Entrance to the Grand Burial Chamber

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

This is a time when we learn afresh that nothing lasts forever and that the variability is an integral part of everyday life. What is a river today does not mean that tomorrow will not become a sea. Life itself is one large metamorphosis, and the human being is its variable shape...

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.

This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.

An average working man who is alone in a world of deception finds himself in a marriage of convenience.

Yo creo que...

The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.

An experimental film about a peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the eve of the Italian occupation of the country.

Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.

James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Repurposing and manipulating classic film footage and the filmmaker’s personal footage, the film weaves a phantasmagoric narrative of a Chinese lady named Ma Li who dreams she is a Caucasian named Mary.

This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape, color, opera music and atmosphere to explore the Freudian truths about men's fear of women that Wedekind powerfully exposed. A kinetic melodrama of the rise of a femme-fatale and her fate at the hands of Jack-the-Ripper. Rethinking Pabst's silent film and Alban Berg's opera.

Hiding inside&out, writhing about, taken out&in.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

Italian immigrant kidnaps a wealthy British woman, and they fall in love.