Faces Places

Curator Robert Storr takes us through the 2002 MoMA Gerhard Richter retrospective.

Built in 1923, the Flying Scotsman was the first steam locomotive to run at 100 miles an hour and to star in its own feature film. This is the untold story of the iconic Flying Scotsman-the very best in the engineering of its time.

Minuta ticha

Documentary celebrating the life and career of world-renowned Magnum photographer David Hurn, possibly Wales's most important living photographer.

Follows a trail of over 10 museums and 150 artworks amongst the most well-known in the world. It is an artistic foray into Florence taking in everything from the Brancacci Chapel to the Bargello National Museum, from Palazzo Medici, to the narrow city streets and Brunelleschi’s Dome, from Palazzo Vecchio to the Uffizi Gallery and the Accademia Gallery, without neglecting picture postcard places such as the Ponte Vecchio and Piazza della Signoria.

First broadcast in 1987 on the UK's Channel 4, Bombin' is a documentary about Afrika Bambaataa's Zulu nation bringing American hip-hop culture to the UK for first time. The main focus is the graffiti art of Brim and the variety of reactions he is faced with from the British public and press.

In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.

Dadi manages an extended family in Haryana, Northern India, where daughters-in-law face loneliness and unrealistic expectations. The film delves into family dynamics, highlighting Dadi's firm control amidst tensions. Social and economic shifts challenge traditional values, exemplified by Dadi's son marrying outside the village. Despite clinging to tradition, Dadi adapts to her children's modern aspirations. This narrative reflects the clash between generations and gender roles in 1980s rural India, offering insight into the evolving concept of family.

BRAKHAGE explores the depth and breadth of the filmmaker’s genius, the exquisite splendor of his films, his magic personal charm, his aesthetic fellow travelers, and the influence his work has had on generations of other creators. While touching on significant moments in Brakhage’s biography, the film celebrates Brakhage’s visionary genius, and explores the extraordinary artistic possibilities of cinema, a medium mostly known only for its commercial applications in the form of narratives, cartoons, documentaries, and advertising. BRAKHAGE combines excerpts from Brakhage’s films and films of other avant-garde filmmakers (eg, George Kuchar, Jonas Mekas, Willie Varela, Bruce Elder, and others); interviews with Brakhage, his friends, family, colleagues, and critics; archival footage of Brakhage spanning the past thirty-five years; and location shooting in Boulder, Colorado and New York.

Explores the paths being forged by six modern artists, giving us rare insight into the minds behind this rousing new wave of painting.

July 2006. Another war breaks out in Lebanon. The directors decide to follow a movie star, Catherine Deneuve and a friend, actor and artist Rabih Mroue;, on the roads of South Lebanon. Together, they will drive through the regions devastated by the conflict. It is the beginning of an unpredictable, unexpected adventure...

Emil Nolde was a Nazi – and so what, asks contemporary German artist Daniel Richter. “It’s a moralistic debate. A debate, that mirrors the moralism and bigottery of a generation that seems to think, that the world is a moral playground.” Emil Nolde’s relationship to the Nazi-regime in the Third Reich has given rise to immense discussions within the last months. For decades the broader public had a picture of Nolde being one of the “entartete” artists as well as being prohibited painting by the Nazi-regime. Though this on the surface is true, it was the result of a great disappointment to Nolde. For years, he had strived to become “the” artist of the Thrid Reich, praising his own art as true, German, anti-French and anti-Jewish. Possible competitors within the German art world like Max Pechstein he actively denounced to the Nazi authorities.

The Channel Tunnel linking Britain with France is one of the seven wonders of the modern world but what did it take to build the longest undersea tunnel ever constructed? We hear from the men and women, who built this engineering marvel. Massive tunnel boring machines gnawed their way through rock and chalk, digging not one tunnel but three; two rail tunnels and a service tunnel. This was a project that would be privately financed; not a penny of public money would be spent on the tunnel. Business would have to put up all the money and take all the risks. This was also a project that was blighted by flood, fire, tragic loss of life and financial bust ups. Today, it stands as an engineering triumph and a testament to what can be achieved when two nations, Britain and France put aside their historic differences and work together.

A montage, using documentary material filmed during the war, shows the beginnings of an air attack and Londoners entering shelters. From the silent deserted streets, the film moves underground into the world of Henry Moore's shelter drawings. People sit along subway platforms, looking after their children, settling down for the night, sleeping in bunks and on the floor. Above ground London burns. Henry Moore used the eye of a sculptor in portraying the stolidity and enduring patience of a besieged people. This film brings together a unique series of drawings which are some of the most remarkable achievements of an artist during wartime. Eliminating all narration, it explores, on several metaphoric levels, the very nature of human consciousness and creativity.

The Russian painter Wassily Kandinsky claimed, or has been credited with, the 'creation' of abstract art. At the core of this film is a dramatic recreation of Kandinsky's account of returning to his studio one dark evening, and being astonished by an unknown masterpiece of abstract art leaning against the easel - a picture which turned out to be one of his own landscapes fallen on its side. 'Now I knew for certain that the object spoiled my pictures.' While this film's narration does indeed emphasize the notion of an inspired breakthrough to Abstraction, the picture it conveys in more purely filmic ways is a rich and complex one.

Ka Hoʻina documents members of Hui Mālama I Nā Kūpuna O Hawaiʻi Nei's final repatriation of over 140 sets of iwi kupuna and provides an intimate look into the legacy forged by these committed and passionate few, ensuring that Hawaiians will mālama or care for kupuna for generations to come.

The Art of Antony Gormley features the documentary Antony Gormley and the 4th Plinth, produced for Sky Arts, which reveals the background to this living monument and explores its origins in the sculptor's beautiful and mysterious art. Works created across more than two decades were filmed in HD for this visually sumptuous and thought-provoking documentary.

London, England, 2008. Some of the most distinguished experts on the work of Italian artist Leonardo da Vinci (1452-1519) gather at the National Gallery to examine a painting known as Salvator Mundi; an event that turns out to be the first act of one of the most fascinating stories in the history of art.

Tina Modotti was the most important photographer of the twenties from last century in Mexico. Born in Udine in northeastern Italy, at age 16 emigrated, like millions of Italians to America. Ther she worked as a model and actress, but when renowned photographer Edward Weston chose Mexico as his home, Tina learned from him the craft and it was here where she made his photographic work. The crosslinking of art, activism, love and tragedy in her life, are the subjects of this documentary.

For his five Cremaster films Matthew Barney's created a multitude of sculptural forms and structures. Recently both the sculptures and the films traveled to museums in Cologne, Paris and New York's Guggenheim. In THE CREMASTER CYCLE: A Conversation with Matthew Barney, the artist guides the camera through this remarkable creation at the Guggenheim Museum while being questioned by Michael Kimmelman, chief art critic of the New York Times.