The Crumblers Are Doing Well

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

La Dame de chez Maxim

Les Bodin's : Grandeur Nature (@Zenith de Limoges)

On vacation in the Luberon, a high ranking civil servant, in love with the good old fashioned thinking, has to put up with a bunch of troublemakers in his haven of tranquillity and prevent them from watering in circles. Wife, child and mother-in-law in the front row, brother-in-law and sister-in-law as bonus gifts. Add to that a terrible heat wave and a mother left alone in her apartment in Paris... The cocktail is boiling, even explosive... with this heat it will be hard to keep it cool.

Ma Belle-Mère, Mon Ex et Moi

Bois d'Enghien, engaged to a young girl from a good family, has to break up with Lucette Gautier, his mistress, a dilettante of salons. Not having been able to tell her of his break-up, he finds her at her fiancée's house, invited for the event. A Mexican general, jealous of his rivals, arrives and complicates the situation, as does a notary clerk, Bouzin, a singer in his spare time.

Le Tartuffe

Thomas is a young actor, the adopted son of Don Antonio, director and founder of the theatrical company to witch he belongs and where he presents his plays. When Don Antonio dies, Thomas is in the need to reestablish his artistic abilities and of the company to save the theater of falling in the hands of the very ambitious Mauro, nephew of Don Antonio who wants to tare it down in order to build a gymnasium. He sets up a web site where he offeres his services as an actor to anyone who needs them outside of the stage. Under those circumstances, Thomas knows Rebeca, mother of Lucia, who hires him to have Lucia fall in love in order to be able to collect an inherence.

Buster and his new cast now have their sights set on debuting a new show at the Crystal Tower Theater in glamorous Redshore City. But with no connections, he and his singers must sneak into the Crystal Entertainment offices, run by the ruthless wolf mogul Jimmy Crystal, where the gang pitches the ridiculous idea of casting the lion rock legend Clay Calloway in their show. Buster must embark on a quest to find the now-isolated Clay and persuade him to return to the stage.

The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...

Pete Riley is a 17-year-old who lands a part-time job at a multiplex in his neighbourhood. He and his friends are excited when it's announced that the theatre will play host to the premier of a major motion picture, with a number of Hollywood celebrities in attendance. However, when the big night comes, Pete has to contend with disappearing staff, malfunctioning equipment, and a broken popcorn machine.

Mother Wolffen, a washerwoman, is a woman of principle: A poor man must do what he must to get through life, only he mustn't get caught doing it. All sorts of crooked deals contribute to the improvement of the daily menu and the increase of household funds. When everyone is searching for pensioner Krueger's missing beaverskin coat, Mother Wolffen and her family are calmly enjoying fresh roast venison.

Isabella Eklöf is an unemployed actress in her early thirties. Her friends all enjoy stable relationships, children and successful careers. In order to jump-start her life she decides to lie a bit on her next job application with unexpected consequences.

Broadcast live on the Hallmark Hall of Fame series on NBC, a pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.

Early in the 20th century, middle-aged lawyer Fredrik Egerman and his young wife, Anne, have still not consummated their marriage, while Fredrik's son finds himself increasingly attracted to his new stepmother. To make matters worse, Fredrik's old flame Desiree makes a public bet that she can seduce him at a romantic weekend retreat where four couples convene, swapping partners and pairing off in unexpected ways.

New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.

In order to win the respect of her friends and family, divorced housewife Sabine decides to perform Wilhelm Tell with a group of Asylum seekers in the Swiss mountains.

The ups and downs in the lives and careers of a group of ambitious young actresses and show girls from disparate backgrounds brought together in a theatrical hostel.

Christopher Gill is a psychotic killer who uses various disguises to trick and strangle his victims. Moe Brummel is a single and harassed New York City police detective who starts to get phone calls from the strangler and builds a strange alliance as a result. Kate Palmer is a swinging, hip tour guide who witnesses the strangler leaving her dead neighbor's apartment and sets her sights on the detective. Moe's live-in mother wishes her son would be a successful Jewish doctor like his big brother.

In a small town in the 1950s a repertory company meets on Monday morning to start rehearsing the following week's play. This is a ghastly thing written by the aunt of one of the theatre's directors. The producer doesn't try to hide his annoyance about it, and is further exercised when the authoress herself arrives to help. The cast have to try and sort out real-life problems that keep intruding as they wrestle with the play's dire dialogue.