Theo Maassen: Functioneel Naakt

Oudejaarsconference 2010: Gedoog, Hoop & Liefde

Registration of the fourth theatre program by the Dutch comedian Claudia de Breij.

Registration of the third theatre program by the Dutch comedian Claudia de Breij. De Breij transforms into a timeless variety star, entertaining the troops in Germany ánd Irak.

Registration of the theatre program by the Dutch cabaret group Cabaret Nar, with Youp van 't Hek, Aletta de Nes and Hans van Gelder.

Back in 2003, Alex Agnew was the first Belgian to win the prestigious 'Leids Cabaret Festival' in The Netherlands. He was the winner in both categories: Jury and public. Alex is a mixture of an English father, Belgian mother, an overdoses (action) movies, superheroes, comic books and a lot of music. No quiet, sophisticated humour, but proud to be loud! Rock'n'Roll comedy!

Stage registration of the theatreprogram by Dutch musical comedian Hans Dorrestijn and composer Martin van Dijk. The performance takes place in a "madhouse". Dorrestijn is hospitalized because of his suicidal thoughts and Van Dijk for hallucinations as a result of alcohol delirium.

Stage registration of the comedy special by Dutch musical comedian Hans Dorrestijn and composer Martin van Dijk. About ice skating, the spring, sports and more.

Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.

Dolf Jansen: De Nieuwsjager (Oudejaars 2014)

Dutch comedian Ruud Smulders offers the spectators a peek into his thoughts.

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

Tineke Schouten - Posi-Tien

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Registration of the fifth theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. Two old friends meet in a Dutch park.

Registration of the second theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. In their first program, the two comedians limited themselves to the earth and the strange peoples who inhabit it. In their second program they expand their explorations into the world of the unseen, where they test their strength with astrologers, illusionists, millennium preachers and similar figures. What mechanisms drive people to believe in supernatural madness, and to derive pleasure and comfort from it? Have we made any progress in the twentieth century? If Darwin, Freud and Einstein opened humanity's eyes, then a hundred years later there will be enough volunteers to close them again. Van Muiswinkel and Van Vleuten argue about it for a long time during this performance.

Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Claudia de Breij: De Wilde Frisheid

Ton Kas: Kakmaker

Much suggests that democracy has had its day and that the power of the Dutch parliament is virtually nil. So the parties flee into the sham world of party leader elections and mega coalitions. The media, as always, run like dogs after every discarded stick. Beyond idealism, beyond populism, beyond realism, we will choose and vote on September 12, 2012. For what and for whom?