stresses the importance of consulting a doctor if infection is suspected.

In parallel stories, a social butterfly and a lower middle-class wife brace themselves for the challenge of birthing a child in the modern era.

A female warden takes over at a state reform school and attempts to bring about needed changes. Restored in 2020 by the Academy Film Archive with additional funding from the National Endowment for the Arts from a 16mm print donated by Giancarlo Esposito and Laurence Fishburne.

In this drama, a teenage boy and girl, tired of parental repression, begin sneaking out on dates and to parties. The parents are strict, but pay little real attention to their kids, therefore the kids turn to their high school biology teacher who is willing to really listen to their confidences.

The Price He Paid

Aka Hardcore, aka Frankly Fiona. The heavily fictionalised fantastical autobiography of the fantastic 70s sex superstar Fiona Richmond, played by Fiona herself!

A series of terrifying dramas of male-female relationships offset against the background of a New York tenement. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2012.