Pete Riley is a 17-year-old who lands a part-time job at a multiplex in his neighbourhood. He and his friends are excited when it's announced that the theatre will play host to the premier of a major motion picture, with a number of Hollywood celebrities in attendance. However, when the big night comes, Pete has to contend with disappearing staff, malfunctioning equipment, and a broken popcorn machine.
Pour avoir Adrienne
New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.
Humble Maria, who outfits top London theater star Ned Kynaston, takes none of the credit for the male actor's success at playing women. And because this is the 17th century, Maria, like other females, is prohibited from pursuing her dream of acting. But when powerful people support her, King Charles II lifts the ban on female stage performers. And just as Maria aided Ned, she needs his help to learn her new profession.
Alluce, Billuce, Trillice
Se Telefonando
Der Komödienstadel - Die Tochter des Bombardon
Der Komödienstadel - Die drei Dorfheiligen
Es muß ja nicht der erste sein
Zwiebeln und Butterplätzchen
Bruno and Florence invited Sophie and Alex for the evening, but nothing goes as planned between the successful author, the brilliant entrepreneur and their respective wives, two sisters. Contradictions, anxieties, bad faith and pettiness come around the table. A delightful cascade of incidents quickly transforms the family reunion into a crazy night where secrets, bottles and unsaid are shattered until the two couples, caught in an irresistible whirlwind, formulate the most unexpected.
Drama critic Larry Mackay, his wife Kate and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kate settles into suburban life, Larry continues to enjoy the theater and party scene of New York.
Les Bidochon - Telle est la réalité
Les Voisins du dessus
The Odyssey of director Radomir Belacevic who leaves his native village on his faithful horse named Knight and sets out to the capital trying to put his drama on the National Theatre's program, allegedly backed by foreign investors, too. Seduced by flashy lights of the city and beauty of metropolitan women, his Don Quixotean mission takes a different route and he becomes a modern Ulysses who forgets his roots and assimilates with the urban jungle.
Millowitsch Theater - Der Raub der Sabinerinnen
Millowitsch Theater - Tante Jutta aus Kalkutta
The enterprising Anton Klapproth runs a flying duck farm in the Eifel, but now he finally wants to experience a real adventure in the big city of Cologne. A visit to a sanatorium for the mentally ill seems particularly sensational to him, as there is certainly a lot going on there with the "Jecken" and would provide plenty of story material for his regulars' table. In return for a loan, Anton's nephew allows his uncle to stay at the Pension Schöller. However, the guests there are by no means mentally ill, just rather eccentric. However, the unsuspecting Anton has a great time, thinking he is in a psychiatric institution.
The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...
Lakis Lazopoulos climbs on the roof following the course of the breakdown of the average Greek. A house is sinking, the river has overflowed, no one will stay. The river carries them all away. On the roof, Lakis Lazopoulos, as a modern Odysseus, sinks like our life sinks today. The past begins to knock on the door and asks to take a stand. The history of the modern Greek from 1960 until today, the dissolution of us, the rise of the ego, the descent of emotions, the transition to corruption, the ridicule of the Greek in history. Chryssa Ropa, as a modern Penelope, tries to keep the house, the child, the life that is lost. But love and affection are crushed in the years of infidelity and greed.