Filmmaker Arturo Perez Torres follows in the footsteps of two friends traveling on an extraordinary and extremely dangerous journey from Central America to North America. On their journey they encounter gangs and vigilantes as well as border patrol. But these immigrants navigate real-life nightmares with uncanny calm, grace and even humor in their perilous pursuit of the a better life.
Documentary exploring the effect of mass immigration on the dwindling white community of the East End, from the perspective of those who remain and those who chose to leave.
Three young Afghans find themselves in limbo after being evacuated to the US from Kabul.
Récits d'une jeunesse exilée - J'ai marché jusqu'à vous
A documentary about the Israeli-Palestinian conflict that has lasted for more than 50 years. Contains some interviews with the children in this conflict.
Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.
UNACCOMPANIED: Alone in America shows the incredible obstacles young unaccompanied children face when they appear alone, without a lawyer, in immigration proceedings. Help support Immigration Counseling Service, a 501(c)3 non-profit, in its efforts to provide legal representation for every child. Because there is no such thing as other people's children...
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
Young migrants from Afghanistan, Cameroon, Serbia and Venezuela attend a Swiss integration class where they learn a new language and prepare for employment.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Flying Paper tells the uplifting story of resilient Palestinian youth in the Gaza Strip on a quest to shatter the Guinness World Record for the most kites ever flown.
In this tale of labor and family that shines a light on the precarity of temporary work visas, Raymundo Morales leads a crew of workers who have to make the challenging decision to leave their families in rural Mexico to plant commercial pine forests in the United States.
Tawfiq’s Reef chronicles the plight of Palestinian fishermen in Gaza, heavily restricted in the area in which they can fish, often indebted, shot at, harassed or imprisoned by the Israeli Navy on the narrow sliver of fishing waters available to them off the Gaza coastline, making this one of the most dangerous professions in the world.
Set in the al-Mishal Cultural Center in Gaza before it was destroyed by an Israeli air strike on August 9, 2018, A Play Before The Bombs is a story that unfolds over a 4 year period. The film follows Abeer Ahmed, a young woman growing up in the Jabaliya Refugee Camp, the largest refugee camp in Gaza, as she and the other members of her cast and crew prepare to put on a play that focuses on a Palestinian woman’s right to receive inheritance. While the content of the play is tailored towards fostering a cultural discussion among Palestinians, neither the play nor the playhouse can escape the omnipresence of the Israeli siege on Gaza. A siege that shatters literal buildings as well as the hopes and dreams of the performers and community members who take refuge within the walls of al-Mishal in search of artistic fulfillment.
FREEWAY CITY is a provocative case study on how the collision of race, politics and casino economics shaped the destiny of Gardena, California.
A short documentary that follows Korean grandparents as they share their modern-day reckoning of their immigration story and grandparenthood.
The White Elephant is an experimental video loosely based on the adventures of a Palestinian teenager coming to grips with her angst within the political climate of the Oslo Accords in Palestine in the 1990s. Narrating a story of lies amongst thieves, the confessional and at times darkly humorous video, projects a confrontational gaze onto the landscape through acts that transgress political boundaries and explore personal desires.
One million people legally cross the U.S.-Mexico border every day in both directions. Among them are women from Ciudad Juárez who cross to give birth in El Paso, Texas. Even with visas that allow them to cross, their journeys are uncertain. Gaby and Luisa, two women from Ciudad Juárez, cross legally into El Paso, Texas, in order to give birth. Two Chicana midwives in El Paso, Lina and Sandra, support the women who cross. After living through the extreme violence that engulfed Ciudad Juárez from 2008-2012 and with the looming threat of obstetrical violence in Mexican hospitals, Gaby and Luisa choose to cross, seeking a safer future for their children and the opportunity for natural childbirth with midwives. They risk losing their visas, getting turned back, and harassment at the hands of U.S. Border Patrol. Against the backdrop of oppressive U.S. border policy, these women's stories of risk and resilience reveal the complexities of life on the U.S.-Mexico border.
The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.
Les cèdres du Liban