Return to Crystal Lake: Making 'Friday the 13th'

For detained immigrants who can’t pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. “Libre” sheds light on one of many hidden costs of reunification for immigrant families.

Denise, Hannah and Leticia are three ordinary women with extraordinary stories to tell. As transgender people, they talk about the challenges of finding their true identities within an intolerant and prejudiced society.

The making of the hoax film Miracles of Evolution.

Rated X, a short documentary about the adult industry, focuses on giving a voice to the porn actresses working within it. In a perspective of showing how these women empower themselves with their job, Rated X shows the porn industry like never before.

In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.

Charmian Carr, who played Liesl in the movie "The Sound of Music", takes a tour of the Austrian town of Salzburg, where the location shots of the movie were made. Includes behind-the-scenes footage from the making of "The Sound of Music".

Via reminiscences from writer/actor Gene Wilder and others, this documentary recalls the making of the 1974 film Young Frankenstein.

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.

Everyone has heard about bee declines, but with so much attention focused on domesticated honeybees, someone has to speak up for the 4,000 species of native bees in North America. Natural history photographer Clay Bolt is on a multi-year quest to tell the stories of our native bees, and one elusive species – the Rusty-patched Bumble Bee – has become his white whale. Traveling from state to state in search of the Rusty-patched, he meets the scientists and conservationists working tirelessly to preserve it. Clay’s journey finally brings him to Wisconsin, where he comes face to face with his quarry and discovers an answer to the question that has been nagging him: why save a species?

The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.

Robert Altman's first film was this 26-minute short, which has a football coach explaining how to play the sport. This is basically an educational short where the viewer learns about the various rules of the sport as the narrator explains them while we see reenactments.

In 2008, a young man broke into his ex-girlfriend's apartment, holding her and her friend hostage at gunpoint for five days. The so-called "crime of passion" was covered live and rabidly followed like a perverse telenovela. This film's pointed analysis of the Brazilian police and media's sensationalization of violence against women sadly explains the country's elevated rate of femicide.

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.

A look at what it's like to be gay and black in America.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

This documentary is a detailed look into the making of PET SEMATARY, one of the most enduring cult-horror classics of our generation.

A young trans man tells his story on a early morning journey to Coney Island.

This FitzPatrick Traveltalk short visits Guatemala City, touching upon its sights, customs, and history.

An exhaustive, detailed documentary on the 30-day film shoot of "The Devil's Rejects"