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A convicted felon builds a feminist movement from behind bars at an all-male prison in Soledad, California.

A documentary celebrating Lee Miller, a model-turned-photographer-turned-war reporter who defied anyone who tried to pin her down, put her on a pedestal, or pigeonhole her in any way.

An exciting inside look at the stars of Lucha Libre, Mexico's distinctly colorful brand of professional wrestling, where flesh and blood Superheroes have performed for generations of fans. With unprecedented access to some of the top Luchadores in the world, LUCHA MEXICO goes behind the mysterious mask to explore one of the most cherished traditions of Mexican culture.

A study of life at Christmastime in Moose Factory, an old settlement mainly composed of Cree families on the shore of James Bay, composed entirely of children's crayon drawings and narrated by children.

In icy mid-winter Toronto, a group of pregnant women desperately strive to regain control of their lives. They have insurmountable forces against them: homelessness, drug addiction, violent relationships. But following these particular individuals are the attentive eyes of their guardian angels, the social workers of a unique public health initiative. If these expectant mothers can only manage to break free of the vicious cycles dogging their steps, they have a chance to keep their newborns.

Facing a life-defining moment, a man ponders his difficult relationship with his father.

Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era.

The town of Picher, Oklahoma, was once home to the world's richest lead and zinc mining field. After decades of mining, towering piles of mine waste covered 25,000 acres, devastating Quapaw tribal lands and local economies. Acid mine water burned nearby Tar Creek and stained it red. Despite these environmental hazards, many people in Picher desperately wished to stay and revitalize their town.

Madeline Anderson’s documentary brings viewers to the front lines of the civil rights movement during the 1969 Charleston hospital workers’ strike, when 400 poorly paid Black women went on strike to demand union recognition and a wage increase, only to find themselves in confrontation with the National Guard and the state government. Anderson personally participated in the strike, along with such notable figures as Coretta Scott King, Ralph Abernathy and Andrew Young, all affiliated with Martin Luther King’s Southern Christian Leadership Conference. Anderson’s film shows the courage and resiliency of the strikers and the support they received from the local black community. It is an essential filmed record of this important moment in the history of civil and women’s rights. The film is also notable as arguably the first televised documentary on civil rights directed by a woman of color, solidifying its place in American film history.

Leila Khaled was the first woman to hijack a plane. In 1969, she showed her grenades to the terrified passengers by order of the Che Guevara commando unit of the Popular Front for the Liberation of Palestine. Through the ensuing media bombardment, she put the Palestinian nation on the global map. The pretty 24-year-old Leila became a hero to many Palestinians, including the Swedish/Palestinian teenager Lina Makboul, who is now a filmmaker. At least Leila dared to do something, Lina thought at the time. She visits Leila 35 years later with a camera, and finds a woman who does not regret anything.

In this documentary companion to CHARLIE'S COUNTRY, Australian actor David Gulpilil tells the story of when his people's way of life was derailed by ours.

The story of artist Edith Lake Wilkinson, a painter who was committed to an asylum in 1924 and never heard from again. All her worldly possessions were packed into trunks and shipped to a relative in West Virginia where they sat in an attic for 40 years. Edith's great-niece, Emmy Award winning writer and director Jane Anderson, grew up surrounded by Edith's paintings, thanks to her mother who had gone poking through that dusty attic and rescued Edith's work. The film follows Jane in her decades-long journey to find the answers to the mystery of Edith's buried life, return the work to Provincetown and have Edith's contributions recognized by the larger art world.

Upending expectations and challenging the definition of womanhood, these “first women” found themselves at the forefront of progressive movements, organizing campaigns and leading paths to cultural change. Female historians share the names and stories of five of these pioneers: Martha Hughes Cannon, Jovita Idár, Jeannette Rankin, Mary Church Terrell and Zitkála-Šá.

The story of the women at the "House of Sharing" continues. Old women who share a common bond lead a peaceful life in the countryside, raising vegetables, chickens and painting pictures. They are no different from the elderly women we see every day. But they are all scarred by pain and sorrow from their collective history of being comfort women during World War 2. They became subject to prejudice in their own homeland after their return to Korea. It is painful for them to watch other peoples' children and grandchildren, and they feel rage when the Japanese government tries to cover up the unspeakable crimes they committed against them. The film asks us to remember what these women sacrificed and the shame and misery they faced even as these individuals pass away often forgotten by their own people.

A documentary examining the mysterious deaths of three young Indigenous women in south-central Montana, featuring access to family members, tribal officials, law enforcement, and community activists.

If you had never heard of an airplane, would you think it was a miracle when one arrived? Waiting for John tells the story of America's incredible impact on a remote island in the South Pacific and the birth of an extraordinary religion, the John Frum Movement, considered the last surviving cargo cult. We follow the John Frum believers today as they struggle to preserve a culture in danger of being lost to the modern world.

Man has a new best friend in this heartwarming portrait of nine men whose lives have been forever changed by their proud love of cats.

An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.

The life and work of German political philosopher of Jewish descent Hannah Arendt (1906-75), who caused a stir when she coined a subversive concept, the banality of evil, in her 1963 book on the trial of Nazi war criminal Adolph Eichmann (1906-62), held in Israel in 1961, which she covered for the New Yorker magazine.

When the graves of former slaves are bulldozed in Mississippi, a native son returns to protect the community they settled - a place now threatened by urban sprawl, hurricanes and an unprecedented man-made disaster.