A poignant, sometimes sad, sometimes painful, sometimes humorous, often absurd story of a multiple journey: the journey of loss as the director’s mother Aida struggled with losing herself to Alzheimer’s disease, but finding solace in her repeated “returning” to the Yafa and Palestine of her youth; the journey of the loss of a parent; and the ultimate return journey back to Yafa where Aida would finally find rest and be herself once more.
This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. This film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.
Rule of Stone is a documentary film that exposes the power of architecture and the role it has played – aesthetically, ideologically and strategically – in the creation of modern Jerusalem after the 1967 war.
A fringe communist party struggles to entrench itself within a pro-Palestinian encampment at a British university. Meanwhile, in 1967, the New Left grapples with an unconvinced public.
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
This film analyzes the economic interests underpinning the conflict between Palestinians and Israelis, with a particular focus on the influence of international oil interests in the region. The analysis found here is inspired by the writings of the Palestinian writer and journalist Ghassan Kanafani.
Eight women on the margins of Israeli society are thrown together during the course of a school year at Tel Aviv's oldest beauty school. Amidst the combs and colorings, these women present a microcosm of modern-day Tel Aviv -- native Israelis and new immigrants, Asians and Africans, among them women struggling with cancer and personal loss. As they learn to create beauty without, each woman undergoes a powerful transformation within.
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
Twenty-five films from twenty-five European countries by twenty-five European directors.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
A documentary released in 1985 about the Mothers of Place Vendôme.
How mass protests on the Israel-Gaza border led to one of the deadliest days in a generation. One year later, a moment-by-moment investigation, drawing on exclusive interviews in Gaza and Israel and videos of the protests and bloodshed.
A group of children living on the streets of Athens. Among them is Sayid, a twelve-year-old boy, who works all day selling sunflower seeds in the city’s parks and squares. His existence borders on absolute poverty, as he goes looking for food at soup kitchens. His daily routine in the chaotic capital of Greece is a continuous struggle for survival. At the same time, however, he manages to find and enjoy the freedom the city streets can offer. Sayid, along with his friends who are all immigrants from Afghanistan, escape their desperation by clinging onto their hopes. With them, he plays innocent childhood games and dreams of a better future: He wants to leave for Northern Europe, to go to school, and to get a decent job when he grows up. Sayid is trapped in Greece, a country plagued by a financial crisis, increasing unemployment, rampant xenophobia, and racist violence. Sayid doesn’t mince his words: “I’ve been here for about two years, and it feels like twenty.”
Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.
A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
After losing her father at an early age, Tina Duran explores the rich history of her father, the story of her ancestors who migrated from Mexico to the United States, and the impact the Vietnam War had on their community.
Monaco, Italia. Storie di arrivi in Germania
Documentary film version of the stage show in which actress Cynthia Gates Fujikawa explores the story of her father, actor Jerry Fujikawa, who had a long career in films and television, most often as a stereotyped Asian. The daughter, in the course of searching out her late father's history, discovers many things that she had not known, among them that her father had spent time in Manzanar, the internment camp for Japanese-Americans during World War II, that he had had a family prior to hers, and that somewhere out there was a sister she had never known existed.
Narratives of Modern Genocide challenges the audience to experience first-person accounts of survivors of genocide. Sichan Siv and Gilbert Tuhabonye share how they escaped the killing fields of Cambodia, and the massacre of school children in Burundi. Mixing haunting animation, and expert context the film confronts our notion that the holocaust was the last genocide.
The events that took place at the beach of El Tarajal in Ceuta (Spain) in February 2014 - the killing by the border police of 15 people who were trying to reach the Spanish coast - are an example of how the police force can violate the laws of its own country and international conventions with total impunity. The worst part is that this violation of human rights is protected by the Spanish Ministry of Interior itself, which hinders any effective action by the prosecution. For this reason, the civil society plays a fundamental role in revealing the facts. This is where the figure of collective complaints (DESC Observatory and the association Coordinadora de Barrios) steps in.