Grandma's Eternal Forest

A documentary exploring what it means to be Japanese.

This documentary was written with passion and love for cinema, and on the other hand, he blamed her. Our fictional character for this documentary talks about her passion for cinema and how it affected her life and recounts the decades that passed on the cinema one after the other.

Siblings Aru, age 3, and Kino, age 1, have 3 parents: father Fumino, who is transgender; mother Honoyo, Fumino's partner who gave birth to the children; and father Gon, a close gay friend who donated his sperm. The 3 are now raising their children together, struggling repeatedly to find their own way of being a family. This program covers their first 3 years of parenting. And it asks an important question: What does it take to be a family?

WWII from Space delivers World War II in a way you've never experienced it before. This HISTORY special uses an all-seeing CGI eye that offers a satellite view of the conflict, allowing you to experience it in a way that puts key events and tipping points in a global perspective. By re-creating groundbreaking moments that could never have been captured on camera, and by illustrating the importance of simultaneity and the hidden effects of crucial incidents, HISTORY presents the war's monumental moments in a never-before-seen context. And with new information brought to the forefront, you'll better understand how a nation ranked 19th in the world's militaries in 1939 emerged six years later as the planet's only atomic superpower.

Artist Chris Berens finds his inspiration in his own magical inner world. The animals and creatures that play a major role in his imagination also populate the landscapes he creates with his special painting technique. It results in scenes that are both enchanting and ominous.

Women getting onto a rickshaw.

By following the lives of five Japanese individuals this documentary explores the problem of depression in Japan and how the marketing of anti-depressant drugs has changed the way the Japanese view depression. Marketing of anti-depressants did not begin in Japan until the late 1990s and prior to this, depression was not widely recognized as a problem by the Japanese public. Since then, use of anti-depressants has sky-rocketed and use of the Japanese word "utsu" to describe depression has become commonplace, having previously been used only by psychiatric professionals.

This Traveltalk series short looks at pre-World War II Tokyo, highlighting the influences of Western culture.

Popcult Japan

An African-American family in Georgia works to save money for a power saw. Includes depictions of timber harvest techniques and process. Film made in 1952 by the United States Information Service and intended for foreign audiences.

In Over the Cattle Grid you follow to Robert, Rinke and Ytzen, who spend every day in the woods between the villages of Odoorn and Exloo. Ytzen and Rinke because they live in the middle of the woods, Robert because he cycles through the woods every day to get to work. Behind the grid time seems to pass in a different way. Or as Ytzen says "there is no time, there is just being". They also see things they have never seen before, such as trees that lose their leaves in September and plants that want to start growing in the middle of winter. You will also see Wietse de Haan and Evert Prummel, they build instruments from dead trees. All the music you hear in the film was played on these tree instruments and recorded in the forest. Okki herself also occasionally passes by. She has been coming to this piece of forest all her life, which is a kilometer from the house where she grew up. Not only has she known the forest, but also Robert, Ytzen and Rinke for most of her life.

Before World War II, Ikego village was an idyllic agriculture community. The Imperial Navy took over the village and the hills to build the largest ammunition preserve in Asia. When Japan lost, these facilities were taken over by the US Navy, and are now housing for the American soldiers.

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Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.

Inspired by the student revolutions of 1968, two women in Germany and Japan set out to plot world revolution as leaders of the Baader Meinhof Group and the Japanese Red Army. What were they fighting for and what have we learned?

An unusual family portrait questioning the definitions of art, family, and what it means to be disabled. Imamura Hanako is a 22-year-old girl with severe autism. Once a week she attends a painting class, where she paints pictures in oils. Every evening after dinner, she creates what her mother Chisa has named “food art.” This may only involve arranging the leftovers from the day’s meal on the floor or a tray, but Chisa records the works every day, accumulating some thousands of photographs. The collection of photographs has now been exhibited around the country. Following Hanako’s daily life in the routine of the four members of the Imamura family, we watch as a portrait of a “very ordinary” family unfold.

Feature documentary debut of 29 year old director Kei Tanaka. In the Japanese town of Kawasaki, elderly residents who have lived hard lives are now facing their own death at a public housing complex called “Danchi“. The young director explores and depicts the ageing population in Japan by focusing on the personal lives of few individuals who live quietly on the outskirts of society. While some of the protagonists chose to interact and establish friendships with their fellow elderly residents, others prefer to spend the rest of their years in solitary.

On April 1, 1945, the United States military launched its invasion of the main island of Okinawa, the start of a battle that was to last 12 weeks and claim the lives of some 240,000 people. This film depicts the Battle through the eyes of Japanese and American soldiers who fought each other on the same battlefield, along with Okinawa civilians who were swept up in the fighting. The film also depicts the history of discrimination and oppression forced upon Okinawa by the American and Japanese governments. Carrying up to the current controversy over the construction of a new base at Henoko, the film explores the root causes of the widespread disillusionment and anger expressed by many Okinawans. This ambitious documentary was directed by the American John Junkerman, long-term resident of Japan and Oscar-nominated documentary filmmaker. Okinawa: The Afterburn is a heartfelt plea for peace and an expression of deep respect for the unyielding spirit of the Okinawa people.

A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.

On March 11 2011, after a magnitude 9 earthquake, a giant tsunami destroyed most of the north eastern japanese coast, killing almost 20,000 people.