Le goût d'un pays

Five women from the North to the South of Quebec embark on a multisport expedition following the Koroc river in Nunavik. Travelling together against adversity, this journey soon becomes one of self-discovery for each participant.

Where did everyone go who had something to say? Alongside Serge Fiori, eleven indigenous artists cover the iconic song in their own language and prepare to perform it live.

Canadian director Catherine Annau's debut work is a documentary about the legacy of Pierre Trudeau, the long-running Prime Minister of Canada, who governed during the 1970s. The film focuses particularly on Trudeau's goal of creating a thoroughly bilingual nation. Annau interviews eight people in their mid-30s on both sides of the linguistic divide. One tells of her life growing up in a community of hard-core Quebec separatists, while another, a yuppie from Toronto, recalls believing as a child that people in Montreal got drunk and had sex all day long. Annau has all of the interviewees discuss how Trudeau's policies affected their lives and their perceptions of the other side, in this issue that strikes to the heart of Canada's national identity.

Resilience is dedicated to those whose lives have been fragmented by intergenerational trauma, but who wish to break the cycle.

December 6, 1989. Sylvie Gagnon was attending her last day of classes at the University of Montreal's École Polytechnique, when Marc Lépine entered the building. Separating the women from the men, he opened fire on the women students, yelling 'You're all a bunch of feminists.' Sylvie survived, while fourteen other women were murdered. This video makes the connection between the massacre and male violence against women, setting the stage for an exploration of misogyny and sexism.

L’histoire de la Côte-Nord: une histoire commune

Médecine traditionnelle

Briser le code

This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.

Quel numéro ? - What number ? ou le travail automatisé

Ten years after an enormous open-pit gold mine began operations in Malartic, the hoped-for economic miracle is nothing more than a mirage. Filmmaker Nicolas Paquet explores the glaring contrast between the town’s decline and the wealth of the mining company, along with the mechanisms of an opaque decision-making system in which ordinary people have little say. Part anthropological study, part investigation into the corridors of power, Malartic addresses the fundamental issue of sustainable and fair land management.

Un homme de Parole

Robert Roussil, one of the central figures of Québec sculpture, left a profound mark on art history with his bold creations and unwavering commitment to freedom of expression. However, since his death in 2013, his legacy seems to be fading. This film seeks to revive the memory of this visionary artist by delving into his work and philosophy. Constructed from a rich body of archival footage, the documentary also draws on numerous interviews given by Roussil throughout his career. The film traces his journey from his early exile in France to his life in a mill in Tourrettes-sur-Loup, in the Provence-Alpes-Côte d’Azur region, where he created most of his works. The narrative opens the doors to his home and studio, while also shedding light on his sculptures, still visible in Montreal, which continue to reflect his lasting influence.

This quirky little short by Gilles Carle was filmed on the pierced rock that stands near Quebec’s Gaspé peninsula. It is perhaps the most photographed natural phenomenon on Canada’s East Coast. Shot in the 1960s, the film has a very psychedelic feel to it, with animation, special effects, and a trio of women to guide us through.

From unlikely origins in northern Québec at the height of the Cold War, Voïvod’s post-apocalyptic sci-fi aesthetic, fuelled by a youthful obsession with their instruments, took them from underground success to sharing dates and tours with Iron Maiden, Rush, and Metallica. Despite adversity, and perhaps by cosmic intervention or just serendipity, Voïvod found guitarist Daniel “Chewy” Mongrain; subsequently, the band re-ignited their engines and laid a course back to Morgöth via numerous live shows around the world, a comeback album in Target Earth, singles, EPs, and finally, the late-career triumph, The Wake. In 2019, Voïvod were recognized by the Canadian Academy of Recording Arts and Sciences with a Juno Award for best hard rock/metal album of the year for The Wake.

Atik, gardien du territoire

On the eve of the publication of a biography of Claude Jutra, one of the most famous and celebrated filmmakers in Quebec and Canada, a leak leaked to the press reveals that the book contains anonymous allegations of pedophile acts committed by the filmmaker. The rumor spread like lightning, suddenly igniting the entirety of Quebec society. By finding today some of the main witnesses propelled overnight into the heart of an unparalleled media tornado, the documentary reconstructs with archive images and other previously unpublished images, the sequence of events which led to a rewriting of the story.

Huntingdon Mayor Stéphane Gendron wants to encourage immigration to save his town, which has been struggling ever since large-scale factory closures some years ago. Mayor Gendron’s project is a way in to a discussion about immigration and social and economic integration.

In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.

Behind closed doors in a car, three friends from the small town of Sept-Îles discuss their desire to reconnect with the North Shore, the region where they grew up. As the hours lenghten on the road 138, the young women reflect on the quest for identity that accompanies the regional exodus and reveals a social landscape decentralized from the metropolises.