Midnight Ramble

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A championship high school basketball team provides pride, tradition and hope for an African American community struggling to survive in the middle of one of the wealthiest communities in America - The Hamptons.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

Young members of 3 New Orleans school marching bands grow up in America's most musical city, and one of its most dangerous. Their band directors get them ready to perform in the Mardi Gras parades, and teach them to succeed and to survive.

Probably filmed in 1895, a group of people stand along the platform of a railway station in La Ciotat, waiting for a train. The train pulls up and attendants help passengers off and on. This was not in the Lumière's official catalog, and was likely screened in early 1896. This film is often misidentified on Youtube as "L'Arrivée d’un train à La Ciotat", which is the title of the 1897 remake.

The grand opening dedication ceremony of the Smithsonian's National Museum of African American History and Culture.

Henry Browne, an African American farmer, and his family are profiled in this film. The important job of a farmer during times of war is highlighted, specifically his efforts growing peanuts and cotton. This role is made even more poingnant when they visit the eldest son who is a cadet in the 99th Pursuit Squadron.

A film about the Maroons—freed or escaped slaves that created their own communities during slavery. Both stories are examples of Gerima’s driving motivation—sankofa, reclaiming the past in order to move forward.

BLACK SUNS: AN ASTROPHYSICS ADVENTURE is a documentary about chasing eclipses and science dreams. It chronicles the lives of two globetrotting African American astrophysicists, Dr. Alphonse Sterling and Dr. Hakeem Oluseyi, as they follow the two solar eclipses that occurred in 2012. Dr. Alphonse Sterling of NASA, stationed in Japan, had early success in the US, but left his home country to further cultivate his wide-ranging interests. Dr. Hakeem Oluseyi of the Florida Institute of Technology, is a scientist who beat the odds of poverty, and a poor early education, to get where he is today. The film is hosted by award-winning cultural astronomer Dr. Jarita Holbrook.

How does a state with the motto “Live Free or Die” and a celebrated legacy of abolitionism confront and understand its participation in slavery, segregation, and the neglect of African-American history? What happens when we move toward a fuller understanding of our history by including all voices? No other documentary has explored Black history in New Hampshire, no less Black history in New England. Shadows Fall North brings to light a forgotten history and continues a dialogue that is more important today than ever before. Without acknowledging our past, accepting it and embracing it, we will never move forward in our actions about race in this country.

The Black middle class, torn between white goals and Black needs, are examined by producers William Greaves and William Branch in a 90-minute NET Journal documentary.

Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.

This film traces the improbable journey of Charley Pride, from his humble beginnings as a sharecropper’s son on a cotton farm in segregated Sledge, Mississippi to his career as a Negro American League baseball player and his meteoric rise as a trailblazing country music superstar. The new documentary reveals how Pride’s love for music led him from the Delta to a larger, grander world.

In World War II. African-American GIs liberate Germany from Nazi rule while racism prevailed in their own army and home country. Returning home they continue fighting for their own rights in the civil rights movement.

Gripping, heartbreaking, and ultimately hopeful, Waiting for Superman is an impassioned indictment of the American school system from An Inconvenient Truth director Davis Guggenheim.

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.

We have volunteered for the Earth Conservation Corps to restore the Anacostia river and the Washington wasteland where we live and often meet an early violent death. We are striving to return our nation's bird,the bald eagle, to our Nation's Capitol. If the eagles survive maybe we can too. We began filming this documentary in 1992 to show people our America. "Endangered Species" is our story. - Written by Antoine Woods

When the Civil War ended in 1865, more than four million slaves were set free. Over 70 years later, the memories of some 2,000 slave-era survivors were transcribed and preserved by the Library of Congress. These first-person anecdotes, ranging from the brutal to the bittersweet, have been brought to vivid life in this unique HBO documentary special, featuring the on-camera voices of over a dozen top African-American actors.

An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.