maɬni—towards the ocean, towards the shore

"What could be more unsettling than a man close to death whose profound arrogance drives him relentlessly to hang onto both his power and his writing, to the bitter end?" In the twilight of his second seven-year term, François Mitterrand was alone. Ravaged by illness and abandoned by a large majority of the Socialist Party, who would not forgive him for the disastrous outcome of the March 1993 elections, the Head of State was preparing to tackle a second round of cohabitation with the right wing. However a series of unexpected tragedies and revelations would arise, casting a shadow over the end of his reign…

A grandmother faintly narrates her quilts, as seen through the warped glass lens of a broken camera, a laptop webcam, and a clunky Xerox scanner.

An exploration into grief and its expression through the stories of individuals who have experienced loss or trauma due to climbing or alpinism. This artful compilation of interviews highlights how there is no singular or correct way to grieve.

Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.

Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.

Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.

A chronicle of legendary Native American poet/activist John Trudell's travels, spoken word performances and politics.

Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the Texas/Mexico border, wanting to turn back time. She collides with unruly experiences of adolescence – quinceañeras, Rio Grande river excursions, teen makeovers and beyond – that invite her to soak up the details of the home her brother adored and she ignored. What emerges is a playful dance between a personal and collective coming-of-age portrait of kids on the border and Robie herself as she rediscovers the possibilities of joy in the aftermath of grief.

"The Ninth Island" tells the story of Hawaii’s indigenous population and its struggles to stay connected to its ancestral home.

Concerned about the declining health of people all around them, Native American women are sparking physical and spiritual rejuvenation through reclaiming traditional foodways.

What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.

Combining archival photos with new and found footage, this short film presents a personal, impressionistic rendering of what it's like growing up Mi'kmaq in Newfoundland, while living in a culture of denial. Vistas is a series of 13 short films on nationhood from 13 Indigenous filmmakers from Halifax to Vancouver. It was a collaborative project between the NFB and APTN to bring Indigenous perspectives and stories to an international audience.

Focuses on 1992 Nobel Peace Prize winner, Rigoberta Menchu, as she discusses the lack of human rights for the indigenous people of Guatemala and her commitment to the struggle for a more egalitarian society.

For more than 120 years, Mohawk ironworkers have raised America’s modern cityscapes. They are called 'sky walkers' because they walk fearlessly atop steel beams just a foot wide, high above the city. In this nuanced portrait of modern Native Americans' double lives, Jerry McDonald Thundercloud and his colleague Sky shuttle between the hard-drinking Brooklyn lodging houses they call home during the week and their rural reservation, a grueling drive six hours north, where a family weekend awaits. While the men are away working, their wives often struggle to keep their children away from the illegal temptations of an economically deprived area.

Filmmakers Sam and Amy journey into rural Australia to explore how the legacy of an American legend has transmitted and warped itself over time, and across the globe, resulting in the 30th annual Parkes Elvis Festival.

An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.

Filmmaker Theo Anthony offers a far-ranging look at the biases in how people see things, focusing on the recorded image.

When desperate times call for desperate measures, 9-1-1 Emergency Communications Officers are available to help with the complexities of childbirth and the delivery of babies.

An extension of punk and the fury of the 70s, Grunge was built on the impossibility of living in this world without transforming it. On a categorical refusal to collaborate and the need to create your own rules. The subculture as a refuge. Grunge was a secret movement, a piracy that should never have become popular. A bubble whose epilogue was played out in 3 years, between 1991 and 1994. What happened to this rage?

A documentary essay on coming of age and the power of the unconscious. In the same vein as Sweatlodge Song, this is a message of courage and hope.