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"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Traces the making of UC-Davis professor Darrell Hamamoto's first-ever Asian American porn movie ("Skin on Skin") from planning to production. Hou interviews filmmakers Justin Lin ("Better Luck Tomorrow") and Eric Byler ("Charlotte Sometimes"), professor Elaine Kim and playwright David Henry Hwang to get at whether Asian America truly needs its own "porno practices" as a way of decolonizing the community's collective sexual imaginations and confronting how sexuality and masculinity are treated in the Asian American community.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

The story of Kenyan athlete David Rudisha, the greatest 800m runner the world has ever seen, and his unusual coach, the Irish Catholic missionary Brother Colm O'Connell.

Afrika tanzt

In a fascinating geopolitical drama, Danish filmmaker Mik-Meyer closely follows Ravalomanana as he attempts to return from exile in South Africa to Madagascar, under the threat of arrest and bodily harm.

Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.

An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.

Lezioni di Cinema di Paolo Mereghetti

Benjamín trips to the south of Chile with his family and shots a visual letter to deceased filmmaker Raúl Ruiz.

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

Walter Mittelholzer - Eine Schweizer Pioniergeschichte

Aquela Mesma Estação

Stream of consciousness awakened by the shots of an inauspicious summer.

Florent Tillon takes an anthropological lens to Las Vegas, Nevada. What he finds is some curious new species of Americana. (Dorothy Woodend, DOXA Documentary Film Festival)

Motivated by family memories, a filmmaker returns to the land of his mother to reflect on his identity and deep cultural heritage.

Between 1983 and 1987, Ouagadougou, the capital of Burkina Faso and the home city of FESPACO, one of the most important Pan-African film festivals in the world, was the scene of an exciting cinema utopia. With the support of the young president Thomas Sankara, the festival became a symbol of the cultural renaissance of a whole continent. The assassination of Sankara stifled the hopes of millions of young Africans, but the dynamism of FESPACO and African cinema did not stop.

Two quotes from Paul Valéry: "Humanity is threatened by two dangers: order and disorder." and "Nothing is more contrary to your nature than to see things as they are." A quote from the Swedish writer Thorild : "To think freely is great ! To think correctly is greater."Sentences which ring like thoughts. A bookseller, a flea market, drunken students and avant-garde musicians... The film was shot in the university town of Uppsala. "Wanting to do something "new" at any cost can lead to quite a bit of nonsense."