Agnes Martin Before the Grid

There are only a few hours left to fight. During a walk on the beach, women talk about Agnieszka's first fight, her first success, her first tear, her first love, nervousness and mental stress.

An insider's look at the first year of an activist group known as the Lesbian Avengers.

With over 300 million firearms, the U.S. holds the highest rate of gun ownership per capita in the world. Meanwhile, with each gun-related tragedy, the question remains whether to regulate or to arm. Increasing demand, illegal distribution and emerging 3D technologies threaten to upend the traditional debate of gun control. As discussed in interviews from Austin to Grand Rapids, Denver to New York City, NO CONTROL seeks to address the efficacy of gun laws and the ongoing debate between personal freedom and public safety in a candid discussion of one of the most complex, contentious issues in American history.

In the mid-1990s, Orlando was the center of excitement in the NBA. The young franchise, led by mega-stars Shaquille O'Neal and Penny Hardaway, beat the mighty Bulls en route to the 1995 NBA Finals. While it was clear Orlando was a dynasty in the making, the Magic's moment on top was never fully realized.

The tobacco industry's conspiratorial efforts to market their products in the face of public health facts and public opposition.

Revisiting her film set photos, director Léa Pool reflects on her prolific career. The filmmaker left Switzerland at the age of 25 to settle in Quebec and embark on a surprising career. She reinvents herself from film to film, exploring themes that deeply resonate with her: identity, exile, maternal absence, transitional spaces... In both documentary and fiction, she has directed 20 feature films that feature strong female characters and contemporary issues. Somewhere between a masterclass and an intimate conversation, this documentary invites Léa to share her cinematic journey in front of the camera.

Andrew Marr interviews David Hockney about his exhibition A Bigger Picture at the Royal Academy, made up of works depicting the landscape of his native Yorkshire.

Mona Achache delivers a delicious portrait of her grandmother, Suzanne Achache–Wiznitzer, affectionately nicknamed "Mamé". Short film from the Grandmas Project, a collaborative web documentary that invites filmmakers from across the world to document their grandmothers’ signature recipes.

Documentary - They're clean, educated, articulate and rarely receive public assistance. But following a divorce, job loss or a long illness, a growing number of middle-class women are forced to live out of their cars. Directed by Michèle Ohayon (Colors Straight Up) and narrated by Jodie Foster, It Was a Wonderful Life chronicles the hardships and triumphs of six "hidden homeless" women as they struggle to survive, one day at a time. - Jodie Foster, Lou Hall, Reena Sands

We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.

This underwater ballet is an ecological story depicting our paradoxical relationship with plastic. Bakelite launched the #SickOfPlastic campaign from On Est Prêt, along with the Surfrider Foundation, Break Free from Plastic and the Resilient Foundation. Photography was directed by Jacques Ballard, a specialist in underwater cinematography.

A look at the high profile case of Liberian Olivia Zinnah, who died in 2012 of complications from a rape that occurred when she was just 7 years old.

Blackout is a short, animated documentary about the 2003 power failure in much of the eastern seaboard of the U.S and Canada for up to 4 days.

What if, instead of bombs, we dropped watermelons? Dreamy and hopeful, this animated short sweeps us up into a colourful world where layers of reality and creativity intersect. Our protagonist navigates through it all seamlessly, and in the process shows us the importance of imagination.

This film follows the fortunes of an old Peugeot off loaded in Cotonou, Benin. As it changes hands we get a glimpse into the lives of its successive owners.

When the global economy collapses the only true victors are those that weren't invited to the boom. Petey plays in a band and works in a pornography warehouse; Ginger works the night shift in a bar. From opposite coasts of the country, the two provide their personal takes on individual vs. collective crisis, together weaving a narrative that exposes a wasteland of shattered economic dreams, unfulfilled social promises and a bleak reality that only music and friendship can float freely above.

An epistolary feature film: a cinematic discourse between a British director Mark Cousins, and an Iranian actress and director Mania Akbari which extends the concept of "essay film" with startling confrontations in the arenas of cultural issues, gender politics and differing artistic sensibilities. A unique journey into the minds of two exceptional filmmakers which becomes a love affair on film.

The artist J.M.W. Turner is widely recognised as England’s greatest painter. Tate has the world’s finest and most extensive collection of his work. Turner at Tate explores Turner’s art through many of his best-known canvases and exquisite sketches and watercolours, all newly and exceptionally filmed in HDTV from the original artworks. Incorporating the landscapes and places that inspired the works, the film provides an overview of Turner’s life and - in an accessible and engrossing way - of critical approaches to his art. The film’s focus is Turner and England, and his work is considered against the radical social and political changes of the early nineteenth century. Turner at Tate is a film about ideas and history and landscape, a film about colour and light. Contributors include Tate curators Ian Warrell and David Blayney Brown, and art historians Sam Smiles and Barry Venning. Also featured on the DVD are ten additional short films, each of which considers in detail a major work.

The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.