End of Dialogue

How do white South Africans deal with their fears of crime and violence? Like crocodiles, some survive without evolving, living with their fears. Others make fear their friend and evolve in ways you'd never imagine.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Nova and National Geographic present exclusive access to an astounding discovery of ancient fossil human ancestors.

The struggle to eradicate apartheid in South Africa has been chronicled over time, but no one has addressed the vital role music plays in this challenge. This documentary by Lee Hirsch recounts a fascinating and little-known part of South Africa's political history through archival footage, interviews and, of course, several mesmerizing musical performances.

Directed by Ingrid Martens, this documentary takes place completely within the lifts of Ponte tower in Johannesburg. Over five years, Ingrid films the tenants of the tower and the snippets of their lives that are captured within their rides between floors.

In a meditation on the meaning behind sports in a Post-Apartheid South Africa, three young girls muse on their hopes and dreams as aspiring Drum Majorettes.

A provocative look from within at Afrikaner extremists who, in 1991, clung to the belief that they were the chosen ‘super race’ of Africa. With the demise of white rule, many of these Boers lived in fear. Some had banded into paramilitary groups, such as Eugene Terre’Blanche’s Afrikaner Resistance Movement, which claimed wide support within the South African army and police. They were preparing for an armed showdown with the new government.

In the dying days of apartheid, three generations of women in a village in South Africa came together to create a community garden. They called it “the thinking garden” – hleketani in the local xiTsonga language – a place where women gather to think about how to effect change. Twenty-five years later the garden is still going strong, providing fresh vegetables and new opportunities for local people while helping to confront the ravages of climate change, poverty, and HIV/AIDS in a community pushed to the edge.

Air Jaws claims new turf in South Africa. Dr. Neil Hammershlag and Enrico Gennari follow with brand new technology: a "drone-towed" seal decoy to study and capture the harrowing and dramatic battles between shark and seal.

In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.

During his stay in Cape Town as a film student, Shatho Tibone was inspired by an initial casual trip he took to the scenic but informal settlement of Hangberg. This film focuses on the uncertainties and inhumane acts of police and state brutality faced by the predominantly Rastafarian, KhoiSan identifying community of Hangberg in Cape Town, South Africa. So, through the participatory collective effort of a few journalists, filmmaker and community leaders Shatho went on a 5 year journey to document the story of this community which has become an enigma in South African imagination,

Explores the history of the Afrikaners and Afrikaner nationalism, and the development of apartheid and its relevance to South Africa's political situation today.

Long a target for poachers, the rhino has been hunted for their horns across Africa. In The Last Horns of Africa, debut documentary feature director Garth De Bruno Austin follows those who are putting their lives on the line to protect the animal, from a hidden rhino orphanage to the Kruger National Park. With unparalleled access the filmmakers have created a compelling documentary that explores conservation, the illegal wildlife trade, and rhino poachers.

The film documents the key political issues in recent years in South Africa that have marked the demise of the African National Congress (ANC). These include the Marikana massacre in August 2012, whereby 34 striking miners were gunned down by the ANC government's police force. Rehad Desai documented this historic event in his 2013 film MINERS SHOT DOWN. He refers to the incident once again in his latest film and shows how the ANC is undermining its close connections to the trade unions it set up as a freedom movement under Nelson Mandela, and how students have also turned on the party to protest against tuition fees under the motto #FeesMustFall. The film's compelling footage unmasks the cynical despotism of corrupt president Jacob Zuma, who is chiefly responsible for the ANC's demise and its catastrophic losses at the most recent elections. It also introduces opposition movements that are challenging his now-untenable position.

This is one the most fearless animals in the world, renowned for its ability to confront grown lions, castrate charging buffalo, and shrug off the toxic defenses of stinging bees, scorpions, and snakes. Our film will follow a team of researchers in South Africa who are searching for the truth behind the honey badger

William Kentridge and Marlene Dumas – two of the most celebrated names in international contemporary art – come face to face in a series of frank, witty and intense discussions about their work and practice. The film follows them from the gentle ambience of a dinner conversation, to their studios – where we are given insight into the way that each artist works – to some of their finished works and installations. What emerges is how very differently these two highly successful South African artists approach image making. Dumas’ method is deeply intuitive – she often works on the floor as though embracing her paintings, pouring and dabbing paint to produce her remarkable portraits. Kentridge is intensely systematic, alternating gestural mark making with the repetitive action of drawing-filming-erasing for his animated films.

Included in this groundbreaking work are interviews with active farm attackers and serving police officers who confirm corrupt police are complicit in the mass‐slaughter of South Africa’s whites. Their truths are horrifying—a man and woman branded with hot irons and left to die. A husband killed in front of his wife and children. An elderly woman raped, another with half her face blown off from a shotgun. And they all share a common thread: revenge. This is a disturbing documentary—it wrought both an emotional and physical toll on all involved. What’s more, Katie was detained at the airport in South Africa on the orders of the African National Congress (ANC) for her work on this project because Plaasmoorde is the story—the truth—they don’t want you to see. We owe it to the victims—to our fellow man—to listen and to open our eyes to the truth.

Set in past, present, and future South Africa — an invitation into a poetic, memory-driven exploration of love, intimacy, race, and belonging by the filmmaker, who grew up during apartheid but didn't know it was happening until it was over.

A documentary that chronicles the life of South African leader Nelson Mandela. Mandela is probably best known for his 27 years of imprisonment, and for bringing an end to apartheid. But this film also sheds light on the little-known early period of Mandela's life.

The untold story of South Africa's blackfoot Penguins.