Roadz2Home

1 minute experimental film.

Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.

Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.

Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.

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To break in their new studio, EMPRESS, Castle Atom performs four songs and give us a glimpse behind the scenes of how they record. Songs include: "Years of Blood", "Where Have You Been", "Farewell My", and a previously-unheard track, "Hey-E".

Slacker duo Beavis and Butt-Head wake to discover their TV has been stolen. Their search for a new one takes them on a clueless adventure across America, during which they manage to accidentally become America's most wanted.

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

A commune of improvisational theatre performers, musicians, light-show artists, film makers, geodesic dome designers and former members of Ken Kesey's Merry Pranksters takes shape on a mountaintop in southern California, where they have free rent in return for caring for forty hogs. In the summer of 1968 they take off in a caravan of 40 busses to bring the Yippie party presidential candidate, Pigasus the Pig, to Chicago. Along the way they put on free participatory carnivals for thousands in rodeo grounds, indian reservations, and colleges all across the country.

Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.

During a tour of the province, someone mistakenly leaves a baby in a singer's car without him noticing. António decides to take the child in, with Madalena, a fellow artist. But the presumed mother, claiming it was a mistake, enlists the help of her brother, a police officer, which leads to a chase to Porto.

Sourced entirely from YouTube, converted and edited using Windows Media Maker. A comprehensive list of video credits is available at pointnever.com Root Strata, 2009 Pro-duplicated DVD-R in a slimline DVD case with translucent colour cover and transparent insert. Limited to 250 copies.

Gaining ideology from their last album Disco Volodar, the short film uses the core theme of space. The short film is filmed at Unit 3 Regents Trading Estate, the usual area for Sounds From The Other City. Using the philosophy of avante garde pioneer Maya Deren ‘one must at least begin with the body feeling’, the films opening is of the four piece standing atop of the hill in the Pendle countryside. This quickly melts into a warped reality and lands you into the POV of a camera and trapped in a liminal space where you see a band in session.

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

A film that places the bright and dark sides of life close together. From an understatement beginning, the movie drives up to an ecstatic highlight with a love act between two young people. The orgasm becomes an enormous image flow into the crematorium's death machine.

Shortly before his death, Romitelli together with his friend Paolo Pachini and the poetess Kenka Lèkovich, resurrected the dream of a total scenic art (a furnace of sensations, they called it, an_ initiation rite_) in the manner of the Futurists: rhythms and gleams of light striking metals (for the video part), poems in iron and chrome singing of fusion with matter (Kenka Lekovich), acoustic/electric music highly amplified, filtered, spatialised, in as artificial a manner as possible. An Index of Metals bears vigorous witness to this determination to go beyond: sizzling orchestration, electric and psychedelic; a voice which plays on effects, murmurs with reverb, cackles into a megaphone, screams like a pop star; and an electric guitar score of a kind that no ‘serious’ composer has ever written, sliding across an infinite range of tones with a lightness of touch and blurring of contours.