Lampedusa

The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).

Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.

On February 21, 1945, the Royal Canadian Air Force Halifax bomber NP711 with a crew of seven men took off from the Linton-on-Ouse air base in England for a bombing raid over Worms, Germany. The bomber never made it to its target. The Halifax was struck by anti-aircraft fire and crashed into a mountainside near Leistadt, Germany. All crew members were killed. The crash was so horrific that the wreckage was strewn over 1,000 meters. Seventy-seven years later the wreckage was recovered and the site was deemed a gravesite for the perished crew. This documentary film examines the last days of the seven-member crew and the recovery of the wreckage of Halifax NP711.

Playing with the recording of a water polo match, Galeta creates a kind of Copernicus twist in the structure and perception of this sports game. The ball still motivates the movements of players, but it is no more a dynamic element, but the fixed center of the image.

First chapter of the series of 18 decades of life in Mexico in the twentieth century. The film narrates the entrance of Mexico into the new century, accompanied by technological advances, such as film and its impact and importance in political and social life.

A tribute to the human body.

Chapter 2 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life between 1905 and 1909, seventh presidency period of Porfirio Diaz.

An aspiring documentary filmmaker named Simon Rosenthal tries to get some attention for his film about skinheads versus Turkish immigrants. However, as a Jewish man in today's Germany, his fears for the future prompt him to move to the moon.

Documentary about making cheese in the Netherlands.

The moving camera shapes the screen image with great purposefulness, using the frame of a window as fulcrum upon which to wheel about the exterior scene. The zoom lens rips, pulling depth planes apart and slapping them together, contracting and expanding in concurrence with camera movements to impart a terrific apparent-motion to the complex of the object-forms pictured on the horizontal-vertical screen, its axis steadied by the audience's sense of gravity. The camera's movements in being transferred to objects tend also to be greatly magnified (instead of the camera the adjacent building turns). About four years of studying the window-complex preceded the afternoon of actual shooting (a true instance of cinematic action-painting). The film exists as it came out of the camera barring one mechanically necessary mid-reel splice

The film narrates the process in which two female forensic doctors, responsible for the Office of Identification of Legal Medical Institute of Santiago, fail to determine the identity of bodies that presumed are prisoners, detained and disappeared during the military dictatorship of Augusto Pinochet (1973- 1990).

Cintia is currently 30 years old. On January 6, 2022, she decided to publish on her social networks, a story she lived in her childhood. When she was 6 or 7 years old, she wrote an unusual letter to the Three Wise Men.

Solberg, Novo Transe e Resposta

We all share the same kind of brain yet everybody has a different view of the world around us. As a very intriguing example, Carlotta vividly explains how a world without faces does look like. She suffers from the miswiring of a tiny brain region that makes it impossible for her to see and remember faces as a complete construct, called prosopagnosia or face blindness.

Footage of this film was found in his belongings of director Mark Zenner after his death. A classic slice of Australian punk, both literally and figuratively, as razor sharp editing and collage techniques enliven the documentary on several punk bands.

Chapter 9 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico from 1940 to 1944. The presidency of Manuel Avila Camacho (1940-1946) in the context of the World War II.

Chapter 12 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1955 and 1959. At the end of the presidential term of Adolfo Ruiz Cortines and the beginning of the presidency of Adolfo Lopez Mateos, Mexico is experiencing political stability and economic recovery after the 1954 devaluation.

This short documentary focuses on the children of alcoholics. In the relaxed environment of a mountain campsite, a group of young people discuss their anger and frustration, and talk about their struggle to cope with the problems created by their parents' drinking. By sharing their experiences, they open a door for others like them. Aimed primarily at an audience of elementary school children and older, this film provides an excellent vehicle for generating discussion about alcohol abuse and the family.

The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index. Dhaka is fast, dense, intense. Yet the people try to find their peace in it.

Short 1964 black-and-white documentary featurette hosted by Sean Connery and featuring the real-life inspiration for the character of Q, Major Geoffrey Boothroyd with a discussion of the gun weaponry used by James Bond.