First Ladyland

Erjavec family goes to picnic at the Great Mountain, but instead of having peaceful vacation, they end up in a haunted cottage and fall into series of adventures.

"The Short Trilogy of Peace" is a collection of three short poetic documentaries made in New Zealand and Slovenia between 2012 and 2016.

The Balkans cradles Europe's last wild rivers and supports abundant wildlife and healthy, intact ecosystems. These rivers are "The Undamaged" – clean, pristine, and undammed. With over 2,700 small and large hydro power plants planned or under construction in the Balkans, corruption and greed are destroying the last free-flowing rivers of Europe. Follow the Balkan Rivers Tour, a rowdy crew of whitewater kayakers, filmers, photographers and friends who decided to stand up for the rivers, travelling from Slovenia to Albania for 36 days, kayaking 23 rivers in 6 countries to protest the dams and show the world the secret wild rivers of the Balkans. The film honours everyday people and local activists who are fighting to defend rivers and aims to spread the word of the plight of these rivers, showing a new style of nature conservation that is fun, energetic and effective.

A story set in a Slovenian village during Italian occupation. Stefuc, a man who has been widowed twice and has four daughters, wants to get married for the third time with Zana, who's already engaged and pregnant with Ludvik. Stefuc tries to separate them away, but realizes that he'll have to marry Hedvika, a nice looking girl who has just returned from Milan. In the meantime, Italian fascist authorities decide to eradicate five Slovenian songs with the help of local traitors.

In 2009, a group of military enthusiasts led by the commander France (Gojmir Lešnjak - Gojc) decides to occupy Trieste. The group that stages battles performs it at a completely fictional location. However, this hobby is not to the liking of France's wife Marija (Silva Čušin) and his daughter Mateja (Anja Drnovšek). The daughter as a representative of the young generation has no understanding of her father's enthusiasm for partisans, battles and Tito. France is also confronted by the Slovenian police led by the commander Brane (Dario Varga) as Brane forbids France to stage any more battles ... Will the young generation accept our history and will Trieste be ours?

This film portrays aspects of an Afghan refugee's life - his living conditions in Peshawar and his longing to return to Herat. It is also about Amir's life as a professional musician and his relationships with other musicians in Peshawar.

In Ljubljana lives a bus driver Stebe. He's a widower. He lives with five sons and a maid Rozi. The boys are very naughty and keep annoying Rozi and, in fact all neighbourhood. One day Rozi in desperation declares that she is leaving them, because she cant stand it no more. And she does leave, although she is fond of the boys. Soon afterwards Rozi's niece Meri comes by, asking if she might stay because she wants to find herself a job in town. Meri is good girl but cannot cope with the kitchen work as successfully as her aunt. But the whole Steb family seems to be charmed by her. Even one of Stebe's own colleagues, Tone, begins to take interest in the girl. Meri likes him too. Stebe's boys feel quite disappointed because of it. But all's well that ends well: in full conspiracy Meri qualifies as bus driver while Rozi returns to the Stebe family.

A story about a couple from the bottom of the social ladder, about smuggling refugees across borders and other 'suspect' things- it is, first and foremost, an attempt to tell a story about the worst in people, wherever they may be coming from.

Jean, a young French hooligan, is sent on a forced vacation to his grandfather Evald, who lives in the Slovenian countryside. Despite Evald's warm welcome, Jean remains quite withdrawn, speaks only French with his grandfather, and coldly rejects his lifestyle, which is mainly devoted to tending the orchard and selling apples on the local road. While they struggle to get used to life together, frost is slowly approaching Evald's orchard.

A student of music education comes to the music festival where organizers mix him up with the conductor. He accepts the role which creates lots of comic situations.

Old man Repovz recalls experiences of the WWII in an entertaining, comic way rather than tragic. A man breaks his arm to avoid being drafted; the other man shoots fire to scare enemy soldiers; love stories, as well as troubles with forced collectivization took place there. A partisan hero finds out that he lost her fiancee, but somewhat cheers up when his white horse comes back to him...

Laibach is a Slovenian avant-garde music group associated with industrial, martial, and neo-classical musical styles. They formed on June 1, 1980 in Trbovlje, Slovenia (then Yugoslavia). Laibach represents the music wing of the Neue Slowenische Kunst (NSK) art collective, of which it was a founding member in 1984. The name "Laibach" is the German name for Slovenia's capital city, Ljubljana.

Worker Maks Bigec decides to take things in his own hands when he hears that his factory will be closed. He takes the factory director as a hostage and demands that the state should reopen the factory.

Špela graduated in Art History and has never had a steady job. Unlike her two best friends, who have moved out of Slovenia years ago with no plans to return, she is determined to stay in Ljubljana. When even her longtime boyfriend gets a job abroad she moves back in with her parents and her grandma. But Špela wants to grow up and cut the cord instead of delaying her already well overdue adulthood any longer.

The story is told through different points of view. A woman loves everything green, her husband loves his car, a magician knows the secrets of the stars, a professor knows everything about sound and a cyclist solves a difficult problem. A surreal travel through time and space.

Tatjana in Motherland is a partly animated documentary essay about Slovenia and its men. It is a “documentary-tale” of how Slovenian society has been disintegrating in an invisible way. The story will unveil a Slovenian Oedipus archetype of the possessive martyr mother type and her relationship with her son, in which she through emotional manipulation, by constantly creating feelings of guilt, burdens her son to such a degree, that he remains dependent on her for the rest of his life. In order to put this relationship to its best use, all Slovenian governing structures have elevated mother figure on the level of a saint and have assigned to it the cultish role. The result of the Slovenian maternal cult is a typical Slovene male, who is pathologically obsessed with his mother.

Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.

Documentary showing buildings made by great architect Joze Plecnik in Prague, Wien, Ljubljana...

Two "milice" officers Janez and Franci are back after 20 years. This time they have to deal with Czech mafia and their leader Franta.

An elderly woman pays visit to her mother who resides in nursing home. Few days later she receives a telegram that the mother died, but it turns out that the address it was sent to was wrong. However the guilt of neglect starts to torment the mourning daughter nonetheless.