Un Mondo Perfetto (Special Edition)

Dolly Dots - We Believe In Love

One of the defining pop groups of the 1980's, the ebullient duo Wham! were chart toppers and award-winners. With their straightforward, infectious dance pop, members George Michael (who went on to become a very successful solo artist) and Andrew Ridgeley became two of the first MTV bred superstars. THE BEST OF WHAM! takes a comprehensive musical look at their illustrious career, and features their historical concert in China (the very first by a Western pop group) and their farewell concert at Wembley Stadium.

More New Wave Hits from the 80s China Crisis– Black Man Ray Heaven 17– Temptation Duran Duran– Save A Prayer Culture Club– Do You Really Want To Hurt Me Kim Wilde– Cambodia Kajagoogoo– Too Shy Spandau Ballet– Only When You Leave Ultravox– Vienna Climie Fisher– Rise To The Occasion Living In A Box– Living In A Box Jesus Loves You– Generations Of Love Thomas Dolby– She Blinded Me With Science Marc Almond– Tears Run Rings Dexy's Midnight Runners*– Geno Go West– We Close Our Eyes Hue & Cry– Looking For Linda Fun Boy Three– Tunnel Of Love Human League*– Human

Miranda! El Templo del Pop

Todo melódicos

UB40: The Best of / Labour of Love II

Mariah Carey: Mariah Carey

Video Rewind by The Rolling Stones is a compilation of video clips recorded between 1972–1984. Instead of just presenting unrelated clips and videos just strung together, it uses a framing 'story', featuring Bill Wyman and Mick Jagger, directed by Julien Temple and includes some video directed by Michael Lindsay-Hogg. It was first released in 1984 on the VHS, Laserdisc, and CED Videodisc format by Vestron home video.

Bourvil : Bien... si bien

Developed as a "visual album", Beyoncé's songs are accompanied by non-linear short films that illustrate the musical concepts conceived during production. Its dark and intimate subject material includes feminist themes of sex, monogamous love, and relationship issues, inspired by Beyoncé's desire to assert her full creative freedom.

Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.

Arctic Monkeys return to headline the legendary festival for the first time since 2014.

Huling Pagluha

Highlights of a May 1987 set in Montreux, Switzerland.

Tracks 3, 4, 7 & 11 recorded live, La Locomotive, Paris, july 1992. Tracks 2, 5, 6, 9, 10, 12 & 13 recorded live, Elysée Montmartre, Paris, april 1989. Tracks 1 & 8 recorded live, Atheneum, Dijon, june 1988. Tracks 14-17 are video clips.

To commemorate the release of the band's 5th studio album, '5SOS5,' the band's unique and exclusive performance includes reimagined versions of songs from their 11-year catalog plus brand-new songs off the new album, accompanied by an orchestra and choir.

The legendary Marseille group IAM unveils six new tracks on Friday in an EP entitled Second Wave. Far from the controversies around Covid-19, the group returns to music and the stage.

Ministry are back with a set of blistering live material from the final show of their 2012 tour at Wacken Open Air in front of 75,000 screaming fans. Tragically, Ministry's longtime guitarist and Al Jourgensen's best friend Mike Scaccia died less than five months later. Jourgensen says: "Not only is this a great recording of Mikey at his absolute best performance, in his element, having the time of his life, it's one of the last live official videos of the band ever. If you didn't see the tour, you'll want to catch what you missed. And if you were there, well, you saw a piece of history and it will make a great souvenir - or a great drink coaster." With 16 million records sold worldwide, six Grammy nominations and kudos from Industrial and Metal bands including Nine Inch Nails, Slipknot and Korn, Al Jourgensen has earned the title Godfather Of Industrial Metal.

“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher

Few rock genres have been as formulaic, anodyne, and unhip as AOR, a late 70s acronym for Adult Oriented Rock or Album Oriented Rock. Among the juggernaut bands that drove its melodic lite-metal sound into the early 80s, Foreigner scored huge with Feels Like the First Time, Cold as Ice and other strained emotings. As with kindred spirits Boston, Journey and more, they delivered at least one redeeming beauty of a hit, the ardent, desperate Waiting for a Girl Like You. The faux-gospel opus that was I Want to Know What Love Is has fans such as Mariah Carey, who covered it last year.