Where the Universe Sings: The Spiritual Journey of Lawren Harris

Following her award-winning documentary, One Tree Three Lives, about novelist Hualing Nieh Engle, Hong Kong director Angelina Chan examines the artist Yank Wong Yan-kwai. A complex man who resists easy categorizations, Wong is a painter, art director, set designer, writer, musician, and photographer, an elusive renaissance man of bountiful creativity. More than a portrait of an artist and the creative life, the lm is also a high-octane cat-and-mouse game between lmmaker and subject: one tries to capture, the other evades

La bande à Fifi : plus besoin d'Alibi

Thierry Le Luron, l'humour de ma vie

Within the cultural policy framework of the 1950s, Mikoláš Aleš was, in terms of fine art, equivalent to Bedřich Smetana in music and Alois Jirásek in history and literature. This biopic presents Aleš as an artist of a devoted to his nation and its folk traditions. The movie depicts the most important events of the celebration of “Aleš’s Year” (in honour of the hundredth anniversary of Aleš’s birth), which was conceptually prepared first and foremost by the then education minister Zdeněk Nejedlý, who was also a crucial figure in terms of cultural policy.

Piaf intime

Valery Liashkevich is a homeless artist who lives at a railway station and for over twenty years has painted pictures in the streets of the town of Gomel in Belarus. For the natives he is no more than a local attraction. For art critics he is a phenomenon worth close attention.

Josef Mánes II.

A powerful and intimate portrait, Joan Mitchell: Portrait of an Abstract Painter captures Mitchell's independent spirit and testifies eloquently to Mitchell's art. Joan Mitchell was born in Chicago in 1926 and died in Paris in 1992. After graduating from the School of the Art Institute of Chicago, Joan settled in New York City in 1950. She was an active participant of New York's dynamic Abstract Expressionist scene and hung out with fellow painters Franz Kline, Willem de Kooning and Philip Guston and, soon, poets Frank O'Hara, James Schuyler and John Ashbery. In the mid-fifties, she moved to Paris, France. There she was part of a circle of friends that included Pierre Matisse, Samuel Beckett and Alberto Giacometti. Mitchell is one of the great abstract painters of the 20th century. This elegantly edited documentary weaves interviews with the acerbic Mitchell and other leading painters and critics while letting her stunning pictures dominate the film.

A thoughtful portrait of a renowned artist, this documentary shines the spotlight on New York City painter Jean-Michel Basquiat. Featuring extensive interviews conducted by Basquiat's friend, filmmaker Tamra Davis, the production reveals how he dealt with being a black artist in a predominantly white field. The film also explores Basquiat's rise in the art world, which led to a close relationship with Andy Warhol, and looks at how the young painter coped with acclaim, scrutiny and fame.

Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.

Le château d'Hérouville, une folie rock française

Director Francois Levy-Kuentz's film uses previously unreleased archival material, such as Klein's personal films, to capture the artist's astonishing career, from its beginning in 1954 to his death in 1962. In those eight short years, Klein turned the modern art world upside down.

Beth Moore-Love is perhaps the greatest living artist working in America today. Her works can be found in private collections throughout the United States and Europe. She is a national treasure and yet, she is virtually unknown. Filmmaker Larry Wessel is determined to change that with his nine year labor of love.

Pierre Soulages

A documentary about Tintoretto.

On their tenth wedding anniversary, painter František and his wife Jarmila return to their isolated home. While František is content with a quiet, unambitious existence, Jarmila perceives their orderly life as stagnant water rather than true living. What is intended as a private celebration becomes a pivotal moment where an unforeseen event forces František to reveal his true character through his actions.

The fascinating portrait of Ion Bârlàdeanu. The touching and inspiring story of a man who literally lived in the gutter for 20 years - and in the meantime managed to create paintings and collages which are now exhibited alongside works by Andy Warhol or Marcel Duchamp.

Made shortly before Robert Motherwell’s death in 1991, is an exploration of the Abstract Expressionist movement and a portrait of one of its last survivors. Having come to New York in the early 1940s, Motherwell found himself on the battleground of American art. He and a group of painters set out to change the face of American painting. The film charts this epic battle led by Jackson Pollock, Willem de Kooning, Mark Rothko, Franz Kline, and Robert Motherwell, who endeavored to make American painting equal to painting elsewhere and, in the process, shifted the center of modern art from Paris to New York.

Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.

Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.