The Cutting Edge: The Magic of Movie Editing

Experience an inside look at David Bowie's incredible influence on music, art and culture via interviews with some of the people who knew him best.

Started as a class project in what was likely the first filmmaking course ever taught at Harvard, Marathon documents the running of the 1964 Boston Marathon.

Chahinez in Merignac was burned to death. Rebeccah stabbed to death in Berlin. Vanessa in Hanover doused with acid. In Barcelona, 5-year-old Leo was suffocated by his father. He wanted to kill his mother emotionally. The men who did this to the women were once very close to them, as husbands or partners. And the women had one thing in common - they had wanted to separate from their partners.

Documentary on the great American Ballerina Wendy Whelan

'Hannah' tells the story of Buddhist pioneer Hannah Nydahl and her life bringing Tibetan Buddhism to the West. From her idealistic roots in 1960's Copenhagen to the hippie trail in Nepal, Hannah and her husband Ole became two of the first Western students of His Holiness the 16th Karmapa - the first consciously reincarnated lama of Tibet in 1110. Hannah went on to become an assistant and translator for some of the most powerful Tibetan lamas and a bridge between Buddhism in the East and the West.

In 2009, students of all walks of life at the Arts & Learning Children's Conservatory in Anaheim, CA set out to produce their own live musical parody version of Star Wars: Episode V - The Empire Strikes Back (1980), as interpreted through their young talents. Follow the young actors, artists, musicians (and a few supervising adults) as they audition, rehearse and perform their take on this classic film.

TREYF —“unkosher” in Yiddish— is an unorthodox documentary by and about two Jewish lesbians who met and fell in love at a Passover “seder”. With personal narration, real and imagined educational films, and haunting imagery, filmmakers Alisa Lebow and Cynthia Madansky examine the Jewish identity of their upbringings and its impact on their lives.

Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie "Unbowed" was made, they met and planned a documentary about Korean movies, including the processes a Korean movie goes through and difficulites. "Ari Ari the Korean Cinema" is a documentary with interviews of Korean directors, actors and actresses.

In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.

Bring Us Your Women is an international anthology dedicated to women and the pursuit of divinity and freedom. The project seeks to tell existing and re-imagined stories of historic and mythical individuals, each presenting a message of humanity that transcends gender and religion.

Nearly 30 years-old, Hélène still looks like a teenager. She is the author of powerful texts with corrosive humor. It is part, as she says herself, of a "badly calibrated lot, not entering anywhere". Her telepathic poetry speaks of her world and of ours. She accompanies a director who adapts her work to the theater, she talks with a mathematician ... Yet Helene can not talk or hold a pen, she has never learned to read or write. It when she turns 20 that her mother discovers that she can communicate by arranging letters on a sheet of paper. One of the many mysteries of the one that calls herself Babouillec ...

Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.

They belong to the armed wing of the PKK, the Kurdistan Workers' Party, which is also an active guerrilla movement. The mission of these female fighters? Defend Kurdish territory in Iraq and Syria, and defeat ISIS (the armed militants of the so-called Islamic State group), all while embodying a revolutionary ideal advocating female empowerment. As filmmaker Zaynê Akyol follows their highly regimented lives, seasoned fighters like Rojen and Sozdar openly share with us their most intimate thoughts and dreams. Even as fighting against ISIS intensifies in the Middle East, these women bravely continue their battle against barbarism. Offering a window into this largely unknown world, Gulîstan, Land of Roses exposes the hidden face of this highly mediatized war: the female, feminist face of a revolutionary group united by a common vision of freedom.

An intimate journey of a 37-year-old Cristina, as fate brings to her life both a new love and an unbeatable challenge. Determined to pass on a message of hope and a 'live in the now' mentality, Cristina's second cancer takes a toll on her diminishing body, however her love for Bruce only grows. Bruce stands by her side while juggling work and financial strains. The film follows Cristina's journey into her deep AMOUR, one that supports and lifts her up. If she had to choose between finding this deep and pure love and having cancer, or being cancer free but never experiencing true love... what would she choose? Her shocking answers are captured by veteran filmmaker Michèle Ohayon on camera.

In the geriatric care section of the Charles Foix d’Ivry hospital, Thierry Thieû Niang, a famous choreographer, is running a dance workshop for Alzheimer’s patients. Through dance, lives are told, memories recounted: regrets, bitterness, moments of joy and solitude. Blanche Moreau is 92 years old. During the filming, she has fallen in love with the choreographer Thierry. The simple fact of falling in love being crazy enough as it is, there’s no longer anything else mad or delirious about Blanche: her illness has simply become lovesickness.

Compares treatment of Balinese and Iatmul (New Guinea) babies with American practices. The different methods of bathing children is seen in three contrasting cultures. "New Guinea". A native mother is seen washing her own and a neighbour's children in a river. "U.S.A.". "The 1930's". In a small bathroom, the mother first carefully wipes the child's face with a flannel, before putting him into the bath-tub. "U.S.A.". the 1940's: Similar setting, similar routine, but mother is less protective, child more independent and interested in outside objects. "Bali": In a mountain village, a mother bathes her child in a small tub on a raised platform.

"Levante" won Canal Futura's annual documentary competition in 2014 and was filmed in Brazil, Mexico, Japan, Gaza and Hong Kong. It first aired at 22pm on the 25th June on Canal Futura. The film is about inspiring people around the world who use technology to speak out against injustice such as Filipe Peçanha from Midia Ninja who used the Japanese Twitcasting app to broadcast the Brazilian protests of 2013 from his smartphone, Noor Harazeen from Palestine who created the first English-speaking youtube news channel in Gaza, and Howard Kong from the Apple Daily newspaper in Hong Kong who used a drone to film the conflicts between police and protesters in 2014.

Gertrude Bell, the most powerful woman in the British Empire in her day, shaped the destiny of Iraq after WWI in ways that still reverberate today.

The strange story of John McAfee, who went from millionaire software mogul to yogi, Kurtz-like jungle recluse to potential murderer, and most recently a prospective presidential candidate for the American Libertarian Party.

A film on the come back of exorcism in the contemporary world. Each year a growing number of people call their sense of unease “possession.” The Church answers to this spiritual emergency nominating an increasing number of exorcist priests and organizing training courses. Father Cataldo is one of the most sought-after exorcists in Sicily and elsewhere; he is famous for his tireless fighting spirit. Every Tuesday Gloria, Enrico, Anna, and Giulia, along with many others, attend Father Cataldo’s mass for deliverance, trying to find a cure for a sense of discomfort that has no answer nor a name. Whether believers or not, how far are we prepared to go to get recognition for our own disease? What are we prepared to do to be delivered from it, here and now?