Mariah Carey: Mariah Carey
Video Rewind by The Rolling Stones is a compilation of video clips recorded between 1972–1984. Instead of just presenting unrelated clips and videos just strung together, it uses a framing 'story', featuring Bill Wyman and Mick Jagger, directed by Julien Temple and includes some video directed by Michael Lindsay-Hogg. It was first released in 1984 on the VHS, Laserdisc, and CED Videodisc format by Vestron home video.
Bourvil : Bien... si bien
Developed as a "visual album", Beyoncé's songs are accompanied by non-linear short films that illustrate the musical concepts conceived during production. Its dark and intimate subject material includes feminist themes of sex, monogamous love, and relationship issues, inspired by Beyoncé's desire to assert her full creative freedom.
Dolly Dots - We Believe In Love
One of the defining pop groups of the 1980's, the ebullient duo Wham! were chart toppers and award-winners. With their straightforward, infectious dance pop, members George Michael (who went on to become a very successful solo artist) and Andrew Ridgeley became two of the first MTV bred superstars. THE BEST OF WHAM! takes a comprehensive musical look at their illustrious career, and features their historical concert in China (the very first by a Western pop group) and their farewell concert at Wembley Stadium.
Miranda! El Templo del Pop
UB40: The Best of / Labour of Love II
Todo melódicos
More New Wave Hits from the 80s China Crisis– Black Man Ray Heaven 17– Temptation Duran Duran– Save A Prayer Culture Club– Do You Really Want To Hurt Me Kim Wilde– Cambodia Kajagoogoo– Too Shy Spandau Ballet– Only When You Leave Ultravox– Vienna Climie Fisher– Rise To The Occasion Living In A Box– Living In A Box Jesus Loves You– Generations Of Love Thomas Dolby– She Blinded Me With Science Marc Almond– Tears Run Rings Dexy's Midnight Runners*– Geno Go West– We Close Our Eyes Hue & Cry– Looking For Linda Fun Boy Three– Tunnel Of Love Human League*– Human
Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.
The portrait of Russian composer Peter Ilich Tchaikovsky focuses on his failed love affair.
Vestida de novia
In a small Southern town, a plantation owner is duped into thinking a thief is a kind stranger. To repay the stranger for stopping a robbery, the plantation owner invites him to his home to meet his daughter.
The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).
Mousikh Synaulia Eleni Karaindrou stis Prespes
A brilliant but clumsy high school senior vows to get into her late father's alma mater by transforming herself and a misfit squad into dance champions.
Sonny Rollins: Beyond the Notes uses his 80th birthday concert to look into the man and his music.
Lilian Harvey plays a young heiress in long-ago France named Madelon who is raised by her grandfather as a boy in order to frighten away fortune hunters. But when the old man dies, her guardian Cesaire wants to marry her off to the rich prefect Barberousse. She is tricked by Cesaire with the portrait of a young man (Viktor von Staal) which is presented to her as that of her future husband. But when Madelone discovers this scheme she flees, again in men's clothing. But on her route to escape, she meets the young man from the portrait and falls in love with him. But Madelone can't give up her disguise right now...
This production was originally staged for the Pepsico Summerfare Festival, The International Performing Arts Festival of the State University of New York at Purchase. Leaving the lyrics in their original Italian, acclaimed American director Peter Sellars transports Wolfgang Amadeus Mozart's "Don Giovanni" to a modern-day metropolis, nestling the opera's beloved characters among the brownstones of New York City's Harlem. Sellars's contemporary retelling of a classic musical tale is one of three performances in a Mozart series that also includes "Le Nozze di Figaro" and "'Così Fan Tutte."