Le goût d'un pays

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Canada Mania

This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.

Canadian director Catherine Annau's debut work is a documentary about the legacy of Pierre Trudeau, the long-running Prime Minister of Canada, who governed during the 1970s. The film focuses particularly on Trudeau's goal of creating a thoroughly bilingual nation. Annau interviews eight people in their mid-30s on both sides of the linguistic divide. One tells of her life growing up in a community of hard-core Quebec separatists, while another, a yuppie from Toronto, recalls believing as a child that people in Montreal got drunk and had sex all day long. Annau has all of the interviewees discuss how Trudeau's policies affected their lives and their perceptions of the other side, in this issue that strikes to the heart of Canada's national identity.

This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.

From unlikely origins in northern Québec at the height of the Cold War, Voïvod’s post-apocalyptic sci-fi aesthetic, fuelled by a youthful obsession with their instruments, took them from underground success to sharing dates and tours with Iron Maiden, Rush, and Metallica. Despite adversity, and perhaps by cosmic intervention or just serendipity, Voïvod found guitarist Daniel “Chewy” Mongrain; subsequently, the band re-ignited their engines and laid a course back to Morgöth via numerous live shows around the world, a comeback album in Target Earth, singles, EPs, and finally, the late-career triumph, The Wake. In 2019, Voïvod were recognized by the Canadian Academy of Recording Arts and Sciences with a Juno Award for best hard rock/metal album of the year for The Wake.

Ten years after an enormous open-pit gold mine began operations in Malartic, the hoped-for economic miracle is nothing more than a mirage. Filmmaker Nicolas Paquet explores the glaring contrast between the town’s decline and the wealth of the mining company, along with the mechanisms of an opaque decision-making system in which ordinary people have little say. Part anthropological study, part investigation into the corridors of power, Malartic addresses the fundamental issue of sustainable and fair land management.

In 2001, the government of Quebec announced a new program to issue permits for the construction of private hydroelectric dams at specific sites. Upset, the population took things into their own hands and decided to act. Citizens formed collectives to protect their waterways, among the most beautiful in the province. This documentary follows several artist and citizen groups who led a crusade to force the Québec government to abandon private hydro-electrical production. It is a thorough inquiry on the environmental impact and other repercussions of such projects.

Quebec, on the cusp of the 1960s. The province is on the brink of momentous change. Deftly selecting clips from nearly 200 films from the National Film Board of Canada archives, director Luc Bourdon reinterprets the historical record, offering us a new and distinctive perspective on the Quiet Revolution.

Matimekush is landlocked in the former mining town of Schefferville, 700 km north of Sept-Îles. It was founded in the 1950s, when the Canadian government and Iron Or forced the Innu to settle down. In Canada’s Far North, there is a dire labour shortage. At Kanatamat School, the heart of the community, most of the high school teachers are from Africa.

Two well-known Quebec artists (filmmaker Jacques Godbout and playwright René-Daniel Dubois) look at the Battle of the Plains of Abraham. Whose version of this historic event should prevail? Is history best served by documentary or fiction? We also meet Baron Georges Savarin de Marestan and Andrew Wolfe-Burroughs, direct descendants of Montcalm and Wolfe, both of whom died in the battle that would give birth to Canada and to the province of Quebec.

A long and thoughtful look at those desperate days of October 1970, when Montréal awaited the outcome of FLQ terrorist acts. This film puts the October Crisis in the long perspective of history. Compiled from news and other films, it shows independence movements past and present, and their leaders; it reflects the mingled relief, dismay, defiance, when the Canadian army came to Montréal; and it shows how political leaders viewed the intervention.

Made shortly after the referendum on Quebec's independence was held, this documentary illustrates what the politicians' promises were and how the population did not really care nor truly understand what was really at stake, even though just about everyone had an opinion on the subject.

Documentary, poetry and essay rolled into one, this compilation of stockshots and clips sourced from NFB productions of the '50s and '60s offers a singular lesson in Montreal history - its famous figures, symbolic places, and ordinary citizens. Without commentary, the film moves from the red light district to Jean Drapeau, the Jacques-Cartier market, department stores downtown, textile factories, and the construction of Place Ville-Marie. We meet Geneviève Bujold, Oscar Peterson, Monique Mercure, and Igor Stravinsky. We hear Raymond Lévesque, Jean Drapeau, and René Lecavalier.

Co-directors Hubert Caron-Guay and Serge-Olivier Rondeau follow migrant workers through the steps in the hiring process of a community-based employment assistance organization. The filmmakers highlight the migrants’ difficult path by capturing conversations between the future employees and the recruiters. Through images shot on a body camera and a minimalist observational approach, the film exposes harsh and poignant realities. It draws parallels between the changing of the seasons and the cycle of the cattle industry that begins with animals being raised and cared for at a ranch and ends with them being sent to the abattoir grimly looming in the background. Ressources is a sobering and thought-provoking work that gives a voice to those who are at the heart of the food system that sustains this country.

Produced in 1988, this feature documentary presents a living history of Quebec's last 40 years as seen through the eyes of one couple. Pauline Julien and Gérald Godin, two Quebec artists, share their perspectives on the events that have marked Quebec's evolution. Julien, a singer, and Godin, a poet, express their love and passion for the province (and each other) while providing a unique take on the Quebec nationalist movement.

In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.

This short documentary records the celebration and ritual surrounding a snowshoe competition in Sherbrooke in the late 1950s. The film marked the beginning of a new approach to reality in documentary and prefigures the trademark style of the NFB's newly formed French Unit. Today, "Les raquetteurs" is considered a precursor to the birth of direct cinema.

Recorded live at Colisée Pepsi in Quebec City, Quebec on 31 October - 1 November, 2009. Rock legends Metallica captured live in performance in Quebec City in autumn 2009. The two gigs in Quebec were part of the bands 'World Magnetic Tour' and saw them play a host of their most popular songs including 'Master of Puppets', 'The Four Horsemen' and 'Enter Sandman'.

The Algonquin once lived in harmony with the vast territory they occupied. This balance was upset when the Europeans arrived in the 16th century. Gradually, their Aboriginal traditions were undermined and their natural resources plundered. Today, barely 9,000 Algonquin are left. They live in about 10 communities, often enduring abject poverty and human rights abuses. These Aboriginal people are suffering the threat to their very existence in silence. Richard Desjardins and Robert Monderie have decided to sound the alarm before it's too late.