Geometría del esplendor

In Concert: A Benefit for the Crossroads Centre at Antigua is a live concert film featuring performances by the British rock musician Eric Clapton and invited friends, such as David Sanborn, Sheryl Crow, Mary J. Blige and Bob Dylan.[citation needed] The DVD and VHS releases hit the market on 26 October 1999 under license of Warner Bros. Records. The concert tickets revenue was donated to the Crossroads Centre Foundation. It was the first Crossroads Guitar Festival, although titled differently at the time.[1] The release reached various national charts and sold more than 225,000 copies worldwide.

British rapper Rodney P tells the story of how grime rose from the council estates of east London to become the most important British musical movement since punk.

A polka kingdom crumbles in this documentary tracing the rise and fall of dubious duple meter master Jan Lewan. A Grammy-nominated polka superstar who defected from Poland to the West in the 1970s, Lewan created a musical empire that made him an internationally-recognized figure. When scandal erupted and Lewan's shady dealings were revealed, fans couldn't believe that their hero had committed one of the largest polka-related financial crimes in history.

"If You Wanna Use Guitars, Use Guitars…" - A 32-minute short film, entitled Depeche Mode 1989–90 (If You Wanna Use Guitars, Use Guitars), featured interviews with the band, Daniel Miller, Flood, François Kevorkian (who mixed the album), Anton Corbijn (who directed the music videos and did the album's photography/cover), and others. It also includes news footage from the infamous "riot" in Los Angeles, which gave the band media publicity the day before Violator came out.

The story of London's toughest and poorest part as told through the eyes of the iconic band Cockney Rejects.

Based on the acclaimed memoir by renowned guitarist Andy Summers, Can’t Stand Losing You: Surviving The Police follows Summers’ journey from his early days in the psychedelic ‘60s music scene, when he played with The Animals, to chance encounters with drummer Stewart Copeland and bassist Sting, which led to the formation of a new wave trio, The Police. The band’s phenomenal rise and its highly publicized dissolution at the height of their fame in the early ’80s captured by Summers’ camera. Utilizing rare archival footage, Summers’ photos, and insights from the guitarist’s side of the stage, Can’t Stand Losing You brings together past and present as the band members prepare to reunite for the first time in two decades later for a global reunion tour in 2007.

This documentary is comprised of three shorts: 'El Afinque de Marín' that follows the musicians of the group Madera. 'Yo hablo a Caracas' about an indigenous leader and his reply to the authorities of the venezuelan goverment regarding the violations towards his people and finally 'Mayami Nuestro' chronicles the relationship of venezuelans during the eighties with the city of Miami.

The movie captures the responses of 31 authors, musicians, filmmakers and dancers to Olivier Messiaen's monumental organ work "Apparition of the Eternal Church." Listening to the 10-minute piece through headphones, the documentary subjects-most of whom are outsiders to the church and do not know what they're hearing-put Messiaen's project to the test: Is it possible to portray, through time-bound, invisible sound, the spiritual, the architectural, the eternal? The result is a collective interpretation improvising its way through an aesthetic landscape defined by violent contradictions. Resolution abuts eternity, eroticism asceticism, spiritual ecstasy physical torture. Together, the music and its interpreters conjure something like what William Blake famously called the marriage of heaven and hell.

After 25 years of non-stop creation and at the peak of their career, the rock band Berri Txarrak decided to hang up their instruments. But before they did that, and as a farewell, they did one last tour around the world to thank all those fans who had bopped to their music all those years. A film about the power of music and passion — the “minimum requirement,” as one of their lyrics says.

An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

In 1971 September met four young men in a garden in Gentofte. They wanted to make a band. And they soon found out that they could joke his way to one hit after another. A handful of years later had their playful approach made them Denmark's largest orchestra. But if success came easily to them, it was also their biggest problem. For besides they were hit by alcoholism and stage directing, they faced one overriding dilemma: Should they stick to the happy drengerøvs tone (young men who appear to be young, immature or inexperienced or who behave childishly), they had so much luck, or trying to become adults?

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

Documentary film interviews leading Latinos on race, identity, and achievement.

Grindcore is the worlds fastest most aggressively intense music. Fusing the anarchistic and leftist attitudes of the UK Punk scene with the speed and drunken aggression of American Death Metal, Grindcore continues to challenge and offend most listeners.

Follow Bruce Springsteen during the making of his 18th studio album, 'High Hopes,' in this special. Rare behind-the-scenes footage and rehearsal segments are interspersed with exclusive E Street Band tour footage and revealing interviews with Springsteen and album collaborator Tom Morello, guitarist for Rage Against the Machine and Audioslave.

Acclaimed Montreal band Thee Silver Mt. Zion Memorial Orchestra is one of a growing number of rock groups to have accepted an infant into their touring tribe. Touring with children is both costly and complicated, yet SMZ are determined to combine family life and being on the road with the band's deep political commitment.

Transformer was universally praised for its well-constructed anatomy of a touchstone album. Now expanded to interweave the original broadcast version with the bonus features on the original disc, the story appropriately begins with Reed remembering his days with the Velvet Underground and the importance of Andy Warhol in making them a New York-based phenomenon. These discussions provide more than the historical context for Transformer. Live at Montreux 2000 is a concert, released in 2005 by Eagle Vision. Reed performed eight songs from the Album Ecstasy plus a few older ones. From his days in the sixties as the main singer and songwriter of the Velvet Underground and through his mercurial solo career he has kept his audience and the critics on their toes with dramatic changes of musical direction from album to album. Underpinning everything however has been his unquestionable ability as a songwriter and performer of the highest class.

Self-effacing Hungarian pianist, József, has a unique talent for fusing contemporary jazz with traditional Roma music. This new sound catches the attention of the acclaimed saxophonist Tim Ries and the two begin performing together. József dreams of escaping his humdrum life and making it big in the home of jazz: America. Along the way, he conquers his demons and learns that when shooting for the stars, success is not the destination, but the journey itself.

Flipside is a documentary about the world of wax records in Russia. The film unveils the story of the legendary medium for records, very popular in the USSR, undeservedly forgotten in the years of the perestroika and raised from the ashes nowadays. What is the place of the wax record in the world of digital technologies? Who are the people that collect, sell and buy wax records today, and why do they do this? Who are those that try their best to impede them? Why do disk jockeys and musicians continue to idolize wax records? How did the wax record players make it back from garbage cans to the luxury HI-END shops? You will find answers to all these questions in a unique film for music fans, a trip through the world of music in the 20th century, at high speed, to the most sincere and humane format of the music.