Aventuras en Foxilandia

"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."

Tens of thousands of Mexicans have been killed in drug-related gang violence in the past ten years. Ruthless criminals control the illegal trade with the US, thought to be worth $13bn a year. Now one of Mexico's leading politicians, known as El Bronco, the Governor of the State of Nuevo Leon claims he can beat the country's infamous cartels. For Our World Yalda Hakim has been to spend time with him.

A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.

Sentinels of Silence is a 1971 short documentary film on ancient Mexican civilizations. The film was directed and written by Mexican filmmaker Robert Amram, and is notable for being the first and only short film to win two Academy Awards.

Research and dissemination documentary-film about contemporary art in which more than 30 staff members of museums and galleries, visual and sound artists, collectors, art critics and curators share their knowledge and give an account of their experiences and anecdotes.

This short film focuses on the mysterious and legendary Seri Indians who live in a utopian colony off the west coast of Mexico.

Oaxaca - Zwischen Rebellion und Utopie

These are the future leaders of their communities. Ever wonder what it’s like to walk a day in their shoes? How the world looks through their eyes? We were curious. So, we asked them.

Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.

Corazón Oaxaqueño

Examines the life, work, and cultural significance of Gloria Anzaldúa, poet and visual artist, and those she inspired in women's Chicano art. The work highlights the struggle for women's and gay rights.

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.

This nature documentary follows some of the world’s most charismatic animals as they travel to Mexico across the span of a year. Using access to some of the country’s most protected sights, the film explores the relationship between family members as they battle to survive. Mixing moments of intimacy with fast-paced action, the film captures the epic scope of Mexico’s wildlife while it seeks to explain one of the most important themes of our era: migration.

Monarch butterflies have brought hope to the darkest times of people's lives. In Mexico, when they arrive for Day of the Dead, they are thought to be souls of the departed. Coincidence?

L'écolo qui défie la mafia de Mexico

Who’s up for a sensual, seductive trip with some of the hottest Latin men that have ever graced the Silver Screen? ‘Mexican Men’ collects five of the most accomplished gay shorts from one of the homes of groundbreaking queer cinema. From short encounters, emerging love stories and deeply touching connections, these short films are sure to stir the heart... and body. Includes: Atmosphere [Atmósfera] (2010); To Live [Vivir] (2003); Tremulous [Trémulo] (2015); Wandering Clouds [Nubes flotantes] (2014); Young Man on the Bar Masturbating with Rage and Nerve [Muchacho en la barra se masturba con rabia y osadía] (2015).

A guy named Peter learns several facts about plastic's impact on the environment.

„The Frontier“ or „La Frontera“ is the undulating landscape of the Sonora Desert in Arizona, which once was a symbol of freedom on the horizon of the American West – and also a region plagued by recurrent territorial struggles. Currently, a high steel fence stretches over several miles strictly separating the USA and Mexico into two territories. Every year, the remains of hundreds of migrants are retrieved from the area. The tense situation in Arizona’s borderland has split the locals into two groups: one demanding a more technically advanced border control system, the other requesting more humanitarian help. Accompanying various locals, NGO workers and self-proclaimed border guards from the region, filmmaker Gudrun Gruber raises the question of whether the latest border control technology will finally bring peace to the area, or rather merely increase the number of deaths.

Gol Gana

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.