Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
We discover a modest, almost derisory garden, located in the heart of the women's prison in Rennes, Brittany, France.
Various shots of the Coronation procession for King George V.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
An overview of the works of French film pioneers Louis and Auguste Lumière from 1895 to 1897.
While new, monster housings are being erected, people grow a small farm in their vicinity. Soon the bulldozers come and ransack it.
Part 1 of the History of Australian Cinema series. Australian cinema from the very beginning, from the newsreels, ethnographic and actuality films, to the controversy of "The Story of the Kelly Gang" and the success of "The Sentimental Bloke".
A documentary chronicling the pioneering efforts of black filmmaker William D. Foster in the early years of the industry and Oscar Micheaux's controversial impact on the subsequent "race movies".
Bournemouth offers a variety of sports, pastimes, steamer trips, and fine dining for holidaymakers, competing with cheaper foreign holidays and offering a variety of transportation options.
A film about astronomy which also happens to show views of the ancient city of Winchester, before focussing on a particular house in the suburbs with its own observatory.
Film about the town of Penge featuring local personalities, housing, shopping, traffic and the Penge formation dancers.
Take a virtual stroll down the streets of Glasgow’s iconic Great Western Road.
Large numbers of children and adults can be seen enjoying themselves, splashing about in the water or diving from the high-boards.
The Thanet coast featuring boat rides, horses and family outings.
On a blustery January day bishops arrive for the opening of the new Knutsford Test School.
An insider's account of Jack Warner, a founding father of the American film industry. This feature length documentary provides the rags to riches story of the man whose studio - Warner Bros - created many of Hollywood's most classic films. Includes extensive interviews with family members and friends, film clips, rare home movies and unique location footage.
With their gramophone perched on the back of their launch, the family set off for a day of rest and relaxation on the Broads and Suffolk coast.
The first meeting of a U.S. president and a Mexican president took place when William Howard Taft met Porfirio Díaz on 16 October 1909, in El Paso. The meeting was celebrated in both El Paso and Juárez with parades, elaborate receptions, lavish gifts and large crowds. Shot by the pioneers of Mexican Cinema the brothers Alva. This is a typical example of newsreel material prior to the Mexican revolution. By hemerographical references we know that this footage was presented to the then president of Mexico General Porfirio Díaz in the Castle of Chapultepec, then residence of the president.
the Gardens at Hidcote Manor, Mottisfont Abbey, Sissinghurst Castle With a cameo appearance by Nigel Nicolson Why did American-born Major Lawrence Johnston spend much of his lifetime creating a storied garden in a remote part of the Cotswolds? What is Graham Stuart Thomas's glorious collection of antique roses doing in a medieval English Abbey? What persuaded author, poet and plantswoman Vita Sackville-West and her husband Harold Nicolson to buy a derelict ruin on the edge of the Kentish Weald to create their fabled garden? Their son, Nigel Nicolson, reminisces about this most beloved of gardens and his now legendary parents. An extensive tour of each garden examines design, plantings, close-up details, and observations by gardeners. An hour of sheer enjoyment, beauty, and an excellent source of inspiration for those with a love for gardens.