Jon Richardson: How to Survive The End of the World

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.

Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.

Peter and Amanda spy on a bickering couple from their penthouse, but when the man finds out, he vows to make the nosy couples life a living hell.

A film about the artist Daniel Spoerri. It's actually a film about a thought by Daniel Spoerri: a film almost without Daniel Spoerri, it's actually mostly acted out by a child - to say no less than that everything somehow goes on in life, even if you die in between.

A Rooster Teeth documentary by Mat Hames following podcaster Nick Scarpino as he works to reinvent himself as a standup comedian working comedy clubs in San Francisco.

Tupac: Aftermath is a delicate sequel to Tupac: Conspiracy, which takes the viewer to the days following the death of the rap artist. Cover-Ups, decpetion and rumor flowed through both Las vegas and Los Angeles, setting up the biggest unsolved murder case- and biggest lies about it, in recent history. Interviews with his close family and friends- as well as those who were inspired by him- perfectly reflect the fire, intensity and passion of this artist. not to be missed, find out the rest of the story in Tupac:Aftermath.

British comedian Jimmy Carr unleashes his deadpan delivery and wickedly funny one-liners to a sold-out audience at the UK's Hammersmith Apollo.

Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.

Die Weisse Arche

An ode to man's capacity to care for all creatures throughout their sometimes greatly protracted existence, displayed through the homegrown remedies Tom and Debbie Nicholson create for disabled animals.

The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.

The life story of the famous danish author Jakob Ejersbo is told as his two friends are struggling to reach the top of Kilimanjaro to spread his ashes from there.

A moving and very funny portrait of the personal and professional life of the magnificent French comedian Louis de Funès (1914-83), as well as a detailed analysis of his masterful acting technique.

In the age of social media, nearly every day brings a new eruption of outrage. While people have always found something to be offended by, their ability to organize a groundswell of opposition to – and public censure of – their offender has never been more powerful. Today we're all one clumsy joke away from public ruin. Can We Take A Joke? offers a thought-provoking and wry exploration of outrage culture through the lens of stand-up comedy, with notables like Gilbert Gottfried, Penn Jillette, Lisa Lampanelli, and Adam Carolla detailing its stifling impact on comedy and the exchange of ideas. What will the future will be like if we can't learn how to take a joke?

A drama set in the 1920s, where free-spirited Janie Crawford's search for happiness leads her through several different marriages, challenging the morals of her small town. Based on the novel by Zora Neale Hurston.

Comedian Sam Morril performs. Topics include why babies seem racist; why porn is more body positive than women's magazines; and an awful customer service experience with an airline.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Et si la mort n’était qu’un passage ? : Comment s’y préparer ?

Thérèse Clerc is one of the great figures of militantism. From the struggle to legalize abortion to the fight for equal rights of men and women and the battle for gay rights, she’s been on the front lines of all of them. She has just learned that she has an incurable disease and has decided to take a last look back over her life, a tender and lucid look at the battles and the love that went with them.

Michael Youn - Du Morning Live à Divorce Club